Streetnotes
Parent: University Library
eScholarship stats: Breakdown by Item for May through August, 2026
| Item | Title | Total requests | Download | View-only | %Dnld |
|---|---|---|---|---|---|
| 0j78g51h | An Anthology of Urban Habits | 2,336 | 1,737 | 599 | 74.4% |
| 3sq2n3vk | Street Life of Children in 20th Century New York | 506 | 96 | 410 | 19.0% |
| 9fd6h8h6 | Nailed It: Producing and Consuming in Tokyo's Nail Industry | 471 | 180 | 291 | 38.2% |
| 3sr418wd | Pokéwalking in the City: Pokémon GO and the Ludic Geographies of Digital Capitalism, A View from Jaffna, Sri Lanka | 451 | 342 | 109 | 75.8% |
| 26x7n3h7 | Mexico City Morphologies | 440 | 130 | 310 | 29.5% |
| 4dv2g2n9 | Fashioning African Cities: The Case of Johannesburg, Lagos and Douala | 368 | 135 | 233 | 36.7% |
| 6v89d9fs | O Carnaval 2016 | 353 | 239 | 114 | 67.7% |
| 3rw3811t | Outdoor Dining and the Transformation of Public Space in New York City | 326 | 137 | 189 | 42.0% |
| 8r28g965 | New Europes | 311 | 38 | 273 | 12.2% |
| 9w38g223 | Playing Chess in Public: Recreational Traditions in a Time of Crisis | 303 | 109 | 194 | 36.0% |
| 76m8p91h | Bryant Park, New York: Strangers in Public Spaces | 293 | 65 | 228 | 22.2% |
| 93b0x2b2 | An Alphabet of Disaster: 9/11 From A to Z | 282 | 59 | 223 | 20.9% |
| 7911262j | The Guerrilla Gallery: A Rapid Ethnography about a Collaborative Public Art Installation in East Harlem | 255 | 94 | 161 | 36.9% |
| 4v79b7fz | “Space shapes a person; constraints free the soul”: Watercolour sketches of Moscow panel-block apartments on the eve of demolition. | 254 | 115 | 139 | 45.3% |
| 88f8g73w | Pantoum from the 44th Floor, True Story w/ Morning Dove | 253 | 198 | 55 | 78.3% |
| 5xp7m6kp | Utopian Verticality: the Skyscraper and the Superhero in the American Imagination | 249 | 105 | 144 | 42.2% |
| 72w0d49r | Religion and the Artification of Graffiti in the Olympic City : A Look at the Walls of Rio de Janeiro | 239 | 101 | 138 | 42.3% |
| 2vt230ng | Lockdown, Soundscapes, Dreams: A Diary (July 25, 2020 – August 8, 2021) | 230 | 132 | 98 | 57.4% |
| 9b8600vg | Like Birds in A Cage: Accounts About Social Isolation Soundscapes During the Pandemic in Brazil | 230 | 122 | 108 | 53.0% |
| 1t32x8w9 | Orality and Memory in the Carnival of Cádiz, Spain: Identity, Urban Space, and Socio-Political Transgression | 225 | 66 | 159 | 29.3% |
| 7p30j74g | Argul Weave: Local Skills Meet Global Design Practices or Activating Turkey’s Hinterland Potential | 224 | 63 | 161 | 28.1% |
| 79v2j4d1 | Urban Journeys of the Rhizomatic Line | 222 | 62 | 160 | 27.9% |
| 4cx904vp | The Sound Seasons | 218 | 105 | 113 | 48.2% |
| 5bp6w6cp | Altman on Jacobs on Dior: Fashion Through Fractals and Archives | 217 | 100 | 117 | 46.1% |
| 3c60k4bj | Streetstyle: an Interview with Susan B. Kaiser | 215 | 62 | 153 | 28.8% |
| 2dn493cv | Tailoring Cosmopolitanism in the Italian Nordest | 214 | 70 | 144 | 32.7% |
| 29b9v2qt | CODED GEOMETRY: A Digitally Expanded Game of Psychogeography | 211 | 98 | 113 | 46.4% |
| 0cf8m7zg | Excerpts from THE ROMANCE OF SIAM: A POCKET GUIDE | 208 | 63 | 145 | 30.3% |
| 1rq8t1v6 | From God’s Eye to Ground Level: Aerial LiDAR as an Avenue to a Volumetric Understanding of Urban Spaces | 207 | 119 | 88 | 57.5% |
| 54d4r244 | By Caricature Artists in Times Square (series) | 206 | 66 | 140 | 32.0% |
| 0fd2445g | Ways of Walking | 205 | 86 | 119 | 42.0% |
| 6gq900fk | Appendix B: Survey of Urban Habits | 204 | 32 | 172 | 15.7% |
| 3b92k8f5 | Charles Drummond and Carlos Baudelaire : an Encounter Over Urban Botany | 202 | 111 | 91 | 55.0% |
| 3f63w7r5 | A New Postindustrial Nature: Remembering the Wild Waterfront of Hunters Point | 200 | 100 | 100 | 50.0% |
| 7785g7n6 | Table of Contents: An Anthology of Urban Habits, <em>Streetnotes</em> 31. | 193 | 32 | 161 | 16.6% |
| 9j31x5r0 | The Forest and the City: Rio as an Immersive Landscape | 192 | 74 | 118 | 38.5% |
| 3jm7r145 | Creating Spaces of Transborder Play: Indigenous Mexican Migrants in California and the Game of Pelota Mixteca | 191 | 61 | 130 | 31.9% |
| 28p2d92x | What Happened?: An Examination of PLAYDATE, a Cellphone-Oriented, Neighborhood-Wide, Beyond-the-Stage Play in and About Downtown Brooklyn | 188 | 84 | 104 | 44.7% |
| 2hq4k7zn | Bank Street: A Photographic Essay | 187 | 38 | 149 | 20.3% |
| 5x8445tk | Recollecting Perestroika: Notes from the Playgrounds of Ukraine (1986–1993) | 187 | 67 | 120 | 35.8% |
| 7tw355gt | Tokyo MA: A City at 24 fps | 182 | 63 | 119 | 34.6% |
| 9fz590md | Cover for Issue 23 | 180 | 33 | 147 | 18.3% |
| 3rz571f7 | When the Horizontal Goes Vertical or How Skateboarding Redefines the Urban Environment | 177 | 59 | 118 | 33.3% |
| 4bk2p4j0 | Identities of Self and Place in Sunset Park: The Unmaking of the Gowanus Expressway | 177 | 99 | 78 | 55.9% |
| 1qw0j1hn | Sonorities and Cities (in Times of Crisis) | 175 | 74 | 101 | 42.3% |
| 3tz0b8bk | cover 30 | 175 | 50 | 125 | 28.6% |
| 0xs2n1x8 | Lest We Forget: Observations from Belfast's Twaddell Avenue | 173 | 62 | 111 | 35.8% |
| 2gk5k117 | Tilted Upwards | 172 | 70 | 102 | 40.7% |
| 54j275dd | BINAA: Making Architecture in the 21st Century | 171 | 63 | 108 | 36.8% |
| 1s58d6dz | The Flaneur Looks Up: Reading Chinatown Verticalities | 169 | 80 | 89 | 47.3% |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.