Department of German

eScholarship stats: History by Item for May through August, 2026

Item	Title	Total requests	2026-08	2026-07	2026-06	2026-05
06t7z88k	“The Welser Phantom”: Apparitions of the Welser Venezuela Colony in Nineteenth- and Twentieth-Century German Cultural Memory	1,003	166	76	149	612
4ht6w6zv	The Madonna in the Fur Coat	669	118	196	171	184
1hh9d5h5	Translingual Encounters: Freedom, Civic Virtue, and the Social Organism in Liang Qichao's Reading of Kant	536	354	37	57	88
28x3x9r0	Criss-Crossing in Global Space and Time: Fatih Akın’s <em>The Edge of Heaven</em> (2007)	452	192	34	87	139
7bz7881d	Catalog of Everything	422	206	46	80	90
9h79g172	The Multilingual Experience: Insights from Language Memoirs	402	177	58	79	88
7nm7g8vt	Good-bye, Germany!	384	190	54	59	81
237303vn	Cohesion Without Coherence: Artificial Intelligence and Narrative Form	378	87	59	108	124
1wq90314	The Fourth Memory	365	71	46	70	178
3r61h87r	The Province Always Rings Twice: Christian Petzold’s Heimatfilm noir <em>Jerichow</em>	330	81	42	77	130
8z157865	Gramática da Língua Neerlandesa, a língua dos holandeses e dos flamengos	327	59	66	80	122
4fr0n8bw	Ming Wong’s Imitations	323	103	72	62	86
4g25t3hw	World Conspiracy Literature and Antisemitism	317	114	54	62	87
41w329g3	<em>DaZ</em>—<em>Deutsch als Zweitsprache</em> and the Politics of Silence	308	43	29	42	194
9vv4c23p	Bilingual Signs in Carinthia: International Treaties, the <em>Ortstafelstreit</em> , and the Spaces of German	305	120	45	61	79
0fq2m874	Countermemory and the (Turkish-)German Theatrical Archive: Reading the Documentary Remains of Emine Sevgi Özdamar’s Karagöz in Alamania (1986)	297	54	48	68	127
2qs5b2f3	Remediating Fassbinder in Video Installations by Ming Wong and Branwen Okpako	285	46	44	58	137
1nd8r83v	The Courtyard in the Mirror	282	78	58	70	76
9sh6n99m	When Texts Travel: Edward Dmytryk’s The Blue Angel (1959) Remake	280	96	26	73	85
0s5217j0	Translation Terminable and Interminable: Psychoanalysis Between Vienna and Calcutta	276	98	20	47	111
8jp4268s	Memory Meetings: Semra Ertan’s Ausländer and the Practice of the Migrant Archive	276	67	46	67	96
5sg5r8ms	Stefan Zweig's Fear of Postcolonialism	275	52	43	59	121
6rs845mn	Spoofing Herzog and Herzog Spoofing	266	97	27	68	74
8pg5p41w	The Digital Archive of Diaspora: Blogging (Post)Migration	266	62	46	57	101
6kx510p3	"Biohaus": The Bauhaus and the Biopolitics of Global Space	246	48	19	50	129
9pf4z6vx	Merkel the German “Empress Dowager”? Reactions to the Syrian Refugee Crisis in China and other East Asian Countries	246	83	29	48	86
2d14m6cp	Der Körper als experimenteller Ort der Extreme in Terézia Moras <em>Der einzige Mann auf dem Kontinent</em>	245	45	27	46	127
0g88k3hr	"Almanya: A [Different] Future is Possible” Defying Narratives of Return in Fatma Aydemir's Ellbogen	243	41	59	44	99
4rs3335n	Istanbul Next Wave and Other Turkish Art Exhibits: From Governance of Culture to Governance through Culture	243	71	36	63	73
2p76v205	Thinking Sexuality Differently: Hartmann von Aue, Michel Foucault, and the Uses of the Past	241	64	29	51	97
72n41932	German in Transit	241	67	28	38	108
23t4g25g	Encounters on a Street Corner: <em>Sommer vorm Balkon</em> and the Return of the Berlin Film	240	81	22	52	85
7b1182cz	Visible	240	72	30	49	89
7q04w665	Translating Surfaces: A Dual Critique of Modernity in Sabahattin Ali’s Kürk Mantolu Madonna	240	42	35	44	119
97j2t1q1	From Colonial to Neoliberal Times: German Agents of Tourism Development and Business in Diani, Kenya	240	68	46	31	95
2t99f3ck	Escaping the Hamster Wheel: Creative Remembrance in Traveling Archives	237	51	17	67	102
2g76q227	Counterarchives, Appropriation and the Disobedient Gaze: Archival Structures in Ursula Biemann’s Contained Mobility and Charles Heller’s & Lorenzo Pezzani’s Death by Rescue	235	35	24	45	131
2kd19619	Archival Dispersals: Literary Magazines as Mobile and Fragmentary Archives	234	80	41	47	66
22t314v5	Re-Enacting the Holocaust in Maryan’s <em>Ecce Homo</em> (1975)	232	43	24	40	125
51t4z80h	Displacement vs. Mobility; or, Who Owns the World: An Aesthetic Inquiry into Infrastructure, Common Possession, and Violence in Karim Aïnouz’s Documentary Film Central Airport THF (2017)	230	84	31	49	66
9vv631q8	Dejima and Huis Ten Bosch – Two Dutch Cities in Japan	230	60	29	61	80
44s393tx	Introduction: Reexamining Turkish German Archive(s)	228	52	25	76	75
3f08h6rr	“With whose blood were my eyes crafted?” Critical Concepts of Seeing, Knowing, and Remembering in Philip Scheffner’s and Merle Kröger’s Havarie (2016)	226	43	30	43	110
40c0p443	Towards a European Postmigrant Aesthetics: Christian Petzold's Transit (2018), Phoenix (2014), and Jerichow (2008)	226	37	29	55	105
39j1t7dk	The Figure of the Exiled Writer in Comparison: Intertextuality in Lion Feuchtwanger's Exil (1940) and Abbas Khider's Der falsche Inder (2008)	225	41	25	59	100
1fr6s5pw	At Home, Together: KUNSTASYL at the Museum of European Cultures	224	46	23	31	124
7xh9710d	The New Diversity and the New Public: Impressions of dOCUMENTA (13)	223	53	43	53	74
69d0g81v	Digital Humanities as Translation: Visualizing Franz Rosenzweig’s Archive	222	36	33	69	84
52d3b5z5	Letting the System Completely Absorb Me Would Be So Much Easier	220	42	38	44	96
7dx4811v	Hardboiled Performance and Affective Intimacy: Remediations of Racism in the Cenk Batu Tatorte	220	47	42	43	88

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