Department of German
Parent: UC Berkeley
eScholarship stats: History by Item for July through October, 2026
| Item | Title | Total requests | 2026-10 | 2026-09 | 2026-08 | 2026-07 |
|---|---|---|---|---|---|---|
| 4ht6w6zv | The Madonna in the Fur Coat | 527 | 119 | 94 | 118 | 196 |
| 1hh9d5h5 | Translingual Encounters: Freedom, Civic Virtue, and the Social Organism in Liang Qichao's Reading of Kant | 501 | 67 | 43 | 354 | 37 |
| 06t7z88k | “The Welser Phantom”: Apparitions of the Welser Venezuela Colony in Nineteenth- and Twentieth-Century German Cultural Memory | 486 | 136 | 108 | 166 | 76 |
| 7nm7g8vt | Good-bye, Germany! | 453 | 97 | 112 | 190 | 54 |
| 28x3x9r0 | Criss-Crossing in Global Space and Time: Fatih Akın’s <em>The Edge of Heaven</em> (2007) | 429 | 134 | 69 | 192 | 34 |
| 7bz7881d | Catalog of Everything | 421 | 60 | 109 | 206 | 46 |
| 8z157865 | Gramática da Língua Neerlandesa, a língua dos holandeses e dos flamengos | 402 | 190 | 87 | 59 | 66 |
| 4fr0n8bw | Ming Wong’s Imitations | 364 | 66 | 123 | 103 | 72 |
| 3r61h87r | The Province Always Rings Twice: Christian Petzold’s Heimatfilm noir <em>Jerichow</em> | 363 | 135 | 105 | 81 | 42 |
| 9h79g172 | The Multilingual Experience: Insights from Language Memoirs | 358 | 62 | 61 | 177 | 58 |
| 9vv4c23p | Bilingual Signs in Carinthia: International Treaties, the <em>Ortstafelstreit</em> , and the Spaces of German | 352 | 100 | 87 | 120 | 45 |
| 4qc3v86m | Jews, Ethnicity and Identity in Early Modern Hamburg | 341 | 179 | 68 | 70 | 24 |
| 7b1182cz | Visible | 340 | 66 | 172 | 72 | 30 |
| 237303vn | Cohesion Without Coherence: Artificial Intelligence and Narrative Form | 330 | 97 | 87 | 87 | 59 |
| 4g25t3hw | World Conspiracy Literature and Antisemitism | 318 | 71 | 79 | 114 | 54 |
| 1nd8r83v | The Courtyard in the Mirror | 290 | 92 | 62 | 78 | 58 |
| 6js8p1fc | Of Women and Polyglots: Yoko Tawada’s “Where Europe Begins” and Rosi Braidotti’s Transnational Feminist Nomadology | 268 | 169 | 37 | 43 | 19 |
| 1qw9r66b | Yüksel Yavuz’s <em>Kleine Freiheit / A Little Bit of Freedom</em> | 256 | 101 | 79 | 49 | 27 |
| 0fq2m874 | Countermemory and the (Turkish-)German Theatrical Archive: Reading the Documentary Remains of Emine Sevgi Özdamar’s Karagöz in Alamania (1986) | 253 | 108 | 43 | 54 | 48 |
| 55t4v110 | Pamuk’s Dis-orient: Reassembling Kafka’s Castle in Snow (2002) | 252 | 80 | 72 | 75 | 25 |
| 6rs845mn | Spoofing Herzog and Herzog Spoofing | 249 | 78 | 47 | 97 | 27 |
| 8pg5p41w | The Digital Archive of Diaspora: Blogging (Post)Migration | 248 | 73 | 67 | 62 | 46 |
| 0s5217j0 | Translation Terminable and Interminable: Psychoanalysis Between Vienna and Calcutta | 247 | 81 | 48 | 98 | 20 |
| 2kd19619 | Archival Dispersals: Literary Magazines as Mobile and Fragmentary Archives | 246 | 63 | 62 | 80 | 41 |
| 9sh6n99m | When Texts Travel: Edward Dmytryk’s The Blue Angel (1959) Remake | 245 | 70 | 53 | 96 | 26 |
