Department of Spanish and Portuguese
Parent: UCLA
eScholarship stats: History by Item for May through August, 2026
| Item | Title | Total requests | 2026-08 | 2026-07 | 2026-06 | 2026-05 |
|---|---|---|---|---|---|---|
| 1dk268wf | Mester 52 - Digital Version (PDF) | 2,267 | 515 | 908 | 394 | 450 |
| 7t39443t | Lo mágico-religioso en el indigenismo y en la vida de José María Arguedas | 577 | 30 | 63 | 240 | 244 |
| 1mn7d2g2 | sábado y domingo | 555 | 55 | 22 | 45 | 433 |
| 55n19268 | Mester PDF Digital Version | 551 | 97 | 95 | 153 | 206 |
| 94v4c08k | ‘You Speak Good English for Being Mexican’ East Los Angeles Chicano/a English: Language & Identity | 533 | 174 | 87 | 129 | 143 |
| 16w9m3k3 | MESTER VOL. 54 PDF (DIGITAL VERSION) | 485 | 95 | 125 | 106 | 159 |
| 8tt3p7fm | The Essayistic Touch: Saramago's Version of Blindness and Lucidity | 437 | 117 | 53 | 117 | 150 |
| 7j92c4q3 | ¿Qué es lo neofantástico? | 400 | 96 | 54 | 107 | 143 |
| 226045p9 | Escritura y escrutinio paranoico en La invención de Morel de Adolfo Bioy Casares | 396 | 141 | 63 | 71 | 121 |
| 24j6819d | La otra muerte de Martín Fierro | 367 | 73 | 57 | 103 | 134 |
| 70s5d9h1 | Botiflers and Betrayal: Heraldic Semiotics and Linguistic Landscape on Catalonia's National Day | 358 | 81 | 32 | 80 | 165 |
| 7h4522h7 | Um Realismo Mágico no Brasil?: Um Levantamento | 350 | 67 | 57 | 88 | 138 |
| 55h6g7qt | Why Los Angeles Spanish Matters | 330 | 129 | 39 | 65 | 97 |
| 1d5823bm | Self-Baptizing the Wicked Esperanza: Chicana Feminism and Cultural Contact in The House on Mango Street | 314 | 77 | 44 | 74 | 119 |
| 0p97f0mc | From the New Heights: The City and Migrating Latinas in Real Women Have Curves and María Full of Grace | 308 | 60 | 53 | 70 | 125 |
| 8v2220b9 | Encuentros homoeróticos y homosociales: Una lectura de Los detectives salvajes (1998) de Roberto Bolaño | 307 | 80 | 28 | 134 | 65 |
| 1bn3h62c | Quem dá as ordens? A Imagem Transnacional da Mulher Brasileira em Dona Flor, Gabriela e Tieta | 302 | 80 | 37 | 66 | 119 |
| 88s439n4 | The Columbus Letter of February 15, 1493, and the Pero Vaz de Caminha Letter of May 1, 1500: A Comparison | 289 | 58 | 31 | 64 | 136 |
| 74d484pj | Tortured Text: An Analysis of the Absent Pages of Ignácio de Loyola Brandão's Zero | 286 | 97 | 24 | 54 | 111 |
| 6w47k24s | The (Not-So) Distant Relation between Spanish and Arabic | 285 | 94 | 42 | 67 | 82 |
| 1cg48966 | Legal Discourse in <em>Don Quixote</em> | 279 | 44 | 73 | 54 | 108 |
| 7cd3n9xh | Native Language Transfer in Target Language Usage: An Exploratory Case Study | 274 | 72 | 34 | 79 | 89 |
| 6q63s25c | Fuchs, Barbara. The Poetics of Piracy: Emulating Spain in English Literature | 272 | 65 | 37 | 86 | 84 |
| 5m36v2x5 | Three Experiences of Culture Contact: Nahua, Maya, and Quechua | 271 | 74 | 46 | 71 | 80 |
| 0j63g0nx | Consonantal Variations in Chicano English | 269 | 38 | 28 | 39 | 164 |
