UCLA Department of French and Francophone Studies
Parent: UCLA
eScholarship stats: Breakdown by Item for May through August, 2024
Item | Title | Total requests | Download | View-only | %Dnld |
---|---|---|---|---|---|
8qt465qh | The Abject: Kristeva and the Antigone | 215 | 183 | 32 | 85.1% |
96b0x72c | Modern Transitions in 19th Century Paris: Baudelaire and Renoir | 159 | 125 | 34 | 78.6% |
5899b43t | Laïcité in the French Public School System : an exception française ? | 147 | 82 | 65 | 55.8% |
22d882tx | "XX+XX=XX": Monique Wittig's Reproduction of the Monstrous Lesbian | 143 | 83 | 60 | 58.0% |
8p45g78n | Le nationalisme de Barrès : Moi, la terre et les morts | 139 | 114 | 25 | 82.0% |
9p34b4n1 | Le discours fantastique de La Morte amoureuse | 136 | 118 | 18 | 86.8% |
8jx194fw | Chronique d’une mort annoncée : les métamorphoses du pouvoir dans Le Légataire universel (1708) | 130 | 111 | 19 | 85.4% |
4pf9v8f2 | “Ceux-là Qui Partent pour Partir”: Travel as Relinquishment in Charles Baudelaire's Le Voyage | 127 | 30 | 97 | 23.6% |
7p92b81t | “Under a Foreign Sky:” Place and Displacement in James Baldwin’s Giovanni’s Room | 127 | 49 | 78 | 38.6% |
9x23439n | Les Géorgiques de Claude Simon : la particularité de la généralisation | 124 | 40 | 84 | 32.3% |
3891m6db | « Je ne suis pas de la famille » : Queerness as Exception in Gide's L 'immoraliste and Genet's Journal du Voleur | 122 | 34 | 88 | 27.9% |
7444f0z3 | The Logic of the Undecidable: An Interview with René Girard | 121 | 102 | 19 | 84.3% |
4j7246jk | Georges Perec--La Disparition des manipulations sur le langage pour interpréter le réel | 116 | 96 | 20 | 82.8% |
28g992w9 | Exile and Identity in the Plays of Maryse Condé | 114 | 36 | 78 | 31.6% |
7b14d5wn | Magic and Mesmerism in Saint Domingue | 114 | 32 | 82 | 28.1% |
7dn778pk | Memory as Construction in Viollet-le-Duc's Architectural Imagination | 113 | 68 | 45 | 60.2% |
1879912w | Performing the Immigrant: The Works of Calixthe Beyala and Fatou Diome | 108 | 61 | 47 | 56.5% |
0ns0j1n9 | The (Wo)Man in the Iron Mask: Cross-dressing, Writing and Sexuality in L'Histoire de la Marquise-Marquis de Banneville | 105 | 27 | 78 | 25.7% |
1g95g1s9 | ‘That God Within:’ Writing Female Genius from Diderot to Staël | 104 | 13 | 91 | 12.5% |
27v5k4gc | An Interview with Jonathan Culler | 104 | 30 | 74 | 28.8% |
7v9615hg | The Profound Complicity of George Batailie's Blue of Noon | 104 | 83 | 21 | 79.8% |
8031p7sm | Mémoires du « bled » : Entretien avec Alain Ricard | 103 | 34 | 69 | 33.0% |
0hf6j7v5 | "What About the Audience? What About Them?" : Spectatorship and Cinematic Pleasure | 101 | 26 | 75 | 25.7% |
75z5r782 | Bodies of Enlightenment in Diderot's Encyclopédie | 101 | 73 | 28 | 72.3% |
1pz7t9qn | Les plis dans les puits: Identity and Narrative in Myriam Warner-Vieyra's Juletane | 100 | 79 | 21 | 79.0% |
4sj933mb | Ghost-Ridden Authors/Ghost-Written Texts: Female Phantoms in Two Works by André Breton and Georges Bataille | 94 | 22 | 72 | 23.4% |
7pr7f7kx | The City that is not a City | 94 | 45 | 49 | 47.9% |
7qz8v7jf | ‘Le grand fantôme’ : Actor as Specter in Diderot’s Paradoxe sur le comédien | 93 | 22 | 71 | 23.7% |
8z72z95w | Subversion, fragmentation et mixité – Structures de la mémoire dans <em>C’est maintenant du passé</em> de Marianne Rubinstein | 91 | 31 | 60 | 34.1% |
06m9d9r0 | Classical Aesthetics, Modem Ethics: Lacan, Kierkegaard, Sophocles, Anouilh | 86 | 18 | 68 | 20.9% |
4r82s45p | Charting Collaborative Practices: Acknowledgements | 86 | 16 | 70 | 18.6% |
6pj4f154 | Alain Robbe-Grillet: Sex and Violence or the Destruction of the Traditional Novel | 84 | 59 | 25 | 70.2% |
1323z44w | Michelet et le renouvellement de l’Histoire : une subversion du passé monarchique au profit d’une mémoire républicaine ? | 82 | 11 | 71 | 13.4% |
3fj1s346 | Le Passage ou l'architecture du devenir | 82 | 19 | 63 | 23.2% |
5031q3js | Exquisite Corpses: Representations of Violence in the Collective Surrealist Unconscious | 82 | 53 | 29 | 64.6% |
80d3h4rx | Nom du père / nom d'auteur : les origines énigmatiques du Fresne | 82 | 14 | 68 | 17.1% |
5ww094n7 | Virtual Bodies: Anatomy, Technology, and the Inhuman in Descartes | 81 | 59 | 22 | 72.8% |
8xf4h66s | The Bodypolitics of Feminist Science Fiction: Elisabeth Vonarburg’s Le Silence de la cité | 80 | 56 | 24 | 70.0% |
1gr5c8cr | The Ghetto Novels of Guillaume Dustan | 79 | 47 | 32 | 59.5% |
7ft1g1ms | Traverses: une interview avec Michel de Certeau | 79 | 49 | 30 | 62.0% |
5f57h784 | Homosexualité mon amour : Derrida and the Haunting of Sodom | 78 | 59 | 19 | 75.6% |
2jf516kb | La Dame pipi du quarante-quatrième étage: l’exil et la marge dans Stupeurs et Tremblements d’Amélie Nothomb | 77 | 48 | 29 | 62.3% |
3w76w31c | Le troc des femmes ou la révolte de Dora | 76 | 15 | 61 | 19.7% |
8zr1t8xj | Assia Djebar’s Vaste est la prison: Platform for a New Space of Agency and Feminine Enunciation in Algeria | 76 | 55 | 21 | 72.4% |
0bj5t7hw | An Elusive Vision: Genesis and Apocalypse in <em>Le Ravissement de Lol V. Stein</em> | 72 | 28 | 44 | 38.9% |
8h50z8df | Michel Houellebecq: The Impossibility of Being an Island | 72 | 47 | 25 | 65.3% |
8xm8x3v6 | (Auto)biographic Algerian Travels of Albert Camus and Assia Djebar | 72 | 24 | 48 | 33.3% |
1d48d7wx | Between fantasque and fantasmagorique: a fantastic reading of Balzac's La Peau de Chagrin | 71 | 48 | 23 | 67.6% |
6h90406n | "I am a Woman": The Body as Background in The Second Sex | 69 | 49 | 20 | 71.0% |
9x11c70q | French Folie: Memory and Madness in Buñuel’s Belle de Jour | 69 | 53 | 16 | 76.8% |
Disclaimer: due to the evolving nature of the web traffic we receive and the methods we use to collate it, the data presented here should be considered approximate and subject to revision.