Writings / Presentations
Parent: Integrated Composition, Improvisation and Technology (ICIT)
eScholarship stats: Breakdown by Item for November, 2024 through February, 2025
| Item | Title | Total requests | Download | View-only | %Dnld |
|---|---|---|---|---|---|
| 7hf4q6w5 | Asian Americans and Creative Music Legacies | 94 | 34 | 60 | 36.2% |
| 8v0022bd | The ‘E’ in NIME: Musical Expression with New Computer Interfaces | 76 | 20 | 56 | 26.3% |
| 3n70x2dv | Time, Virtuosity, and Ethics Otherwise: Queer Resonances for Diasporic Play | 65 | 34 | 31 | 52.3% |
| 3p4375n5 | Gestural Control of Music Using the Vicon 8 Motion Capture System | 62 | 11 | 51 | 17.7% |
| 6qd4d7nv | Aesthetic Considerations in the Use of “Virtual” Music Instruments | 37 | 8 | 29 | 21.6% |
| 9dm8t6vh | Thinking Telematically: Improvising Music Worlds Under COVID and Beyond | 37 | 10 | 27 | 27.0% |
| 3w9072ps | Relational Music: A Participatory Approach Towards Live Experimental Electronic Music | 25 | 6 | 19 | 24.0% |
| 7ww3h3xx | Realtime Stochastic Decision Making for Music Composition and Improvisation | 23 | 8 | 15 | 34.8% |
| 9n2184ws | Improvising in a different clave: Steve Coleman and AfroCuba de Matanzas | 23 | 10 | 13 | 43.5% |
| 6r01k343 | Networked music performance: An introduction for musicians and educators | 21 | 9 | 12 | 42.9% |
| 7ck721n4 | STRATEGIES FOR CONTINUOUS PITCH AND AMPLITUDE TRACKING IN REALTIME INTERACTIVE IMPROVISATION SOFTWARE | 19 | 3 | 16 | 15.8% |
| 0x85j9td | EXPRESSIVE GESTURE : A TECHNIQUE FOR THE USE OF GESTURE DESCRIPTORS IN ALGORITHMIC IMPROVISATION | 17 | 4 | 13 | 23.5% |
| 0p09t56h | Face to Face, Byte to Byte: Approaches to Human Interaction in a Digital Music Ensemble | 15 | 2 | 13 | 13.3% |
| 13t7r5w0 | Ritualized Performance in the Networked Era: Alternative Models for New Artistic Media | 14 | 3 | 11 | 21.4% |
| 5t46v6kh | Determining the Feasibility of Networked Musical Performances over WANs, LANs, and WLANs (Part 1: MIDI) | 14 | 5 | 9 | 35.7% |
| 8d57f43p | Ritualized Performance in the Networked Era | 13 | 6 | 7 | 46.2% |
| 9tt9s9k0 | Intentional Inclusion :Promoting Diversity in Graduate Study of Music Technology | 13 | 3 | 10 | 23.1% |
| 71j6w686 | A METHOD FOR COMPUTER CHARACTERIZATION OF "GESTURE" IN MUSICAL IMPROVISATION | 12 | 2 | 10 | 16.7% |
| 7ws9x4dh | Cultural ‘Content’ in Korean Music Made with Computers | 12 | 5 | 7 | 41.7% |
| 625285wz | New Polyphonies: Score Streams, Improvisation and Telepresence | 11 | 4 | 7 | 36.4% |
| 8766r1b7 | Programming New Realtime DSP Possibilities with MSP | 7 | 4 | 3 | 57.1% |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.