UCLA Department of French and Francophone Studies
Parent: UCLA
eScholarship stats: Breakdown by Item for February through May, 2025
| Item | Title | Total requests | Download | View-only | %Dnld |
|---|---|---|---|---|---|
| 7p92b81t | “Under a Foreign Sky:” Place and Displacement in James Baldwin’s Giovanni’s Room | 312 | 145 | 167 | 46.5% |
| 3891m6db | « Je ne suis pas de la famille » : Queerness as Exception in Gide's L 'immoraliste and Genet's Journal du Voleur | 231 | 115 | 116 | 49.8% |
| 8qt465qh | The Abject: Kristeva and the Antigone | 207 | 165 | 42 | 79.7% |
| 8jx194fw | Chronique d’une mort annoncée : les métamorphoses du pouvoir dans Le Légataire universel (1708) | 181 | 159 | 22 | 87.8% |
| 96b0x72c | Modern Transitions in 19th Century Paris: Baudelaire and Renoir | 160 | 121 | 39 | 75.6% |
| 4pf9v8f2 | “Ceux-là Qui Partent pour Partir”: Travel as Relinquishment in Charles Baudelaire's Le Voyage | 125 | 33 | 92 | 26.4% |
| 7dn778pk | Memory as Construction in Viollet-le-Duc's Architectural Imagination | 112 | 30 | 82 | 26.8% |
| 8xm8x3v6 | (Auto)biographic Algerian Travels of Albert Camus and Assia Djebar | 110 | 42 | 68 | 38.2% |
| 9x11c70q | French Folie: Memory and Madness in Buñuel’s Belle de Jour | 108 | 86 | 22 | 79.6% |
| 7444f0z3 | The Logic of the Undecidable: An Interview with René Girard | 107 | 79 | 28 | 73.8% |
| 8p45g78n | Le nationalisme de Barrès : Moi, la terre et les morts | 105 | 66 | 39 | 62.9% |
| 9x23439n | Les Géorgiques de Claude Simon : la particularité de la généralisation | 104 | 11 | 93 | 10.6% |
| 5031q3js | Exquisite Corpses: Representations of Violence in the Collective Surrealist Unconscious | 103 | 55 | 48 | 53.4% |
| 9p34b4n1 | Le discours fantastique de La Morte amoureuse | 103 | 76 | 27 | 73.8% |
| 75z5r782 | Bodies of Enlightenment in Diderot's Encyclopédie | 102 | 64 | 38 | 62.7% |
| 4sj933mb | Ghost-Ridden Authors/Ghost-Written Texts: Female Phantoms in Two Works by André Breton and Georges Bataille | 101 | 28 | 73 | 27.7% |
| 5899b43t | Laïcité in the French Public School System : an exception française ? | 100 | 34 | 66 | 34.0% |
| 3vz2d3dj | Le bijou dans l’œuvre de Baudelaire : une mutilation symbolique | 99 | 73 | 26 | 73.7% |
| 1gr5c8cr | The Ghetto Novels of Guillaume Dustan | 98 | 58 | 40 | 59.2% |
| 1323z44w | Michelet et le renouvellement de l’Histoire : une subversion du passé monarchique au profit d’une mémoire républicaine ? | 95 | 8 | 87 | 8.4% |
| 0cs123x8 | The Devil Without Confessing Him | 94 | 55 | 39 | 58.5% |
| 4j7246jk | Georges Perec--La Disparition des manipulations sur le langage pour interpréter le réel | 93 | 65 | 28 | 69.9% |
| 7b14d5wn | Magic and Mesmerism in Saint Domingue | 90 | 21 | 69 | 23.3% |
| 1pz7t9qn | Les plis dans les puits: Identity and Narrative in Myriam Warner-Vieyra's Juletane | 88 | 56 | 32 | 63.6% |
| 46q1m2cw | Review of Jean-Luc Nancy’s The Possibility of a World: Conversations with Pierre-Philippe Jandin. | 88 | 10 | 78 | 11.4% |
