Department of German
Parent: UC Berkeley
eScholarship stats: History by Item for April through July, 2026
| Item | Title | Total requests | 2026-07 | 2026-06 | 2026-05 | 2026-04 |
|---|---|---|---|---|---|---|
| 06t7z88k | “The Welser Phantom”: Apparitions of the Welser Venezuela Colony in Nineteenth- and Twentieth-Century German Cultural Memory | 1,000 | 55 | 149 | 612 | 184 |
| 4ht6w6zv | The Madonna in the Fur Coat | 705 | 160 | 171 | 184 | 190 |
| 28x3x9r0 | Criss-Crossing in Global Space and Time: Fatih Akın’s <em>The Edge of Heaven</em> (2007) | 390 | 27 | 87 | 139 | 137 |
| 7nm7g8vt | Good-bye, Germany! | 385 | 28 | 59 | 81 | 217 |
| 7bz7881d | Catalog of Everything | 378 | 32 | 80 | 90 | 176 |
| 8z157865 | Gramática da Língua Neerlandesa, a língua dos holandeses e dos flamengos | 370 | 49 | 80 | 122 | 119 |
| 237303vn | Cohesion Without Coherence: Artificial Intelligence and Narrative Form | 367 | 49 | 108 | 124 | 86 |
| 2qs5b2f3 | Remediating Fassbinder in Video Installations by Ming Wong and Branwen Okpako | 336 | 37 | 58 | 137 | 104 |
| 1nd8r83v | The Courtyard in the Mirror | 326 | 37 | 70 | 76 | 143 |
| 3r61h87r | The Province Always Rings Twice: Christian Petzold’s Heimatfilm noir <em>Jerichow</em> | 319 | 29 | 77 | 130 | 83 |
| 0fq2m874 | Countermemory and the (Turkish-)German Theatrical Archive: Reading the Documentary Remains of Emine Sevgi Özdamar’s Karagöz in Alamania (1986) | 308 | 36 | 68 | 127 | 77 |
| 5sg5r8ms | Stefan Zweig's Fear of Postcolonialism | 300 | 29 | 59 | 121 | 91 |
| 8jp4268s | Memory Meetings: Semra Ertan’s Ausländer and the Practice of the Migrant Archive | 290 | 36 | 67 | 96 | 91 |
| 4fr0n8bw | Ming Wong’s Imitations | 288 | 56 | 62 | 86 | 84 |
| 7q04w665 | Translating Surfaces: A Dual Critique of Modernity in Sabahattin Ali’s Kürk Mantolu Madonna | 288 | 28 | 44 | 119 | 97 |
| 4g25t3hw | World Conspiracy Literature and Antisemitism | 287 | 43 | 62 | 87 | 95 |
| 8pg5p41w | The Digital Archive of Diaspora: Blogging (Post)Migration | 284 | 36 | 57 | 101 | 90 |
| 0g88k3hr | "Almanya: A [Different] Future is Possible” Defying Narratives of Return in Fatma Aydemir's Ellbogen | 283 | 49 | 44 | 99 | 91 |
| 1wq90314 | The Fourth Memory | 282 | 34 | 70 | 178 | |
| 0s5217j0 | Translation Terminable and Interminable: Psychoanalysis Between Vienna and Calcutta | 281 | 17 | 47 | 111 | 106 |
| 4rw9f66w | Fears | 281 | 13 | 16 | 127 | 125 |
| 6kx510p3 | "Biohaus": The Bauhaus and the Biopolitics of Global Space | 276 | 15 | 50 | 129 | 82 |
| 1hh9d5h5 | Translingual Encounters: Freedom, Civic Virtue, and the Social Organism in Liang Qichao's Reading of Kant | 275 | 25 | 57 | 88 | 105 |
| 9h79g172 | The Multilingual Experience: Insights from Language Memoirs | 274 | 30 | 79 | 88 | 77 |
| 9m89t8pr | Reimagining the German-Polish Borderlands in Nowa Amerika and Slubfurt1 | 269 | 34 | 54 | 90 | 91 |
| 3f08h6rr | “With whose blood were my eyes crafted?” Critical Concepts of Seeing, Knowing, and Remembering in Philip Scheffner’s and Merle Kröger’s Havarie (2016) | 263 | 21 | 43 | 110 | 89 |
