TRANSIT

eScholarship stats: History by Item for May through August, 2026

Item	Title	Total requests	2026-08	2026-07	2026-06	2026-05
06t7z88k	“The Welser Phantom”: Apparitions of the Welser Venezuela Colony in Nineteenth- and Twentieth-Century German Cultural Memory	986	149	76	149	612
4ht6w6zv	The Madonna in the Fur Coat	664	113	196	171	184
1hh9d5h5	Translingual Encounters: Freedom, Civic Virtue, and the Social Organism in Liang Qichao's Reading of Kant	535	353	37	57	88
28x3x9r0	Criss-Crossing in Global Space and Time: Fatih Akın’s <em>The Edge of Heaven</em> (2007)	447	187	34	87	139
9h79g172	The Multilingual Experience: Insights from Language Memoirs	396	171	58	79	88
7nm7g8vt	Good-bye, Germany!	364	170	54	59	81
237303vn	Cohesion Without Coherence: Artificial Intelligence and Narrative Form	362	71	59	108	124
1wq90314	The Fourth Memory	358	64	46	70	178
3r61h87r	The Province Always Rings Twice: Christian Petzold’s Heimatfilm noir <em>Jerichow</em>	315	66	42	77	130
4fr0n8bw	Ming Wong’s Imitations	314	94	72	62	86
41w329g3	<em>DaZ</em>—<em>Deutsch als Zweitsprache</em> and the Politics of Silence	307	42	29	42	194
4g25t3hw	World Conspiracy Literature and Antisemitism	305	102	54	62	87
0fq2m874	Countermemory and the (Turkish-)German Theatrical Archive: Reading the Documentary Remains of Emine Sevgi Özdamar’s Karagöz in Alamania (1986)	292	49	48	68	127
9vv4c23p	Bilingual Signs in Carinthia: International Treaties, the <em>Ortstafelstreit</em> , and the Spaces of German	286	101	45	61	79
2qs5b2f3	Remediating Fassbinder in Video Installations by Ming Wong and Branwen Okpako	282	43	44	58	137
0s5217j0	Translation Terminable and Interminable: Psychoanalysis Between Vienna and Calcutta	276	98	20	47	111
8jp4268s	Memory Meetings: Semra Ertan’s Ausländer and the Practice of the Migrant Archive	273	64	46	67	96
9sh6n99m	When Texts Travel: Edward Dmytryk’s The Blue Angel (1959) Remake	273	89	26	73	85
1nd8r83v	The Courtyard in the Mirror	271	67	58	70	76
5sg5r8ms	Stefan Zweig's Fear of Postcolonialism	269	46	43	59	121
8pg5p41w	The Digital Archive of Diaspora: Blogging (Post)Migration	260	56	46	57	101
6rs845mn	Spoofing Herzog and Herzog Spoofing	254	85	27	68	74
0g88k3hr	"Almanya: A [Different] Future is Possible” Defying Narratives of Return in Fatma Aydemir's Ellbogen	241	39	59	44	99
2d14m6cp	Der Körper als experimenteller Ort der Extreme in Terézia Moras <em>Der einzige Mann auf dem Kontinent</em>	241	41	27	46	127
6kx510p3	"Biohaus": The Bauhaus and the Biopolitics of Global Space	241	43	19	50	129
9pf4z6vx	Merkel the German “Empress Dowager”? Reactions to the Syrian Refugee Crisis in China and other East Asian Countries	240	77	29	48	86
4rs3335n	Istanbul Next Wave and Other Turkish Art Exhibits: From Governance of Culture to Governance through Culture	236	64	36	63	73
7q04w665	Translating Surfaces: A Dual Critique of Modernity in Sabahattin Ali’s Kürk Mantolu Madonna	236	38	35	44	119
97j2t1q1	From Colonial to Neoliberal Times: German Agents of Tourism Development and Business in Diani, Kenya	235	63	46	31	95
2p76v205	Thinking Sexuality Differently: Hartmann von Aue, Michel Foucault, and the Uses of the Past	233	56	29	51	97
2t99f3ck	Escaping the Hamster Wheel: Creative Remembrance in Traveling Archives	233	47	17	67	102
23t4g25g	Encounters on a Street Corner: <em>Sommer vorm Balkon</em> and the Return of the Berlin Film	232	73	22	52	85
2g76q227	Counterarchives, Appropriation and the Disobedient Gaze: Archival Structures in Ursula Biemann’s Contained Mobility and Charles Heller’s & Lorenzo Pezzani’s Death by Rescue	232	32	24	45	131
72n41932	German in Transit	232	58	28	38	108
22t314v5	Re-Enacting the Holocaust in Maryan’s <em>Ecce Homo</em> (1975)	230	41	24	40	125
9vv631q8	Dejima and Huis Ten Bosch – Two Dutch Cities in Japan	228	58	29	61	80
2kd19619	Archival Dispersals: Literary Magazines as Mobile and Fragmentary Archives	227	73	41	47	66
3f08h6rr	“With whose blood were my eyes crafted?” Critical Concepts of Seeing, Knowing, and Remembering in Philip Scheffner’s and Merle Kröger’s Havarie (2016)	224	41	30	43	110
40c0p443	Towards a European Postmigrant Aesthetics: Christian Petzold's Transit (2018), Phoenix (2014), and Jerichow (2008)	224	35	29	55	105
39j1t7dk	The Figure of the Exiled Writer in Comparison: Intertextuality in Lion Feuchtwanger's Exil (1940) and Abbas Khider's Der falsche Inder (2008)	223	39	25	59	100
44s393tx	Introduction: Reexamining Turkish German Archive(s)	223	47	25	76	75
51t4z80h	Displacement vs. Mobility; or, Who Owns the World: An Aesthetic Inquiry into Infrastructure, Common Possession, and Violence in Karim Aïnouz’s Documentary Film Central Airport THF (2017)	221	75	31	49	66
1fr6s5pw	At Home, Together: KUNSTASYL at the Museum of European Cultures	220	42	23	31	124
9m89t8pr	Reimagining the German-Polish Borderlands in Nowa Amerika and Slubfurt1	218	36	38	54	90
69d0g81v	Digital Humanities as Translation: Visualizing Franz Rosenzweig’s Archive	217	31	33	69	84
7b1182cz	Visible	216	48	30	49	89
3j368484	Multidirectional Memory and Verwobene Geschichte(n)	214	45	29	46	94
52d3b5z5	Letting the System Completely Absorb Me Would Be So Much Easier	214	36	38	44	96
7dx4811v	Hardboiled Performance and Affective Intimacy: Remediations of Racism in the Cenk Batu Tatorte	213	40	42	43	88
7xh9710d	The New Diversity and the New Public: Impressions of dOCUMENTA (13)	213	43	43	53	74

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