| 23t4g25g | Encounters on a Street Corner: <em>Sommer vorm Balkon</em> and the Return of the Berlin Film | 243 | 87 | 53 | 81 | 22 |
| 1wq90314 | The Fourth Memory | 238 | 64 | 57 | 71 | 46 |
| 9pf4z6vx | Merkel the German “Empress Dowager”? Reactions to the Syrian Refugee Crisis in China and other East Asian Countries | 238 | 68 | 58 | 83 | 29 |
| 0n29d6wr | Serdar Somuncu: Turkish German Comedy as Transnational Intervention | 235 | 60 | 78 | 70 | 27 |
| 2p76v205 | Thinking Sexuality Differently: Hartmann von Aue, Michel Foucault, and the Uses of the Past | 232 | 76 | 63 | 64 | 29 |
| 97j2t1q1 | From Colonial to Neoliberal Times: German Agents of Tourism Development and Business in Diani, Kenya | 230 | 61 | 55 | 68 | 46 |
| 51t4z80h | Displacement vs. Mobility; or, Who Owns the World: An Aesthetic Inquiry into Infrastructure, Common Possession, and Violence in Karim Aïnouz’s Documentary Film Central Airport THF (2017) | 225 | 45 | 65 | 84 | 31 |
| 90b8w0dh | Pathways of Migrant Incorporation in Germany | 224 | 84 | 55 | 51 | 34 |
| 6382b28h | Travelling without Moving: Physical and Linguistic Mobility in Yoko Tawada's <em>Überseezungen</em> | 221 | 66 | 65 | 61 | 29 |
| 4xx374qk | Bordering on Names: Strategies of Mapping in the Prose of Terézia Mora and Peter Handke | 219 | 64 | 56 | 76 | 23 |
| 4rs3335n | Istanbul Next Wave and Other Turkish Art Exhibits: From Governance of Culture to Governance through Culture | 217 | 63 | 47 | 71 | 36 |
| 0g88k3hr | "Almanya: A [Different] Future is Possible” Defying Narratives of Return in Fatma Aydemir's Ellbogen | 216 | 62 | 54 | 41 | 59 |
| 9c60p2qz | Switzerland and its Past: An Uncomfortable Relationship | 212 | 112 | 35 | 43 | 22 |
| 8jp4268s | Memory Meetings: Semra Ertan’s Ausländer and the Practice of the Migrant Archive | 211 | 55 | 43 | 67 | 46 |
| 5vv1k105 | BOOK REVIEW: <em>The Wehrmacht: History, Myth, Reality</em> , by Wolfram Wette | 207 | 65 | 55 | 59 | 28 |
| 1xp211qp | The Sound Valley | 202 | 86 | 40 | 50 | 26 |
| 7sd2s0v6 | How Does Arriving Feel? Modulating a Cinematic Sense of Commonality | 199 | 70 | 48 | 54 | 27 |
| 4g5466t3 | Migration as Textual Strategy in Barbara Honigmann's 'Eine Liebe aus Nichts' (1991) | 198 | 31 | 86 | 65 | 16 |
| 8z0270rh | Translating Communities: Rethinking the Collective in Feridun Zaimoglu’s <em>Koppstoff</em> | 198 | 85 | 45 | 48 | 20 |
| 2hc0x9bk | Flânerie | 196 | 76 | 43 | 55 | 22 |
| 5cd944vq | How Europe is Changing | 196 | 54 | 65 | 53 | 24 |
| 32w9t2j9 | The Task of the Loving Translator: Translation, <em>Völkerschauen</em> , and Colonial Ambivalence in Peter Altenberg’s <em>Ashantee</em> (1897) | 195 | 63 | 71 | 40 | 21 |
| 4p03k913 | The Hour of Assembly | 192 | 39 | 119 | 14 | 20 |
| 9vv631q8 | Dejima and Huis Ten Bosch – Two Dutch Cities in Japan | 192 | 60 | 43 | 60 | 29 |
| 0hr618pc | The Reconciliatory Potential of Objects in Stefan Chwin’s novel Death in Danzig | 191 | 48 | 71 | 46 | 26 |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.