Department of Spanish and Portuguese
Parent: UC Santa Barbara
eScholarship stats: Breakdown by Item for April through July, 2024
| Item | Title | Total requests | Download | View-only | %Dnld |
|---|---|---|---|---|---|
| 98q253t5 | Pasaba por aquí y. . . | 112 | 4 | 108 | 3.6% |
| 8x43v851 | Crónica de una muerte pasada: Eloy Alfaro, Vargas Vila y "La muerte del cóndor" como texto híbrido modernista | 96 | 31 | 65 | 32.3% |
| 1nr9n8r8 | VERNACULAR EXPERIMENT | 87 | 3 | 84 | 3.4% |
| 8gs9t7cm | Elena Poniatowska Amor: Una biografía "in extenso" | 85 | 14 | 71 | 16.5% |
| 3g58c97h | DIALECT IDENTITIES IN GADDA’S TRANSLATION: THE CASE OF QUER PASTICCIACCIO BRUTTO DE VIA MERULANA | 82 | 26 | 56 | 31.7% |
| 8hg1f9b5 | Creative Translation, Transcreation or Simply Translation. How Can Literature Be Translated | 73 | 23 | 50 | 31.5% |
| 3hn8f69v | TRANSLATING NEAPOLITAN DIALECT IN THEATRE: PROBLEMS OF CULTURAL TRANSFER | 71 | 22 | 49 | 31.0% |
| 5jk7x6p2 | LA EXPERIENCIA TURÍSTICA DEL CRONISTA LATINOAMERICANO EN _JET LAG_ DE SANTIAGO RONCAGLIOLO | 69 | 5 | 64 | 7.2% |
| 901488gc | Carlos Monsiváis: Discurso a dos voces | 66 | 42 | 24 | 63.6% |
| 19t2k0hw | PREFACE TO VOLUME 3 - THE NECESSARY FOREIGN: TRANSLATING DIALECTS | 63 | 17 | 46 | 27.0% |
| 36x040bw | "Three Square Stories" | 63 | 2 | 61 | 3.2% |
| 6xg6n1kz | Índice | 61 | 1 | 60 | 1.6% |
| 1xg830j5 | Migration Chronicles: Reporting on the Paradoxes of Migrant Visibility | 59 | 2 | 57 | 3.4% |
| 6sr9f80h | RECORRIDOS, ESPACIOS Y DESÁNIMOS POR LA CIUDAD DE MÉXICO EN CARLOS MONSIVÁIS | 59 | 37 | 22 | 62.7% |
| 07p949nv | _ASÍ ES EL PAÍS VECINO_: LAS CRÓNICAS DE FRONTERA DE LUIS ARTURO RAMOS | 56 | 1 | 55 | 1.8% |
| 3kc3v0rr | La ciudad de México en las crónicas de Elena Poniatowska | 55 | 38 | 17 | 69.1% |
| 11d0x200 | Translator´s Preface, by Cristina de la Torre. Excerpt from Past Perfect (Pasado perfecto) by Leonardo Padura Fuentes | 52 | 2 | 50 | 3.8% |
| 4z85s4w0 | Hibridez y tradición en la crónica latinoamericana contemporánea: Los textos de Rafael Gumucio. | 52 | 5 | 47 | 9.6% |
| 4xq6425n | POPE JOHN PAUL I’S CRITIQUE OF TRILUSSA’S FAITH: A TRANSLATOR’S DEFENSE | 51 | 15 | 36 | 29.4% |
| 2d60086g | Selected Poems from "Sebastian Im Traum" | 50 | 3 | 47 | 6.0% |
| 2k57s8xg | "Early One Morning" | 49 | 1 | 48 | 2.0% |
| 1xn9m610 | Reseña de The Spanish American Crónica Modernista, Temporality and Material Culture: Modernismo's Unstoppable Presses de Andrew Reynolds | 47 | 13 | 34 | 27.7% |
| 5r18r9dx | FROM STANDARDIZATION TO DIALECT COMPILATION: A BRIEF HISTORY OF ITALIAN DIALECT POETRY IN ENGLISH TRANSLATION | 47 | 8 | 39 | 17.0% |
| 07g920wk | HASTA NO VERTE SALKA MÍA: CÓMO VOLVER HIPERBÓREO EL MÉXICO POPULAR DE ELENA PONIATOWSKA | 44 | 7 | 37 | 15.9% |
| 2788g4rq | Monsiváis: Voyeurismo moral y pasión coleccionista | 43 | 27 | 16 | 62.8% |