| 0p58k5dc | The Summit of Violence: Cruelty in the work of Artaud and Bataille | 87 | 59 | 28 | 67.8% |
| 0ns0j1n9 | The (Wo)Man in the Iron Mask: Cross-dressing, Writing and Sexuality in L'Histoire de la Marquise-Marquis de Banneville | 84 | 32 | 52 | 38.1% |
| 1d48d7wx | Between fantasque and fantasmagorique: a fantastic reading of Balzac's La Peau de Chagrin | 84 | 30 | 54 | 35.7% |
| 6h90406n | "I am a Woman": The Body as Background in The Second Sex | 83 | 54 | 29 | 65.1% |
| 28g992w9 | Exile and Identity in the Plays of Maryse Condé | 82 | 16 | 66 | 19.5% |
| 7602n22m | Quand l'un forme le tout : Expérience individuelle et devoir d'écriture dans L'escalve vieil homme et le molosse | 82 | 21 | 61 | 25.6% |
| 77j808qq | Details and Reproducing Domination: The Birth of the Ballet School, the Prison, and Other Correctional Facilities | 80 | 51 | 29 | 63.8% |
| 8tq5t38r | Baudelaire et Mallarmé: « La Chevelure » Exploit(ation) de la femme ? | 79 | 55 | 24 | 69.6% |
| 0bj5t7hw | An Elusive Vision: Genesis and Apocalypse in <em>Le Ravissement de Lol V. Stein</em> | 78 | 28 | 50 | 35.9% |
| 3d48x20g | Jamming the Machine: Yves Klein's Blue Monochrome and the End of the Avant-Garde | 78 | 52 | 26 | 66.7% |
| 0mb1x2bt | In the Shadow of the Sun King: The Précieuse | 77 | 36 | 41 | 46.8% |
| 1g95g1s9 | ‘That God Within:’ Writing Female Genius from Diderot to Staël | 76 | 15 | 61 | 19.7% |
| 7qz8v7jf | ‘Le grand fantôme’ : Actor as Specter in Diderot’s Paradoxe sur le comédien | 76 | 11 | 65 | 14.5% |
| 8793t4tb | Mon Semblable, ma mère : Woman, Subjectivity and Escape in Les Fleurs du Mal | 76 | 52 | 24 | 68.4% |
| 8h50z8df | Michel Houellebecq: The Impossibility of Being an Island | 76 | 29 | 47 | 38.2% |
| 1879912w | Performing the Immigrant: The Works of Calixthe Beyala and Fatou Diome | 75 | 32 | 43 | 42.7% |
| 7tm4j8wd | La création d’un idéal national français à travers la redécouverte de La Chanson de Roland par Léon Gautier | 75 | 47 | 28 | 62.7% |
| 22d882tx | "XX+XX=XX": Monique Wittig's Reproduction of the Monstrous Lesbian | 74 | 42 | 32 | 56.8% |
| 7b43t1s7 | Spectacular Paris: Representations of Nostalgia and Desire | 74 | 31 | 43 | 41.9% |
| 7v9615hg | The Profound Complicity of George Batailie's Blue of Noon | 72 | 38 | 34 | 52.8% |
| 4t49r8vf | Une lézarde révolutionnaire dans l’histoire martiniquaise: la littérature engagée d’Edouard Glissant | 71 | 11 | 60 | 15.5% |
| 4xm0b969 | Jean-Philippe Toussaint's Slow Flight from Television | 71 | 25 | 46 | 35.2% |
| 0hf6j7v5 | "What About the Audience? What About Them?" : Spectatorship and Cinematic Pleasure | 68 | 25 | 43 | 36.8% |
| 2vd6n4jc | Memory and Forgiveness: Addressing the Legacy of the Dark Years in Contemporary French Politics | 68 | 10 | 58 | 14.7% |
| 6pj4f154 | Alain Robbe-Grillet: Sex and Violence or the Destruction of the Traditional Novel | 68 | 27 | 41 | 39.7% |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.