Streetnotes
Parent: University Library
eScholarship stats: Breakdown by Item for March through June, 2026
| Item | Title | Total requests | Download | View-only | %Dnld |
|---|---|---|---|---|---|
| 9fd6h8h6 | Nailed It: Producing and Consuming in Tokyo's Nail Industry | 807 | 533 | 274 | 66.0% |
| 3sq2n3vk | Street Life of Children in 20th Century New York | 492 | 98 | 394 | 19.9% |
| 26x7n3h7 | Mexico City Morphologies | 479 | 99 | 380 | 20.7% |
| 0j78g51h | An Anthology of Urban Habits | 456 | 263 | 193 | 57.7% |
| 3rw3811t | Outdoor Dining and the Transformation of Public Space in New York City | 437 | 168 | 269 | 38.4% |
| 6v89d9fs | O Carnaval 2016 | 376 | 255 | 121 | 67.8% |
| 4dv2g2n9 | Fashioning African Cities: The Case of Johannesburg, Lagos and Douala | 368 | 178 | 190 | 48.4% |
| 7911262j | The Guerrilla Gallery: A Rapid Ethnography about a Collaborative Public Art Installation in East Harlem | 357 | 142 | 215 | 39.8% |
| 8r28g965 | New Europes | 352 | 69 | 283 | 19.6% |
| 9w38g223 | Playing Chess in Public: Recreational Traditions in a Time of Crisis | 350 | 132 | 218 | 37.7% |
| 93b0x2b2 | An Alphabet of Disaster: 9/11 From A to Z | 342 | 63 | 279 | 18.4% |
| 79v2j4d1 | Urban Journeys of the Rhizomatic Line | 321 | 102 | 219 | 31.8% |
| 7p30j74g | Argul Weave: Local Skills Meet Global Design Practices or Activating Turkey’s Hinterland Potential | 305 | 92 | 213 | 30.2% |
| 76m8p91h | Bryant Park, New York: Strangers in Public Spaces | 295 | 78 | 217 | 26.4% |
| 72w0d49r | Religion and the Artification of Graffiti in the Olympic City : A Look at the Walls of Rio de Janeiro | 283 | 115 | 168 | 40.6% |
| 3sr418wd | Pokéwalking in the City: Pokémon GO and the Ludic Geographies of Digital Capitalism, A View from Jaffna, Sri Lanka | 275 | 156 | 119 | 56.7% |
| 3b92k8f5 | Charles Drummond and Carlos Baudelaire : an Encounter Over Urban Botany | 272 | 149 | 123 | 54.8% |
| 1t32x8w9 | Orality and Memory in the Carnival of Cádiz, Spain: Identity, Urban Space, and Socio-Political Transgression | 262 | 86 | 176 | 32.8% |
| 4v79b7fz | “Space shapes a person; constraints free the soul”: Watercolour sketches of Moscow panel-block apartments on the eve of demolition. | 255 | 126 | 129 | 49.4% |
| 2vt230ng | Lockdown, Soundscapes, Dreams: A Diary (July 25, 2020 – August 8, 2021) | 253 | 130 | 123 | 51.4% |
| 9b8600vg | Like Birds in A Cage: Accounts About Social Isolation Soundscapes During the Pandemic in Brazil | 250 | 110 | 140 | 44.0% |
| 88f8g73w | Pantoum from the 44th Floor, True Story w/ Morning Dove | 247 | 188 | 59 | 76.1% |
| 4bk2p4j0 | Identities of Self and Place in Sunset Park: The Unmaking of the Gowanus Expressway | 245 | 120 | 125 | 49.0% |
| 29b9v2qt | CODED GEOMETRY: A Digitally Expanded Game of Psychogeography | 244 | 135 | 109 | 55.3% |
| 5bp6w6cp | Altman on Jacobs on Dior: Fashion Through Fractals and Archives | 243 | 107 | 136 | 44.0% |
| 5xp7m6kp | Utopian Verticality: the Skyscraper and the Superhero in the American Imagination | 242 | 111 | 131 | 45.9% |
| 3c60k4bj | Streetstyle: an Interview with Susan B. Kaiser | 239 | 85 | 154 | 35.6% |
| 54d4r244 | By Caricature Artists in Times Square (series) | 238 | 75 | 163 | 31.5% |
| 1th2m58k | The Philadelphia School Closing Photo Collective: Photography as Documentation, Public Participation, and Community Resistance | 231 | 96 | 135 | 41.6% |
| 3f63w7r5 | A New Postindustrial Nature: Remembering the Wild Waterfront of Hunters Point | 229 | 109 | 120 | 47.6% |
| 1qw0j1hn | Sonorities and Cities (in Times of Crisis) | 228 | 95 | 133 | 41.7% |
| 2gk5k117 | Tilted Upwards | 227 | 94 | 133 | 41.4% |
| 4cx904vp | The Sound Seasons | 225 | 113 | 112 | 50.2% |
| 3rz571f7 | When the Horizontal Goes Vertical or How Skateboarding Redefines the Urban Environment | 223 | 84 | 139 | 37.7% |
| 6n41z9w9 | Cell-Out: A Long-Distance Mobile Performance of Scores, Reflections, Confessions | 223 | 111 | 112 | 49.8% |
| 0fd2445g | Ways of Walking | 222 | 120 | 102 | 54.1% |
| 1qc2n79j | Public Space in the Making: A Rotterdam Experiment | 221 | 95 | 126 | 43.0% |
| 339598d3 | Cultural Heritage and Spectacle: Painted and Digital Panoramic Re-Presentations of Versailles | 220 | 87 | 133 | 39.5% |
| 0cf8m7zg | Excerpts from THE ROMANCE OF SIAM: A POCKET GUIDE | 219 | 80 | 139 | 36.5% |
| 1zg1280p | Introduction: Between Spectacle and Resistance Some Thoughts on Public Space Today | 219 | 137 | 82 | 62.6% |
| 26g6z7c3 | Change and Memory on the Fresno Fulton Mall | 219 | 75 | 144 | 34.2% |
| 3jm7r145 | Creating Spaces of Transborder Play: Indigenous Mexican Migrants in California and the Game of Pelota Mixteca | 219 | 79 | 140 | 36.1% |
| 7bz4r4sw | Possible Counter-Histories: Artivism and Popular Action in Morro da Providência, Rio de Janeiro | 214 | 106 | 108 | 49.5% |
| 8cr7v2g0 | Demarcating Fences: Power, Settler-Militarism, and the Carving of Urban Futenma | 214 | 85 | 129 | 39.7% |
| 1s58d6dz | The Flaneur Looks Up: Reading Chinatown Verticalities | 212 | 90 | 122 | 42.5% |
| 28p2d92x | What Happened?: An Examination of PLAYDATE, a Cellphone-Oriented, Neighborhood-Wide, Beyond-the-Stage Play in and About Downtown Brooklyn | 212 | 93 | 119 | 43.9% |
| 9t90f18j | Our Home(s) and/on Native Land: Spectacular Re-Visions and Refusals at Vancouver’s 2010 Winter Olympic Games | 211 | 108 | 103 | 51.2% |
| 2hq4k7zn | Bank Street: A Photographic Essay | 209 | 59 | 150 | 28.2% |
| 42k3z9s2 | Dreams Are What Music Is Made of… | 207 | 96 | 111 | 46.4% |
| 5mh630x7 | Capturing Memories in My Sketchbook | 206 | 101 | 105 | 49.0% |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.