Department of German
Parent: UC Berkeley
eScholarship stats: Breakdown by Item for July through October, 2026
| Item | Title | Total requests | Download | View-only | %Dnld |
|---|---|---|---|---|---|
| 4ht6w6zv | The Madonna in the Fur Coat | 527 | 152 | 375 | 28.8% |
| 1hh9d5h5 | Translingual Encounters: Freedom, Civic Virtue, and the Social Organism in Liang Qichao's Reading of Kant | 501 | 351 | 150 | 70.1% |
| 06t7z88k | “The Welser Phantom”: Apparitions of the Welser Venezuela Colony in Nineteenth- and Twentieth-Century German Cultural Memory | 486 | 126 | 360 | 25.9% |
| 7nm7g8vt | Good-bye, Germany! | 453 | 158 | 295 | 34.9% |
| 28x3x9r0 | Criss-Crossing in Global Space and Time: Fatih Akın’s <em>The Edge of Heaven</em> (2007) | 429 | 85 | 344 | 19.8% |
| 7bz7881d | Catalog of Everything | 421 | 43 | 378 | 10.2% |
| 8z157865 | Gramática da Língua Neerlandesa, a língua dos holandeses e dos flamengos | 402 | 59 | 343 | 14.7% |
| 4fr0n8bw | Ming Wong’s Imitations | 364 | 183 | 181 | 50.3% |
| 3r61h87r | The Province Always Rings Twice: Christian Petzold’s Heimatfilm noir <em>Jerichow</em> | 363 | 145 | 218 | 39.9% |
| 9h79g172 | The Multilingual Experience: Insights from Language Memoirs | 358 | 162 | 196 | 45.3% |
| 9vv4c23p | Bilingual Signs in Carinthia: International Treaties, the <em>Ortstafelstreit</em> , and the Spaces of German | 352 | 79 | 273 | 22.4% |
| 4qc3v86m | Jews, Ethnicity and Identity in Early Modern Hamburg | 341 | 75 | 266 | 22.0% |
| 7b1182cz | Visible | 340 | 258 | 82 | 75.9% |
| 237303vn | Cohesion Without Coherence: Artificial Intelligence and Narrative Form | 330 | 188 | 142 | 57.0% |
| 4g25t3hw | World Conspiracy Literature and Antisemitism | 318 | 123 | 195 | 38.7% |
| 1nd8r83v | The Courtyard in the Mirror | 290 | 57 | 233 | 19.7% |
| 6js8p1fc | Of Women and Polyglots: Yoko Tawada’s “Where Europe Begins” and Rosi Braidotti’s Transnational Feminist Nomadology | 268 | 49 | 219 | 18.3% |
| 1qw9r66b | Yüksel Yavuz’s <em>Kleine Freiheit / A Little Bit of Freedom</em> | 256 | 63 | 193 | 24.6% |
| 0fq2m874 | Countermemory and the (Turkish-)German Theatrical Archive: Reading the Documentary Remains of Emine Sevgi Özdamar’s Karagöz in Alamania (1986) | 253 | 54 | 199 | 21.3% |
| 55t4v110 | Pamuk’s Dis-orient: Reassembling Kafka’s Castle in Snow (2002) | 252 | 62 | 190 | 24.6% |
| 6rs845mn | Spoofing Herzog and Herzog Spoofing | 249 | 153 | 96 | 61.4% |
| 8pg5p41w | The Digital Archive of Diaspora: Blogging (Post)Migration | 248 | 51 | 197 | 20.6% |
| 0s5217j0 | Translation Terminable and Interminable: Psychoanalysis Between Vienna and Calcutta | 247 | 68 | 179 | 27.5% |
| 2kd19619 | Archival Dispersals: Literary Magazines as Mobile and Fragmentary Archives | 246 | 64 | 182 | 26.0% |
| 9sh6n99m | When Texts Travel: Edward Dmytryk’s The Blue Angel (1959) Remake | 245 | 49 | 196 | 20.0% |
