Department of French and Francophone Studies
Parent: UCLA
eScholarship stats: Breakdown by Item for April through July, 2026
| Item | Title | Total requests | Download | View-only | %Dnld |
|---|---|---|---|---|---|
| 3k76d2sm | Editor's Introduction. Special Feature: UCLA French Department Symposium--Generative Anthropology: Origin and Representation | 534 | 333 | 201 | 62.4% |
| 7444f0z3 | The Logic of the Undecidable: An Interview with René Girard | 404 | 276 | 128 | 68.3% |
| 2sm815d2 | Ethics Beyond the Body: Descartes and Heidegger in Emmanuel Levinas's Totality and Infinity | 373 | 188 | 185 | 50.4% |
| 1gr5c8cr | The Ghetto Novels of Guillaume Dustan | 351 | 232 | 119 | 66.1% |
| 8p45g78n | Le nationalisme de Barrès : Moi, la terre et les morts | 349 | 207 | 142 | 59.3% |
| 8qt465qh | The Abject: Kristeva and the Antigone | 349 | 170 | 179 | 48.7% |
| 5899b43t | Laïcité in the French Public School System : an exception française ? | 333 | 163 | 170 | 48.9% |
| 7dn778pk | Memory as Construction in Viollet-le-Duc's Architectural Imagination | 333 | 202 | 131 | 60.7% |
| 7p92b81t | “Under a Foreign Sky:” Place and Displacement in James Baldwin’s Giovanni’s Room | 333 | 117 | 216 | 35.1% |
| 6h90406n | "I am a Woman": The Body as Background in The Second Sex | 323 | 228 | 95 | 70.6% |
| 8xf4h66s | The Bodypolitics of Feminist Science Fiction: Elisabeth Vonarburg’s Le Silence de la cité | 316 | 205 | 111 | 64.9% |
| 4pf9v8f2 | “Ceux-là Qui Partent pour Partir”: Travel as Relinquishment in Charles Baudelaire's Le Voyage | 295 | 56 | 239 | 19.0% |
| 2vd6n4jc | Memory and Forgiveness: Addressing the Legacy of the Dark Years in Contemporary French Politics | 276 | 48 | 228 | 17.4% |
| 7b43t1s7 | Spectacular Paris: Representations of Nostalgia and Desire | 274 | 77 | 197 | 28.1% |
| 8xm8x3v6 | (Auto)biographic Algerian Travels of Albert Camus and Assia Djebar | 267 | 114 | 153 | 42.7% |
| 8h50z8df | Michel Houellebecq: The Impossibility of Being an Island | 261 | 75 | 186 | 28.7% |
| 1323z44w | Michelet et le renouvellement de l’Histoire : une subversion du passé monarchique au profit d’une mémoire républicaine ? | 254 | 40 | 214 | 15.7% |
| 5031q3js | Exquisite Corpses: Representations of Violence in the Collective Surrealist Unconscious | 254 | 112 | 142 | 44.1% |
| 9x11c70q | French Folie: Memory and Madness in Buñuel’s Belle de Jour | 254 | 181 | 73 | 71.3% |
| 75z5r782 | Bodies of Enlightenment in Diderot's Encyclopédie | 253 | 176 | 77 | 69.6% |
| 8d1587h9 | Naming la Guerre sans nom: Memory, Nation and Identity in French Representations of the Algerian War, 1963-1992 | 240 | 138 | 102 | 57.5% |
| 1d48d7wx | Between fantasque and fantasmagorique: a fantastic reading of Balzac's La Peau de Chagrin | 235 | 155 | 80 | 66.0% |
| 1g95g1s9 | ‘That God Within:’ Writing Female Genius from Diderot to Staël | 235 | 132 | 103 | 56.2% |
| 0ns0j1n9 | The (Wo)Man in the Iron Mask: Cross-dressing, Writing and Sexuality in L'Histoire de la Marquise-Marquis de Banneville | 231 | 110 | 121 | 47.6% |
