Streetnotes
Parent: University Library
eScholarship stats: History by Item for July through October, 2026
| Item | Title | Total requests | 2026-10 | 2026-09 | 2026-08 | 2026-07 |
|---|---|---|---|---|---|---|
| 0j78g51h | An Anthology of Urban Habits | 2,754 | 441 | 433 | 779 | 1,101 |
| 9fd6h8h6 | Nailed It: Producing and Consuming in Tokyo's Nail Industry | 542 | 117 | 157 | 200 | 68 |
| 4dv2g2n9 | Fashioning African Cities: The Case of Johannesburg, Lagos and Douala | 478 | 178 | 120 | 113 | 67 |
| 3sr418wd | Pokéwalking in the City: Pokémon GO and the Ludic Geographies of Digital Capitalism, A View from Jaffna, Sri Lanka | 393 | 54 | 39 | 110 | 190 |
| 3sq2n3vk | Street Life of Children in 20th Century New York | 374 | 66 | 47 | 143 | 118 |
| 26x7n3h7 | Mexico City Morphologies | 355 | 81 | 71 | 113 | 90 |
| 7911262j | The Guerrilla Gallery: A Rapid Ethnography about a Collaborative Public Art Installation in East Harlem | 334 | 137 | 91 | 73 | 33 |
| 6v89d9fs | O Carnaval 2016 | 308 | 86 | 60 | 83 | 79 |
| 76m8p91h | Bryant Park, New York: Strangers in Public Spaces | 289 | 75 | 64 | 101 | 49 |
| 3rw3811t | Outdoor Dining and the Transformation of Public Space in New York City | 286 | 114 | 50 | 75 | 47 |
| 9w38g223 | Playing Chess in Public: Recreational Traditions in a Time of Crisis | 279 | 73 | 65 | 76 | 65 |
| 93b0x2b2 | An Alphabet of Disaster: 9/11 From A to Z | 275 | 55 | 115 | 58 | 47 |
| 5xp7m6kp | Utopian Verticality: the Skyscraper and the Superhero in the American Imagination | 267 | 48 | 78 | 103 | 38 |
| 4v79b7fz | “Space shapes a person; constraints free the soul”: Watercolour sketches of Moscow panel-block apartments on the eve of demolition. | 244 | 58 | 78 | 50 | 58 |
| 2dn493cv | Tailoring Cosmopolitanism in the Italian Nordest | 239 | 64 | 36 | 113 | 26 |
| 9t90f18j | Our Home(s) and/on Native Land: Spectacular Re-Visions and Refusals at Vancouver’s 2010 Winter Olympic Games | 228 | 65 | 107 | 37 | 19 |
| 9b8600vg | Like Birds in A Cage: Accounts About Social Isolation Soundscapes During the Pandemic in Brazil | 223 | 55 | 49 | 64 | 55 |
| 5nd8d78f | Mapping a City’s Energy: using digital storytelling to facilitate embodied experiences of urban | 222 | 85 | 66 | 41 | 30 |
| 1t32x8w9 | Orality and Memory in the Carnival of Cádiz, Spain: Identity, Urban Space, and Socio-Political Transgression | 221 | 81 | 56 | 47 | 37 |
| 88f8g73w | Pantoum from the 44th Floor, True Story w/ Morning Dove | 217 | 71 | 43 | 64 | 39 |
| 79v2j4d1 | Urban Journeys of the Rhizomatic Line | 205 | 67 | 56 | 48 | 34 |
| 72w0d49r | Religion and the Artification of Graffiti in the Olympic City : A Look at the Walls of Rio de Janeiro | 204 | 53 | 63 | 62 | 26 |
| 5bp6w6cp | Altman on Jacobs on Dior: Fashion Through Fractals and Archives | 198 | 62 | 42 | 55 | 39 |
| 0xs2n1x8 | Lest We Forget: Observations from Belfast's Twaddell Avenue | 197 | 69 | 52 | 44 | 32 |
