Writings / Presentations
Parent: Integrated Composition, Improvisation and Technology (ICIT)
eScholarship stats: History by Item for March through June, 2026
| Item | Title | Total requests | 2026-06 | 2026-05 | 2026-04 | 2026-03 |
|---|---|---|---|---|---|---|
| 7hf4q6w5 | Asian Americans and Creative Music Legacies | 226 | 48 | 68 | 39 | 71 |
| 3w9072ps | Relational Music: A Participatory Approach Towards Live Experimental Electronic Music | 191 | 42 | 62 | 46 | 41 |
| 3n70x2dv | Time, Virtuosity, and Ethics Otherwise: Queer Resonances for Diasporic Play | 189 | 40 | 52 | 47 | 50 |
| 9n2184ws | Improvising in a different clave: Steve Coleman and AfroCuba de Matanzas | 181 | 55 | 52 | 43 | 31 |
| 9dm8t6vh | Thinking Telematically: Improvising Music Worlds Under COVID and Beyond | 177 | 39 | 57 | 36 | 45 |
| 3p4375n5 | Gestural Control of Music Using the Vicon 8 Motion Capture System | 167 | 32 | 48 | 37 | 50 |
| 6r01k343 | Networked music performance: An introduction for musicians and educators | 152 | 19 | 53 | 39 | 41 |
| 13t7r5w0 | Ritualized Performance in the Networked Era: Alternative Models for New Artistic Media | 136 | 19 | 63 | 31 | 23 |
| 5t46v6kh | Determining the Feasibility of Networked Musical Performances over WANs, LANs, and WLANs (Part 1: MIDI) | 134 | 19 | 51 | 43 | 21 |
| 8d57f43p | Ritualized Performance in the Networked Era | 130 | 22 | 51 | 31 | 26 |
| 0p09t56h | Face to Face, Byte to Byte: Approaches to Human Interaction in a Digital Music Ensemble | 121 | 13 | 47 | 31 | 30 |
| 8v0022bd | The ‘E’ in NIME: Musical Expression with New Computer Interfaces | 120 | 11 | 41 | 35 | 33 |
| 9tt9s9k0 | Intentional Inclusion :Promoting Diversity in Graduate Study of Music Technology | 118 | 30 | 41 | 26 | 21 |
| 8766r1b7 | Programming New Realtime DSP Possibilities with MSP | 117 | 22 | 43 | 34 | 18 |
| 7ws9x4dh | Cultural ‘Content’ in Korean Music Made with Computers | 113 | 20 | 38 | 35 | 20 |
| 71j6w686 | A METHOD FOR COMPUTER CHARACTERIZATION OF "GESTURE" IN MUSICAL IMPROVISATION | 112 | 28 | 40 | 26 | 18 |
| 0x85j9td | EXPRESSIVE GESTURE : A TECHNIQUE FOR THE USE OF GESTURE DESCRIPTORS IN ALGORITHMIC IMPROVISATION | 106 | 13 | 41 | 32 | 20 |
| 6qd4d7nv | Aesthetic Considerations in the Use of “Virtual” Music Instruments | 106 | 19 | 38 | 26 | 23 |
| 7ck721n4 | STRATEGIES FOR CONTINUOUS PITCH AND AMPLITUDE TRACKING IN REALTIME INTERACTIVE IMPROVISATION SOFTWARE | 100 | 10 | 39 | 38 | 13 |
| 7ww3h3xx | Realtime Stochastic Decision Making for Music Composition and Improvisation | 100 | 16 | 33 | 31 | 20 |
| 625285wz | New Polyphonies: Score Streams, Improvisation and Telepresence | 88 | 14 | 32 | 20 | 22 |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.