| 23t4g25g | Encounters on a Street Corner: <em>Sommer vorm Balkon</em> and the Return of the Berlin Film | 243 | 60 | 183 | 24.7% |
| 1wq90314 | The Fourth Memory | 238 | 92 | 146 | 38.7% |
| 9pf4z6vx | Merkel the German “Empress Dowager”? Reactions to the Syrian Refugee Crisis in China and other East Asian Countries | 238 | 94 | 144 | 39.5% |
| 0n29d6wr | Serdar Somuncu: Turkish German Comedy as Transnational Intervention | 235 | 54 | 181 | 23.0% |
| 2p76v205 | Thinking Sexuality Differently: Hartmann von Aue, Michel Foucault, and the Uses of the Past | 232 | 49 | 183 | 21.1% |
| 97j2t1q1 | From Colonial to Neoliberal Times: German Agents of Tourism Development and Business in Diani, Kenya | 230 | 81 | 149 | 35.2% |
| 51t4z80h | Displacement vs. Mobility; or, Who Owns the World: An Aesthetic Inquiry into Infrastructure, Common Possession, and Violence in Karim Aïnouz’s Documentary Film Central Airport THF (2017) | 225 | 71 | 154 | 31.6% |
| 90b8w0dh | Pathways of Migrant Incorporation in Germany | 224 | 60 | 164 | 26.8% |
| 6382b28h | Travelling without Moving: Physical and Linguistic Mobility in Yoko Tawada's <em>Überseezungen</em> | 221 | 73 | 148 | 33.0% |
| 4xx374qk | Bordering on Names: Strategies of Mapping in the Prose of Terézia Mora and Peter Handke | 219 | 53 | 166 | 24.2% |
| 4rs3335n | Istanbul Next Wave and Other Turkish Art Exhibits: From Governance of Culture to Governance through Culture | 217 | 144 | 73 | 66.4% |
| 0g88k3hr | "Almanya: A [Different] Future is Possible” Defying Narratives of Return in Fatma Aydemir's Ellbogen | 216 | 74 | 142 | 34.3% |
| 9c60p2qz | Switzerland and its Past: An Uncomfortable Relationship | 212 | 59 | 153 | 27.8% |
| 8jp4268s | Memory Meetings: Semra Ertan’s Ausländer and the Practice of the Migrant Archive | 211 | 70 | 141 | 33.2% |
| 5vv1k105 | BOOK REVIEW: <em>The Wehrmacht: History, Myth, Reality</em> , by Wolfram Wette | 207 | 59 | 148 | 28.5% |
| 1xp211qp | The Sound Valley | 202 | 53 | 149 | 26.2% |
| 7sd2s0v6 | How Does Arriving Feel? Modulating a Cinematic Sense of Commonality | 199 | 66 | 133 | 33.2% |
| 4g5466t3 | Migration as Textual Strategy in Barbara Honigmann's 'Eine Liebe aus Nichts' (1991) | 198 | 32 | 166 | 16.2% |
| 8z0270rh | Translating Communities: Rethinking the Collective in Feridun Zaimoglu’s <em>Koppstoff</em> | 198 | 45 | 153 | 22.7% |
| 2hc0x9bk | Flânerie | 196 | 34 | 162 | 17.3% |
| 5cd944vq | How Europe is Changing | 196 | 35 | 161 | 17.9% |
| 32w9t2j9 | The Task of the Loving Translator: Translation, <em>Völkerschauen</em> , and Colonial Ambivalence in Peter Altenberg’s <em>Ashantee</em> (1897) | 195 | 58 | 137 | 29.7% |
| 4p03k913 | The Hour of Assembly | 192 | 31 | 161 | 16.1% |
| 9vv631q8 | Dejima and Huis Ten Bosch – Two Dutch Cities in Japan | 192 | 104 | 88 | 54.2% |
| 0hr618pc | The Reconciliatory Potential of Objects in Stefan Chwin’s novel Death in Danzig | 191 | 63 | 128 | 33.0% |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.