UCLA Department of French and Francophone Studies
Parent: UCLA
eScholarship stats: History by Item for March through June, 2025
Item | Title | Total requests | 2025-06 | 2025-05 | 2025-04 | 2025-03 |
---|---|---|---|---|---|---|
7p92b81t | “Under a Foreign Sky:” Place and Displacement in James Baldwin’s Giovanni’s Room | 304 | 44 | 82 | 98 | 80 |
3891m6db | « Je ne suis pas de la famille » : Queerness as Exception in Gide's L 'immoraliste and Genet's Journal du Voleur | 242 | 38 | 123 | 35 | 46 |
8qt465qh | The Abject: Kristeva and the Antigone | 200 | 48 | 46 | 46 | 60 |
8jx194fw | Chronique d’une mort annoncée : les métamorphoses du pouvoir dans Le Légataire universel (1708) | 182 | 33 | 39 | 48 | 62 |
7602n22m | Quand l'un forme le tout : Expérience individuelle et devoir d'écriture dans L'escalve vieil homme et le molosse | 172 | 97 | 59 | 3 | 13 |
8xm8x3v6 | (Auto)biographic Algerian Travels of Albert Camus and Assia Djebar | 172 | 80 | 32 | 30 | 30 |
96b0x72c | Modern Transitions in 19th Century Paris: Baudelaire and Renoir | 171 | 34 | 48 | 46 | 43 |
46q1m2cw | Review of Jean-Luc Nancy’s The Possibility of a World: Conversations with Pierre-Philippe Jandin. | 164 | 86 | 49 | 18 | 11 |
4pf9v8f2 | “Ceux-là Qui Partent pour Partir”: Travel as Relinquishment in Charles Baudelaire's Le Voyage | 146 | 47 | 33 | 35 | 31 |
9p34b4n1 | Le discours fantastique de La Morte amoureuse | 143 | 65 | 36 | 16 | 26 |
8p45g78n | Le nationalisme de Barrès : Moi, la terre et les morts | 139 | 63 | 21 | 31 | 24 |
6h90406n | "I am a Woman": The Body as Background in The Second Sex | 134 | 70 | 31 | 12 | 21 |
7dn778pk | Memory as Construction in Viollet-le-Duc's Architectural Imagination | 128 | 36 | 31 | 18 | 43 |
0ns0j1n9 | The (Wo)Man in the Iron Mask: Cross-dressing, Writing and Sexuality in L'Histoire de la Marquise-Marquis de Banneville | 115 | 53 | 21 | 27 | 14 |
5031q3js | Exquisite Corpses: Representations of Violence in the Collective Surrealist Unconscious | 115 | 31 | 22 | 28 | 34 |
0cs123x8 | The Devil Without Confessing Him | 114 | 21 | 22 | 27 | 44 |
5899b43t | Laïcité in the French Public School System : an exception française ? | 112 | 40 | 27 | 17 | 28 |
9x11c70q | French Folie: Memory and Madness in Buñuel’s Belle de Jour | 109 | 22 | 28 | 27 | 32 |
1323z44w | Michelet et le renouvellement de l’Histoire : une subversion du passé monarchique au profit d’une mémoire républicaine ? | 108 | 39 | 35 | 13 | 21 |
1gr5c8cr | The Ghetto Novels of Guillaume Dustan | 107 | 30 | 29 | 26 | 22 |
7444f0z3 | The Logic of the Undecidable: An Interview with René Girard | 107 | 22 | 41 | 16 | 28 |
4sj933mb | Ghost-Ridden Authors/Ghost-Written Texts: Female Phantoms in Two Works by André Breton and Georges Bataille | 105 | 28 | 31 | 24 | 22 |
3vz2d3dj | Le bijou dans l’œuvre de Baudelaire : une mutilation symbolique | 104 | 24 | 21 | 37 | 22 |
1pz7t9qn | Les plis dans les puits: Identity and Narrative in Myriam Warner-Vieyra's Juletane | 103 | 35 | 34 | 15 | 19 |