| 11n361m4 | A Grande Contradição da América do Sul Lusófona: De quem são as verdades vividas que não estamos a contar? Uma análise comparativa de <em>Cidade de Deus</em> (2002), de Meirelles, e <em>Afro-Paradise</em> (2016), de Smith | 268 | 67 | 27 | 80 | 94 |
| 5t0151j6 | MIEDER, WOLFGANG. <em>Proverbs: A Handbook</em> . Westport, CT: Greenwood, 2004. 304 pp. | 268 | 82 | 47 | 63 | 76 |
| 1dj093nw | Mignolo's Idea of Latin America: Race, Place, and the Pluriverse: MIGNOLO, WALTER D. The Idea of Latin America. Malden, MA: Blackwell, 2005. 198 pp. | 266 | 61 | 53 | 64 | 88 |
| 0h927883 | The Dream of Reason | 265 | 38 | 64 | 69 | 94 |
| 3m38x80k | El náhuatl en Los Ángeles: el papel de la lengua indígena en la creación de la identidad chicana | 265 | 62 | 33 | 77 | 93 |
| 931054w7 | Fuentes "Chac Mool": Its Ancestors and Progeny | 262 | 56 | 33 | 83 | 90 |
| 61h9z1wr | Yo quiero Taco Bell: How Hispanic Culture Affects American Taste Buds | 261 | 64 | 49 | 62 | 86 |
| 7dg4f998 | Reggae as Subaltern Knowledge: Representations of Christopher Columbus as a Construction of Alternative Historical Memory | 261 | 67 | 47 | 68 | 79 |
| 5m92m6ws | La Revolución congelada: <em>Pedro Páramo, de Juan Rulfo</em> | 259 | 53 | 24 | 73 | 109 |
| 9wx9s56t | Masculinidad, antisemitismo y nación en María de Jorge Isaacs | 257 | 99 | 43 | 54 | 61 |
| 5pj566s1 | Tomando partido: Soccer and Political Opposition in O Ano em Que Meus Pais Saíram de Férias (Cao Hamburger 2006) and Paisito (Ana Díez 2008) | 255 | 83 | 30 | 46 | 96 |
| 8973f88t | Playful Ecphrasis: María Elena Walsh and Children's Literature in Argentina | 255 | 66 | 35 | 77 | 77 |
| 8mg7z61z | Lo Religioso en <em>Los Heraldos Negros</em> de Vallejo | 255 | 52 | 44 | 64 | 95 |
| 26m5n1jw | Entornos hostiles, deserción escolar y migraciones | 252 | 46 | 26 | 81 | 99 |
| 4284j72x | Daguerreotypy, Optical Metaphors, and Visual Power in Echeverría’s "El matadero" | 248 | 103 | 34 | 44 | 67 |
| 5n1219dv | <em>Sweat</em>, <em>Triangle of Sadness</em>, and the Fragile Performance of the Influencer | 248 | 56 | 60 | 62 | 70 |
| 6043n2kq | Autor, autoridad y policía en Formas de volver a casa de Alejandro Zambra | 247 | 49 | 27 | 66 | 105 |
| 0z3251t7 | Trayectoria del cuento fantástico hispanoamericano | 245 | 23 | 28 | 57 | 137 |
| 5vv8h1qm | Visions of the Green Fairy: Gendered Absinthe Consumption in Modernista Poetry | 242 | 29 | 25 | 87 | 101 |
| 82452542 | Entrevista con Blanca Varela | 242 | 73 | 42 | 49 | 78 |
| 34d484cv | Una investigación en torno a la memoria: <em>El tragaluz</em> , de Antonio Buero Vallejo | 239 | 29 | 31 | 76 | 103 |
| 63h5n431 | Identity through Gaming in the L2 Classroom: Contextualization and Narrative | 237 | 64 | 46 | 54 | 73 |
| 03b5j77g | A Family Business: Chile and the Transition to Democracy in Alberto Fuguet’s Se arrienda | 236 | 74 | 33 | 45 | 84 |
| 77z9g1pp | Fisuras del discurso liberal en <em>El matadero</em> de Esteban Echeverría | 236 | 71 | 34 | 50 | 81 |
| 1bs3s1n5 | <em>The War of the End of the World</em> by Vargas Llosa: A Reconsideration | 235 | 36 | 43 | 55 | 101 |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.