Open Access Policy Deposits

eScholarship stats: History by Item for March through June, 2026

Item	Title	Total requests	2026-06	2026-05	2026-04	2026-03
5kt6s812	Adolescent gang involvement: The role of individual, family, peer, and school factors in a multilevel perspective	544	112	86	170	176
5xw0x3gc	The impossible charm of Messiaen's <i>Chronochromie</i>	473	92	124	128	129
98g4d1r6	Second language acquisition	391	56	90	110	135
5st9c8c4	Give Me Something to Sing About’: intertexuality in Once More With Feeling	372	118	99	67	88
35g8m8f7	From Pulsation to Sensation: Virtuosity and Modernism in Ligeti’s First and Ninth Piano Études	360	57	135	91	77
2724q6fv	Acquisition of L2 Mandarin Chinese tones with learner-created tone visualizations	314	44	84	88	98
4wx8q33n	German Liberalism, Nationalism, and Humanism in Hanslick’s Writings on Brahms	305	48	84	104	69
03b7k2km	The Inequitable Treatment of English Learners in California's Public Schools	302	56	83	82	81
9bp6f677	A Latent Transition Mixture Model Using the Three-Step Specification	302	57	86	77	82
8w9186zw	Richard Steinitz, György Ligeti: Music of the Imagination (London: Faber and Faber, 2003), ISBN 0 571 17631 3 (hb)	296	54	77	88	77
01p301wx	Did Someone Say Post-Spectral?’ The Orchestral Imaginary in Millenial Works by Tulve, Dalbavie, and Haas	291	42	112	74	63
58v5s45t	'Composing the Sound itself;’ Secondary Parameters and Structure in the Music of Ligeti	281	29	72	81	99
6v77c7tj	The Inequitable Treatment of English Learners in California’s Public Schools	272	49	107	68	48
5xn297x9	Codes, constraints, and the loss of control in Ligeti’s keyboard works	271	64	84	71	52
4wm040z4	Only the Truth! <i>Camelia la Tejana's Many Truths</i>	268	36	75	88	69
8wx964ww	'Are you dead, like us?’ The Liminal Status of the Undead in the Music of Ligeti	243	44	77	53	69
1h30s015	Intro to Quantum Harmony: Chords in Superposition	240	60	66	53	61
51b6v47q	CONTEMPORARY OPERA AND THE FAILURE OF LANGUAGE	240	49	69	68	54
89p0m2tk	Brahms's Ascending Circle: Hölderlin, Schicksalslied and the Process of Recollection	235	57	70	47	61
1hj164pd	An Explosive Confrontation Messiaen and the Post-War Avant-Garde	228	52	64	63	49
7hf4q6w5	Asian Americans and Creative Music Legacies	226	48	68	39	71
1dk9k9d6	Genre as emigre The return of the repressed in Ligeti's Second Quartet	218	41	74	49	54
2fp1g1cw	The ‘Other’ of the Exotic: Balinese Music as ‘Grammatical Paradigm’ in the Music of Ligeti	213	45	72	40	56
99b2p9tg	Automata in extremis : Mauro Lanza's sublime sound machines	210	48	63	52	47
11g7m8wc	Utopias and Their Discontents: Ligeti's Reception History as Modernist Meta-Narrative	204	30	66	55	53
9kp2h7v0	Gravitational wave and CMB probes of axion kination	201	65	38	54	44
2p7505c1	Brahms as a Vanishing Point in the Music of Wolfgang Rihm: Reflections on Klavierstück Nr. 6	198	34	80	50	34
3s27h884	"Tone-color, movement, changing harmonic planes: Cognition, Constraints and Conceptual Blends in Modernist Music,"	193	23	59	67	44
3294j8bv	Brahms's Poetic Allusions through Hanslick's Critical Lens	192	38	59	43	52
65d6v84n	Understanding and Addressing the California Latino Achievement Gap in Early Elementary School	187	30	74	47	36
54w4g8dn	"Wordless Judaism like the Songs of Mendelssohn"? Hanslick, Mendelssohn, and Cultural Politics in Late-Nineteenth Century Vienna	186	38	56	53	39
5m416586	Player vs. Monster: The Making and Breaking of Videogame Monstrosity	186	56	56	36	38
9n2184ws	Improvising in a different clave: Steve Coleman and AfroCuba de Matanzas	181	55	52	43	31
6b5759bt	Language ideologies and literacy achievement: six multilingual countries and two international assessments	166	29	69	38	30
2n75r1mj	El Cajón del Mariachi: Schemata of a Vernacular Genre	165	31	51	38	45
46d414qq	Associations Between Childhood Peer Victimization and Aggression and Subsequent Victimization and Aggression at College	163	28	52	38	45
8pw4s0gb	Somewhere In The Upstream, in memory of Yusef Lateef (1920-2013)	163	39	62	40	22
6w42d6p2	FCJ-132 Towards a Performative Aesthetics of Interactivity	161	24	42	47	48
9s17h6kz	"Come Rise to Higher Spheres!" Tradition Transcended in Brahms's Violin Sonata No. 1 in G major, Op. 78	161	25	48	48	40
3sx6k97n	Brahms as a Vanishing Point in the Music of Wolfgang Rihm: Reflections on Klavierstück Nr. 6	155	32	52	29	42
8nz587px	In Search of Absolute Inwardness and Spiritual Subjectivity? The Historical and Ideological Context of Schumann's "Neue Bahnen"	154	32	68	29	25
4rh414vm	The World Without Music	152	25	67	32	28
6r01k343	Networked music performance: An introduction for musicians and educators	152	19	53	39	41
6km380kg	The Schoenberg/Brahms Critical Tradition Reconsidered	151	29	42	44	36
9js6z3xq	Quantitative Evaluation of Adult Subglottic Stenosis Using Intraoperative Long-range Optical Coherence Tomography	147	26	58	33	30
0bj2176v	Review of Milestones in Analog and Digital Computing, 3rd ed by Herbert Bruderer	146	26	46	41	33
1nx542gw	Potential teachers' understanding of model-based science instruction: A knowledge in pieces approach.	146	19	47	43	37
6fv361x5	for instance, today	138	19	62	28	29
2580f24q	Symposium on Internationalization	136	63	36	27	10
3c35m9p0	Mind reading?	136	8	54	41	33

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