Department of Spanish and Portuguese
Parent: UC Santa Barbara
eScholarship stats: Breakdown by Item for August through November, 2024
| Item | Title | Total requests | Download | View-only | %Dnld |
|---|---|---|---|---|---|
| 8gs9t7cm | Elena Poniatowska Amor: Una biografía "in extenso" | 148 | 22 | 126 | 14.9% |
| 36x040bw | "Three Square Stories" | 82 | 6 | 76 | 7.3% |
| 1nr9n8r8 | VERNACULAR EXPERIMENT | 80 | 1 | 79 | 1.3% |
| 2k57s8xg | "Early One Morning" | 77 | 4 | 73 | 5.2% |
| 6sr9f80h | RECORRIDOS, ESPACIOS Y DESÁNIMOS POR LA CIUDAD DE MÉXICO EN CARLOS MONSIVÁIS | 77 | 50 | 27 | 64.9% |
| 98q253t5 | Pasaba por aquí y. . . | 77 | 9 | 68 | 11.7% |
| 11d0x200 | Translator´s Preface, by Cristina de la Torre. Excerpt from Past Perfect (Pasado perfecto) by Leonardo Padura Fuentes | 75 | 1 | 74 | 1.3% |
| 1xg830j5 | Migration Chronicles: Reporting on the Paradoxes of Migrant Visibility | 74 | 2 | 72 | 2.7% |
| 3g58c97h | DIALECT IDENTITIES IN GADDA’S TRANSLATION: THE CASE OF QUER PASTICCIACCIO BRUTTO DE VIA MERULANA | 71 | 21 | 50 | 29.6% |
| 5jk7x6p2 | LA EXPERIENCIA TURÍSTICA DEL CRONISTA LATINOAMERICANO EN _JET LAG_ DE SANTIAGO RONCAGLIOLO | 71 | 3 | 68 | 4.2% |
| 6xg6n1kz | Índice | 70 | 3 | 67 | 4.3% |
| 8hg1f9b5 | Creative Translation, Transcreation or Simply Translation. How Can Literature Be Translated | 66 | 21 | 45 | 31.8% |
| 07p949nv | _ASÍ ES EL PAÍS VECINO_: LAS CRÓNICAS DE FRONTERA DE LUIS ARTURO RAMOS | 64 | 4 | 60 | 6.3% |
| 0jc5c1p4 | La nación del porvenir: La visión de la nación puertorriqueña dentro del marco del romanticismo, el cosmopolitismo y la modernidad de Alejandro Tapia y Rivera | 64 | 42 | 22 | 65.6% |
| 3hn8f69v | TRANSLATING NEAPOLITAN DIALECT IN THEATRE: PROBLEMS OF CULTURAL TRANSFER | 57 | 10 | 47 | 17.5% |
| 19t2k0hw | PREFACE TO VOLUME 3 - THE NECESSARY FOREIGN: TRANSLATING DIALECTS | 53 | 25 | 28 | 47.2% |
| 3kc3v0rr | La ciudad de México en las crónicas de Elena Poniatowska | 50 | 31 | 19 | 62.0% |
| 93x9g3rp | "Rabbit Hunt" | 49 | 31 | 18 | 63.3% |
| 07g920wk | HASTA NO VERTE SALKA MÍA: CÓMO VOLVER HIPERBÓREO EL MÉXICO POPULAR DE ELENA PONIATOWSKA | 48 | 6 | 42 | 12.5% |
| 2d60086g | Selected Poems from "Sebastian Im Traum" | 47 | 6 | 41 | 12.8% |
| 5r18r9dx | FROM STANDARDIZATION TO DIALECT COMPILATION: A BRIEF HISTORY OF ITALIAN DIALECT POETRY IN ENGLISH TRANSLATION | 47 | 10 | 37 | 21.3% |
| 06j371bw | "Partridge Sky" | 46 | 7 | 39 | 15.2% |
| 9973t7v7 | Puerto Rico’s Archival Traditions in a Colonial Context | 43 | 11 | 32 | 25.6% |
| 1xn9m610 | Reseña de The Spanish American Crónica Modernista, Temporality and Material Culture: Modernismo's Unstoppable Presses de Andrew Reynolds | 42 | 26 | 16 | 61.9% |