| 6sv602c8 | La paz con-tigo--Crónica chileno boliviana | 41 | 9 | 32 | 22.0% |
| 0jc5c1p4 | La nación del porvenir: La visión de la nación puertorriqueña dentro del marco del romanticismo, el cosmopolitismo y la modernidad de Alejandro Tapia y Rivera | 40 | 16 | 24 | 40.0% |
| 4459b648 | En el campo de la guerra con Sabino Osuna, fotógrafo de la Revolución Mexicana. Reseña de Mexico at the Hour of Combat. Sabino Osuna's Photographs of the Mexican Revolution de Ronald H. Chilcote, ed. | 40 | 3 | 37 | 7.5% |
| 89v1s405 | THE ITALIAN LINGUISTIC CONTINUUM ON THE STAGE: THE CHALLENGE OF TRANSLATING CARTA CANTA BY RAFFAELLO BALDINI | 40 | 8 | 32 | 20.0% |
| 0d0939g2 | Portada | 39 | 8 | 31 | 20.5% |
| 7n48t3pm | “¿Me estás oyendo, inútil?” Carlos Monsiváis y la música del Apocalipstick mexicano | 37 | 10 | 27 | 27.0% |
| 8sz3m8zg | Reseña de Miradas transatlánticas: El periodismo de Elena Poniatowska y Rosa Montero de Alicia Rueda-Acedo | 37 | 3 | 34 | 8.1% |
| 9973t7v7 | Puerto Rico’s Archival Traditions in a Colonial Context | 36 | 5 | 31 | 13.9% |
| 0331w2wv | Title Page - Volume 3 | 35 | 3 | 32 | 8.6% |
| 1074j367 | Convocatoria próxima edición (español) | 35 | 2 | 33 | 5.7% |
| 48s2c322 | Crónica del simulacro: "Los rituales del caos" de Carlos Monsiváis | 35 | 12 | 23 | 34.3% |
| 26q471h6 | Normas para la publicación de manuscritos. Descripción de la revista | 34 | 3 | 31 | 8.8% |
| 2289509k | Convocatoria próxima edición (English) | 33 | 3 | 30 | 9.1% |
| 5jx7n9kf | Anuncios oportunos | 33 | 4 | 29 | 12.1% |
| 5n05s3zn | “Un folclor terrible e ineludible”: Las revoluciones de Carlos Monsiváis | 33 | 3 | 30 | 9.1% |
| 5fv8s27z | Historia de una institucionalización: La crónica-testimonio modelo, 1970-2005 | 31 | 14 | 17 | 45.2% |
| 7s70d29t | Perspectivas sobre teoría, historia y crítica literaria en América Latina. Entrevista a Lauro Zavala | 31 | 15 | 16 | 48.4% |
| 8vs552t0 | Índice | 31 | 2 | 29 | 6.5% |
| 0bn0d2wr | Chronicle and Diary, Politics and Self-Portrait in Elena Poniatowska’s "Amanecer en el Zócalo" | 27 | 2 | 25 | 7.4% |
| 1cm7d9d6 | Selections from the Georgics | 27 | 2 | 25 | 7.4% |
| 4hn0t6sh | Translator´s Preface, by Daniela Hurezanu and Stephen Kessler. Selected Poems by Raymond Queneau | 27 | 5 | 22 | 18.5% |
| 2376m964 | THERE GOES MY HERO: HEROIC FIGURES, UTOPIC DISCOURSE, AND CULTURAL IDENTITY IN CARLOS MONSIVÁIS’S _AIRES DE FAMILIA_ | 25 | 12 | 13 | 48.0% |
| 2sw1n66k | "Falling" | 24 | 9 | 15 | 37.5% |
| 4zj0043t | "Peeping Tom" | 23 | 2 | 21 | 8.7% |
| 93x9g3rp | "Rabbit Hunt" | 23 | 10 | 13 | 43.5% |
Disclaimer: due to the evolving nature of the web traffic we receive and the methods we use to collate it, the data presented here should be considered approximate and subject to revision.