| 9vv4c23p | Bilingual Signs in Carinthia: International Treaties, the <em>Ortstafelstreit</em> , and the Spaces of German | 261 | 27 | 61 | 79 | 94 |
| 3pg5g2w8 | Wenn die Schweizer Heimat exotisch geworden ist. Das Thema der Heimkehr aus Brasilien bei deutschschweizerischen Autoren | 260 | 14 | 58 | 84 | 104 |
| 41w329g3 | <em>DaZ</em>—<em>Deutsch als Zweitsprache</em> and the Politics of Silence | 256 | 20 | 42 | 194 | |
| 40c0p443 | Towards a European Postmigrant Aesthetics: Christian Petzold's Transit (2018), Phoenix (2014), and Jerichow (2008) | 254 | 24 | 55 | 105 | 70 |
| 2p76v205 | Thinking Sexuality Differently: Hartmann von Aue, Michel Foucault, and the Uses of the Past | 251 | 25 | 51 | 97 | 78 |
| 8q04k8v1 | Points of Entanglement: The Overdetermination of German Space and Identity in <em>Lola + Bilidikid</em> and <em>Walk on Water</em> | 248 | 15 | 43 | 100 | 90 |
| 9gp0f163 | Multilingual Development in Germany in the Crossfire of Ideology and Politics: Monolingual and Multilingual Expectations, Polylingual Practices | 248 | 26 | 50 | 80 | 92 |
| 51d626mq | Sharing Fugitive Lives: Digital Encounters in Senthuran Varatharajah's Vor der Zunahme der Zeichen | 246 | 23 | 39 | 93 | 91 |
| 2t99f3ck | Escaping the Hamster Wheel: Creative Remembrance in Traveling Archives | 243 | 12 | 67 | 102 | 62 |
| 69d0g81v | Digital Humanities as Translation: Visualizing Franz Rosenzweig’s Archive | 242 | 25 | 69 | 84 | 64 |
| 05v6x4cz | Language | 240 | 16 | 60 | 90 | 74 |
| 3399f59t | Deterritorialized Travels: Notes on World, Earth, and Literature in the Work of Deleuze and Guattari | 240 | 26 | 41 | 102 | 71 |
| 39j1t7dk | The Figure of the Exiled Writer in Comparison: Intertextuality in Lion Feuchtwanger's Exil (1940) and Abbas Khider's Der falsche Inder (2008) | 240 | 15 | 59 | 100 | 66 |
| 62k1445w | Remembering and Remapping Breslaff: Resurfacing German and Queer Topographies in Contemporary Polish Literature | 240 | 21 | 72 | 84 | 63 |
| 0r8044wd | PROJECT ONE: WorldLiterature@UCLA Tracking International Publics with Goethe | 239 | 22 | 44 | 80 | 93 |
| 2g76q227 | Counterarchives, Appropriation and the Disobedient Gaze: Archival Structures in Ursula Biemann’s Contained Mobility and Charles Heller’s & Lorenzo Pezzani’s Death by Rescue | 239 | 18 | 45 | 131 | 45 |
| 7xh9710d | The New Diversity and the New Public: Impressions of dOCUMENTA (13) | 237 | 37 | 53 | 74 | 73 |
| 88d1g28p | Modeling a World City | 230 | 18 | 31 | 120 | 61 |
| 077104j9 | Fostering Transnational, Multilingual Collaboration: The Berlin-based Artists' Initiative WeiterSchreiben.jetzt | 229 | 17 | 40 | 96 | 76 |
| 3j368484 | Multidirectional Memory and Verwobene Geschichte(n) | 229 | 26 | 46 | 94 | 63 |
| 6w635760 | Home | 229 | 21 | 36 | 103 | 69 |
| 2398n08k | Love | 228 | 13 | 27 | 107 | 81 |
| 6rs845mn | Spoofing Herzog and Herzog Spoofing | 227 | 22 | 68 | 74 | 63 |
| 6js8p1fc | Of Women and Polyglots: Yoko Tawada’s “Where Europe Begins” and Rosi Braidotti’s Transnational Feminist Nomadology | 226 | 14 | 48 | 78 | 86 |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.