HAUNT Journal of Art
Parent: Department of Art
eScholarship stats: Breakdown by Item for January through April, 2025
| Item | Title | Total requests | Download | View-only | %Dnld |
|---|---|---|---|---|---|
| 7xq2t8bh | 40 Volume | 70 | 3 | 67 | 4.3% |
| 0142h57x | Studied Sentiments: A Look at Jennifer Doyle's Hold it Against Me: Difficulty and Emotion in Contemporary Art | 56 | 6 | 50 | 10.7% |
| 09d8c49k | Notes on Art and Transcendance | 55 | 5 | 50 | 9.1% |
| 96q1h7xz | Painting is a whale | 47 | 19 | 28 | 40.4% |
| 6m10z8c8 | Mosh Phenomenology | 41 | 26 | 15 | 63.4% |
| 9638m2nx | In Conversation with Fred Moten | 39 | 15 | 24 | 38.5% |
| 3wf8g2bt | bill of rights for bodies when the are born on planet earth | 32 | 3 | 29 | 9.4% |
| 36b624tw | In Conversation with Alan Gilbert | 30 | 4 | 26 | 13.3% |
| 63c7w29v | Taxi Ride to Gauguin: An Interview with Amy Sillman & Nicole Eisenman | 27 | 6 | 21 | 22.2% |
| 3z93s2xc | And You Are the Wound | 25 | 2 | 23 | 8.0% |
| 90m0g1s1 | Cyclops and Slashes | 25 | 2 | 23 | 8.0% |
| 9qk5765m | Dress, Score, Tether | 25 | 5 | 20 | 20.0% |
| 9gp8s1cn | Dear Camilla (On 54 Bones Gleaning the Storm) | 24 | 4 | 20 | 16.7% |
| 0qj66829 | Editor's Note | 23 | 1 | 22 | 4.3% |
| 3wc0947q | YONCE | 18 | 4 | 14 | 22.2% |
| 47v5850f | Editor's Note | 18 | 1 | 17 | 5.6% |
| 2js3b48j | Slight of Hand Transactions | 17 | 5 | 12 | 29.4% |
| 5jn108nj | Deathbeds | 17 | 5 | 12 | 29.4% |
| 83h5x7rx | Autobiografía Especulativa | 17 | 4 | 13 | 23.5% |
| 5pk059ht | Slippery When Wet | 15 | 4 | 11 | 26.7% |
| 9n90931f | Closing Comments | 15 | 3 | 12 | 20.0% |
| 74q577s0 | Sleeping, Hiding, Dropping Out – Coordinates for a Poetics on Evasion | 14 | 5 | 9 | 35.7% |
| 9h97w2bm | The Baroness is All Hands | 14 | 4 | 10 | 28.6% |
| 15t8457h | Editor's Note | 13 | 2 | 11 | 15.4% |
| 6n599871 | Waves | 13 | 4 | 9 | 30.8% |
| 65f6m6tx | Confiscation | 12 | 4 | 8 | 33.3% |
| 4gr8c9vj | Untitled | 11 | 3 | 8 | 27.3% |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.