Recent Work
Parent: Integrated Composition, Improvisation and Technology (ICIT)
eScholarship stats: Breakdown by Item for July through October, 2026
| Item | Title | Total requests | Download | View-only | %Dnld |
|---|---|---|---|---|---|
| 8v0022bd | The ‘E’ in NIME: Musical Expression with New Computer Interfaces | 166 | 48 | 118 | 28.9% |
| 5t46v6kh | Determining the Feasibility of Networked Musical Performances over WANs, LANs, and WLANs (Part 1: MIDI) | 130 | 27 | 103 | 20.8% |
| 7ww3h3xx | Realtime Stochastic Decision Making for Music Composition and Improvisation | 128 | 72 | 56 | 56.3% |
| 3p4375n5 | Gestural Control of Music Using the Vicon 8 Motion Capture System | 113 | 27 | 86 | 23.9% |
| 71j6w686 | A METHOD FOR COMPUTER CHARACTERIZATION OF "GESTURE" IN MUSICAL IMPROVISATION | 110 | 23 | 87 | 20.9% |
| 7ws9x4dh | Cultural ‘Content’ in Korean Music Made with Computers | 91 | 41 | 50 | 45.1% |
| 9tt9s9k0 | Intentional Inclusion :Promoting Diversity in Graduate Study of Music Technology | 88 | 23 | 65 | 26.1% |
| 3309r97m | Falsetas Móviles | 83 | 0 | 83 | 0.0% |
| 7ck721n4 | STRATEGIES FOR CONTINUOUS PITCH AND AMPLITUDE TRACKING IN REALTIME INTERACTIVE IMPROVISATION SOFTWARE | 79 | 21 | 58 | 26.6% |
| 6qd4d7nv | Aesthetic Considerations in the Use of “Virtual” Music Instruments | 70 | 20 | 50 | 28.6% |
| 0x85j9td | EXPRESSIVE GESTURE : A TECHNIQUE FOR THE USE OF GESTURE DESCRIPTORS IN ALGORITHMIC IMPROVISATION | 64 | 22 | 42 | 34.4% |
| 8766r1b7 | Programming New Realtime DSP Possibilities with MSP | 64 | 16 | 48 | 25.0% |
| 8gk671qq | 18 Points of Coincidence | 60 | 0 | 60 | 0.0% |
| 19c8535r | Riley's Revenge | 49 | 0 | 49 | 0.0% |
| 4970q025 | Haibun | 49 | 0 | 49 | 0.0% |
| 8844q6kp | Point of No Arrival | 49 | 0 | 49 | 0.0% |
| 0sf178kc | Now & Tomorrow | 44 | 0 | 44 | 0.0% |
| 8gn0194r | Shadow Play | 42 | 0 | 42 | 0.0% |
| 6q56j765 | Insta-pene-playtion (Interproviplaytion II) | 40 | 0 | 40 | 0.0% |
| 33d9d1cm | Indignant Minority Scheme | 38 | 0 | 38 | 0.0% |
| 6h74r7r6 | There's Just One Thing You Need To Know | 36 | 0 | 36 | 0.0% |
| 5qb21800 | This and That | 31 | 0 | 31 | 0.0% |
| 2mr1f1t8 | In the In-Between | 28 | 0 | 28 | 0.0% |
| 3z79z8hf | (Cycles) America | 28 | 0 | 28 | 0.0% |
| 993192mk | Upon Reflection | 28 | 0 | 28 | 0.0% |
| 2cd323dr | For Zero | 27 | 0 | 27 | 0.0% |
| 4zt310cz | Entropy | 27 | 0 | 27 | 0.0% |
| 9fx7g1qh | Cycles Interrupted | 27 | 0 | 27 | 0.0% |
| 70p7v3z0 | Play for Me (Interproviplaytion III) | 25 | 0 | 25 | 0.0% |
| 8798j4z1 | Mannam (Interproviplaytion VI) | 24 | 0 | 24 | 0.0% |
| 2wp6n3tm | I, Alone | 23 | 0 | 23 | 0.0% |
| 8gv067ff | In Tongues (Interproviplaytion IV) | 23 | 0 | 23 | 0.0% |
| 5xj593zk | Line/Phase Minutiae | 21 | 0 | 21 | 0.0% |
| 6t12b79s | Direct Current | 20 | 0 | 20 | 0.0% |
| 5bn4m9fj | Trans (Interproviplaytion V) | 19 | 0 | 19 | 0.0% |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.