| 0d0939g2 | Portada | 41 | 30 | 11 | 73.2% |
| 2788g4rq | Monsiváis: Voyeurismo moral y pasión coleccionista | 41 | 30 | 11 | 73.2% |
| 2sw1n66k | "Falling" | 40 | 20 | 20 | 50.0% |
| 4wk0n474 | Translator´s Preface, by Odile Cisneros. 50 Greguerías, by Ramón Gómez de la Serna. | 40 | 11 | 29 | 27.5% |
| 7n48t3pm | “¿Me estás oyendo, inútil?” Carlos Monsiváis y la música del Apocalipstick mexicano | 39 | 19 | 20 | 48.7% |
| 8sz3m8zg | Reseña de Miradas transatlánticas: El periodismo de Elena Poniatowska y Rosa Montero de Alicia Rueda-Acedo | 38 | 13 | 25 | 34.2% |
| 4xq6425n | POPE JOHN PAUL I’S CRITIQUE OF TRILUSSA’S FAITH: A TRANSLATOR’S DEFENSE | 37 | 13 | 24 | 35.1% |
| 6sv602c8 | La paz con-tigo--Crónica chileno boliviana | 37 | 24 | 13 | 64.9% |
| 901488gc | Carlos Monsiváis: Discurso a dos voces | 37 | 15 | 22 | 40.5% |
| 7s70d29t | Perspectivas sobre teoría, historia y crítica literaria en América Latina. Entrevista a Lauro Zavala | 36 | 18 | 18 | 50.0% |
| 3hh672wt | Reseña de "Entre héroes, fantasmas y apocalípticos: Testigos y paisajes en la crónica mexicana" de Anadeli Bencomo | 35 | 20 | 15 | 57.1% |
| 8x43v851 | Crónica de una muerte pasada: Eloy Alfaro, Vargas Vila y "La muerte del cóndor" como texto híbrido modernista | 34 | 12 | 22 | 35.3% |
| 5fv8s27z | Historia de una institucionalización: La crónica-testimonio modelo, 1970-2005 | 30 | 20 | 10 | 66.7% |
| 5n05s3zn | “Un folclor terrible e ineludible”: Las revoluciones de Carlos Monsiváis | 29 | 12 | 17 | 41.4% |
| 39f562r4 | Conveying the Author´s Voice. Translating Style | 27 | 15 | 12 | 55.6% |
| 48s2c322 | Crónica del simulacro: "Los rituales del caos" de Carlos Monsiváis | 27 | 10 | 17 | 37.0% |
| 9dw06638 | Translator´s Preface, by Steve Sadow. Selected Poems by Angelina Muñiz-Huberman. Translated by Steve Sadow and Jim Kate | 26 | 16 | 10 | 61.5% |
| 0bn0d2wr | Chronicle and Diary, Politics and Self-Portrait in Elena Poniatowska’s "Amanecer en el Zócalo" | 25 | 6 | 19 | 24.0% |
| 4z85s4w0 | Hibridez y tradición en la crónica latinoamericana contemporánea: Los textos de Rafael Gumucio. | 25 | 4 | 21 | 16.0% |
| 6bx675mk | Autore, traduttore, editore-traditori! Conspiracy Theory and Small Languages. Icelandic. | 25 | 15 | 10 | 60.0% |
| 0331w2wv | Title Page - Volume 3 | 24 | 2 | 22 | 8.3% |
| 1hc2k5rr | "Contact" | 24 | 7 | 17 | 29.2% |
| 89v1s405 | THE ITALIAN LINGUISTIC CONTINUUM ON THE STAGE: THE CHALLENGE OF TRANSLATING CARTA CANTA BY RAFFAELLO BALDINI | 24 | 0 | 24 | 0.0% |
| 1cm7d9d6 | Selections from the Georgics | 23 | 1 | 22 | 4.3% |
| 5jx7n9kf | Anuncios oportunos | 23 | 10 | 13 | 43.5% |
| 8325460p | "Capturing in Passing" | 23 | 5 | 18 | 21.7% |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.