Writings / Presentations
Parent: Integrated Composition, Improvisation and Technology (ICIT)
eScholarship stats: History by Item for May through August, 2026
| Item | Title | Total requests | 2026-08 | 2026-07 | 2026-06 | 2026-05 |
|---|---|---|---|---|---|---|
| 9n2184ws | Improvising in a different clave: Steve Coleman and AfroCuba de Matanzas | 229 | 84 | 38 | 55 | 52 |
| 3n70x2dv | Time, Virtuosity, and Ethics Otherwise: Queer Resonances for Diasporic Play | 193 | 66 | 35 | 40 | 52 |
| 7hf4q6w5 | Asian Americans and Creative Music Legacies | 174 | 37 | 21 | 48 | 68 |
| 3w9072ps | Relational Music: A Participatory Approach Towards Live Experimental Electronic Music | 163 | 36 | 23 | 42 | 62 |
| 9dm8t6vh | Thinking Telematically: Improvising Music Worlds Under COVID and Beyond | 146 | 35 | 15 | 39 | 57 |
| 3p4375n5 | Gestural Control of Music Using the Vicon 8 Motion Capture System | 145 | 42 | 23 | 32 | 48 |
| 8v0022bd | The ‘E’ in NIME: Musical Expression with New Computer Interfaces | 145 | 63 | 30 | 11 | 41 |
| 5t46v6kh | Determining the Feasibility of Networked Musical Performances over WANs, LANs, and WLANs (Part 1: MIDI) | 133 | 49 | 14 | 19 | 51 |
| 13t7r5w0 | Ritualized Performance in the Networked Era: Alternative Models for New Artistic Media | 117 | 28 | 7 | 19 | 63 |
| 6r01k343 | Networked music performance: An introduction for musicians and educators | 111 | 29 | 10 | 19 | 53 |
| 9tt9s9k0 | Intentional Inclusion :Promoting Diversity in Graduate Study of Music Technology | 101 | 19 | 11 | 30 | 41 |
| 71j6w686 | A METHOD FOR COMPUTER CHARACTERIZATION OF "GESTURE" IN MUSICAL IMPROVISATION | 96 | 18 | 10 | 28 | 40 |
| 0p09t56h | Face to Face, Byte to Byte: Approaches to Human Interaction in a Digital Music Ensemble | 95 | 23 | 12 | 13 | 47 |
| 7ww3h3xx | Realtime Stochastic Decision Making for Music Composition and Improvisation | 95 | 36 | 10 | 16 | 33 |
| 8d57f43p | Ritualized Performance in the Networked Era | 95 | 17 | 5 | 22 | 51 |
| 6qd4d7nv | Aesthetic Considerations in the Use of “Virtual” Music Instruments | 90 | 23 | 10 | 19 | 38 |
| 8766r1b7 | Programming New Realtime DSP Possibilities with MSP | 87 | 17 | 5 | 22 | 43 |
| 7ws9x4dh | Cultural ‘Content’ in Korean Music Made with Computers | 83 | 16 | 9 | 20 | 38 |
| 625285wz | New Polyphonies: Score Streams, Improvisation and Telepresence | 81 | 24 | 11 | 14 | 32 |
| 0x85j9td | EXPRESSIVE GESTURE : A TECHNIQUE FOR THE USE OF GESTURE DESCRIPTORS IN ALGORITHMIC IMPROVISATION | 74 | 16 | 4 | 13 | 41 |
| 7ck721n4 | STRATEGIES FOR CONTINUOUS PITCH AND AMPLITUDE TRACKING IN REALTIME INTERACTIVE IMPROVISATION SOFTWARE | 74 | 19 | 6 | 10 | 39 |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.