| 0p58k5dc | The Summit of Violence: Cruelty in the work of Artaud and Bataille | 229 | 135 | 94 | 59.0% |
| 2jf516kb | La Dame pipi du quarante-quatrième étage: l’exil et la marge dans Stupeurs et Tremblements d’Amélie Nothomb | 228 | 74 | 154 | 32.5% |
| 4xm0b969 | Jean-Philippe Toussaint's Slow Flight from Television | 223 | 62 | 161 | 27.8% |
| 4gd5t307 | The Condition of the "Post-modern" Individual? Sexual competition and modern "Dis-society" in Houellebecq's Extension du domaine de la lutte | 221 | 127 | 94 | 57.5% |
| 8r14q39s | Marcel Proust: Nietzschean (Künstler)-Übermensch | 221 | 138 | 83 | 62.4% |
| 4j15m6ww | Cross-Cultural 'Othering' Through Metamorphosis | 216 | 84 | 132 | 38.9% |
| 521127n1 | Blanchot, Speaking in Tongues: Otherness in Translation | 216 | 106 | 110 | 49.1% |
| 5ww094n7 | Virtual Bodies: Anatomy, Technology, and the Inhuman in Descartes | 213 | 129 | 84 | 60.6% |
| 0495h57m | The Person who Tortures is Me: Violence and the Sacred in the Works of Margurite Duras | 210 | 79 | 131 | 37.6% |
| 3891m6db | « Je ne suis pas de la famille » : Queerness as Exception in Gide's L 'immoraliste and Genet's Journal du Voleur | 209 | 95 | 114 | 45.5% |
| 1879912w | Performing the Immigrant: The Works of Calixthe Beyala and Fatou Diome | 208 | 72 | 136 | 34.6% |
| 22d882tx | "XX+XX=XX": Monique Wittig's Reproduction of the Monstrous Lesbian | 208 | 94 | 114 | 45.2% |
| 4sj933mb | Ghost-Ridden Authors/Ghost-Written Texts: Female Phantoms in Two Works by André Breton and Georges Bataille | 208 | 105 | 103 | 50.5% |
| 5f57h784 | Homosexualité mon amour : Derrida and the Haunting of Sodom | 206 | 117 | 89 | 56.8% |
| 7v9615hg | The Profound Complicity of George Batailie's Blue of Noon | 205 | 80 | 125 | 39.0% |
| 96b0x72c | Modern Transitions in 19th Century Paris: Baudelaire and Renoir | 204 | 72 | 132 | 35.3% |
| 1wh448nh | Les fleurs de maladie : Baudelaire's Mother and "Writing Cure," 1860-1866 | 203 | 132 | 71 | 65.0% |
| 0bj5t7hw | An Elusive Vision: Genesis and Apocalypse in <em>Le Ravissement de Lol V. Stein</em> | 200 | 71 | 129 | 35.5% |
| 24v3331g | Genre-Crossing: Kingston's The Woman Warrior and Its Discursive Community | 198 | 126 | 72 | 63.6% |
| 0cs123x8 | The Devil Without Confessing Him | 190 | 55 | 135 | 28.9% |
| 9w32t11c | Going Home? The Failed Myth of Return in Eddy L. Harris’s Native Stranger: A Black American’s Journey into the Heart of Africa and Caryl Phillips’s The Atlantic Sound | 189 | 52 | 137 | 27.5% |
| 1500p7j6 | Identity Crises: Positions of Self in Simone de Beauvoir’s Memoirs | 188 | 92 | 96 | 48.9% |
| 3d48x20g | Jamming the Machine: Yves Klein's Blue Monochrome and the End of the Avant-Garde | 188 | 97 | 91 | 51.6% |
| 63z2k4z9 | Poetry and Music: A Roundtable Discussion with Pierre Boulez | 187 | 64 | 123 | 34.2% |
| 9x23439n | Les Géorgiques de Claude Simon : la particularité de la généralisation | 186 | 62 | 124 | 33.3% |
| 33h6j0mt | Incarnating Decadence: Reading Des Esseintes's Bodies | 183 | 96 | 87 | 52.5% |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.