Comparative Literature - Open Access Policy Deposits

Parent: Department of Comparative Literature

eScholarship stats: History by Item for April through July, 2024

ItemTitleTotal requests2024-072024-062024-052024-04
03d7j97vAcoustic Properties: Radio, Narrative, and the New Neighborhood of the Americas3032823101151
55w079x8The Sonic Turn10429231933
2sp7x9m6Skeletons in the Hebrew Closet: Yiddish Translations of “In the City of Killing” by Y. L. Peretz and H. N. Bialik and the Conflict over Revival882492431
12m2s61gReal-to-ReelSocial Indexicality, Sonic Materiality, and Literary Media Theory in Eduardo Costa’s Tape Works8238181115
4z54z97gExcerpt from <em>Domestic Subjects: Gender, Citizenship, and Law in Native American Literature</em>751792128
7px7g98fRealismo sonoro y fidelidad literaria: Las obras de cinta de Eduardo Costa39127137
85s9j07mForgotten Histories of the AudiobookTape, Text, Speech, and Sound from Esteban Montejo and Miguel Barnet’s Biografía de un cimarrón to Andy Warhol’s a: a novel2911468
188172zgWireless materials: radio cultures in Ireland, Latin America, and the United States at the mid-century28112132
2w15n2mpThe Mark of the Detail: Universalism, Type, Difference2813645
5wb7s5m0“Rigoberta's Listener”: The Significance of Sound in Testimonio28103510
07p7s98pThis American Voice: The Odd Timbre of a New Standard in Public Radio2610853
2m19v015In the Cards: Prophecy and the Gamble of Language in Borges's "El truco"2411634
0zg0d1jpIntroductionLanguage-in-Use and Literary Fieldwork1710322
0dq0h1c2Diane...The Personal Voice Recorder in Twin Peaks167324
15v12688No Transmitter: Clandestine Radio Listening Communities in Ricardo Piglia's <em>The Absent City</em>155451
7g06j721The Archaeology of a Discipline and the Discipline To Come159222

Disclaimer: due to the evolving nature of the web traffic we receive and the methods we use to collate it, the data presented here should be considered approximate and subject to revision.