9x23439n | Les Géorgiques de Claude Simon : la particularité de la généralisation | 103 | 29 | 30 | 18 | 26 |
7b43t1s7 | Spectacular Paris: Representations of Nostalgia and Desire | 102 | 42 | 29 | 17 | 14 |
4j7246jk | Georges Perec--La Disparition des manipulations sur le langage pour interpréter le réel | 101 | 29 | 37 | 15 | 20 |
80d3h4rx | Nom du père / nom d'auteur : les origines énigmatiques du Fresne | 101 | 61 | 11 | 11 | 18 |
4xm0b969 | Jean-Philippe Toussaint's Slow Flight from Television | 100 | 40 | 28 | 17 | 15 |
0p58k5dc | The Summit of Violence: Cruelty in the work of Artaud and Bataille | 98 | 27 | 24 | 22 | 25 |
77j808qq | Details and Reproducing Domination: The Birth of the Ballet School, the Prison, and Other Correctional Facilities | 98 | 25 | 56 | 8 | 9 |
8h50z8df | Michel Houellebecq: The Impossibility of Being an Island | 98 | 35 | 27 | 22 | 14 |
50n0g86z | Islam, History, and the Modem Nation: Hegemony and Resistance in Contemporary Moroccan Francophone Literature | 97 | 68 | 10 | 11 | 8 |
4t49r8vf | Une lézarde révolutionnaire dans l’histoire martiniquaise: la littérature engagée d’Edouard Glissant | 96 | 34 | 29 | 20 | 13 |
75z5r782 | Bodies of Enlightenment in Diderot's Encyclopédie | 95 | 17 | 21 | 20 | 37 |
3d48x20g | Jamming the Machine: Yves Klein's Blue Monochrome and the End of the Avant-Garde | 93 | 35 | 23 | 13 | 22 |
2vd6n4jc | Memory and Forgiveness: Addressing the Legacy of the Dark Years in Contemporary French Politics | 92 | 34 | 23 | 10 | 25 |
7qz8v7jf | ‘Le grand fantôme’ : Actor as Specter in Diderot’s Paradoxe sur le comédien | 92 | 37 | 16 | 16 | 23 |
8793t4tb | Mon Semblable, ma mère : Woman, Subjectivity and Escape in Les Fleurs du Mal | 91 | 25 | 30 | 16 | 20 |
0mb1x2bt | In the Shadow of the Sun King: The Précieuse | 90 | 26 | 43 | 11 | 10 |
1d48d7wx | Between fantasque and fantasmagorique: a fantastic reading of Balzac's La Peau de Chagrin | 90 | 19 | 51 | 12 | 8 |
9w32t11c | Going Home? The Failed Myth of Return in Eddy L. Harris’s Native Stranger: A Black American’s Journey into the Heart of Africa and Caryl Phillips’s The Atlantic Sound | 89 | 59 | 14 | 7 | 9 |
7b14d5wn | Magic and Mesmerism in Saint Domingue | 88 | 28 | 18 | 16 | 26 |
1g95g1s9 | ‘That God Within:’ Writing Female Genius from Diderot to Staël | 87 | 30 | 25 | 10 | 22 |
1879912w | Performing the Immigrant: The Works of Calixthe Beyala and Fatou Diome | 86 | 35 | 17 | 16 | 18 |
1fp3m2m3 | Conference Program | 86 | 63 | 10 | 2 | 11 |
63z2k4z9 | Poetry and Music: A Roundtable Discussion with Pierre Boulez | 86 | 36 | 18 | 23 | 9 |
7tm4j8wd | La création d’un idéal national français à travers la redécouverte de La Chanson de Roland par Léon Gautier | 86 | 34 | 13 | 15 | 24 |
7v9615hg | The Profound Complicity of George Batailie's Blue of Noon | 86 | 32 | 32 | 11 | 11 |
28g992w9 | Exile and Identity in the Plays of Maryse Condé | 84 | 24 | 23 | 17 | 20 |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.