| 1rq8t1v6 | From God’s Eye to Ground Level: Aerial LiDAR as an Avenue to a Volumetric Understanding of Urban Spaces | 196 | 68 | 40 | 49 | 39 |
| 3jm7r145 | Creating Spaces of Transborder Play: Indigenous Mexican Migrants in California and the Game of Pelota Mixteca | 195 | 63 | 51 | 46 | 35 |
| 5x8445tk | Recollecting Perestroika: Notes from the Playgrounds of Ukraine (1986–1993) | 189 | 53 | 58 | 45 | 33 |
| 387338nf | Field Notes: Beijing Markets | 187 | 74 | 40 | 42 | 31 |
| 1s58d6dz | The Flaneur Looks Up: Reading Chinatown Verticalities | 185 | 67 | 42 | 49 | 27 |
| 9j31x5r0 | The Forest and the City: Rio as an Immersive Landscape | 183 | 41 | 30 | 86 | 26 |
| 29b9v2qt | CODED GEOMETRY: A Digitally Expanded Game of Psychogeography | 180 | 54 | 35 | 46 | 45 |
| 3rz571f7 | When the Horizontal Goes Vertical or How Skateboarding Redefines the Urban Environment | 180 | 54 | 52 | 46 | 28 |
| 2vt230ng | Lockdown, Soundscapes, Dreams: A Diary (July 25, 2020 – August 8, 2021) | 177 | 42 | 26 | 53 | 56 |
| 7bz4r4sw | Possible Counter-Histories: Artivism and Popular Action in Morro da Providência, Rio de Janeiro | 177 | 66 | 57 | 38 | 16 |
| 7p30j74g | Argul Weave: Local Skills Meet Global Design Practices or Activating Turkey’s Hinterland Potential | 176 | 65 | 44 | 47 | 20 |
| 28p2d92x | What Happened?: An Examination of PLAYDATE, a Cellphone-Oriented, Neighborhood-Wide, Beyond-the-Stage Play in and About Downtown Brooklyn | 175 | 58 | 35 | 54 | 28 |
| 84v4p49j | Urban “Clutter”: Stairway Landings of Shanghai | 173 | 66 | 47 | 46 | 14 |
| 2hq4k7zn | Bank Street: A Photographic Essay | 172 | 46 | 36 | 61 | 29 |
| 3c60k4bj | Streetstyle: an Interview with Susan B. Kaiser | 168 | 53 | 25 | 59 | 31 |
| 7tw355gt | Tokyo MA: A City at 24 fps | 168 | 47 | 37 | 51 | 33 |
| 25g073q2 | Strategies for Subverting the Tyranny of the Corporate Map: An Interview with Babak Fakhamzadeh | 166 | 67 | 39 | 33 | 27 |
| 7mg5951n | A Festive Surveillance: Mega-Events in Rio de Janeiro | 166 | 75 | 26 | 52 | 13 |
| 6n41z9w9 | Cell-Out: A Long-Distance Mobile Performance of Scores, Reflections, Confessions | 161 | 60 | 32 | 36 | 33 |
| 4cx904vp | The Sound Seasons | 157 | 51 | 14 | 57 | 35 |
| 54d4r244 | By Caricature Artists in Times Square (series) | 157 | 42 | 60 | 38 | 17 |
| 7xm2q42g | The Metropolis in Masquerade: Melbourne ‘through the Looking-Glass’ Lens of Fashion Photography | 157 | 70 | 25 | 45 | 17 |
| 3f63w7r5 | A New Postindustrial Nature: Remembering the Wild Waterfront of Hunters Point | 154 | 59 | 28 | 48 | 19 |
| 0fd2445g | Ways of Walking | 153 | 37 | 33 | 43 | 40 |
| 49v4g1nb | A Poetic Panorama of Rio | 152 | 51 | 44 | 27 | 30 |
| 74f6309j | The Seasonal Fir Tree Take-Over of New York City | 150 | 48 | 31 | 49 | 22 |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.