Department of Spanish and Portuguese
Parent: UC Santa Barbara
eScholarship stats: History by Item for March through June, 2024
| Item | Title | Total requests | 2024-06 | 2024-05 | 2024-04 | 2024-03 |
|---|---|---|---|---|---|---|
| 8gs9t7cm | Elena Poniatowska Amor: Una biografía "in extenso" | 92 | 22 | 23 | 28 | 19 |
| 98q253t5 | Pasaba por aquí y. . . | 86 | 29 | 25 | 27 | 5 |
| 3hn8f69v | TRANSLATING NEAPOLITAN DIALECT IN THEATRE: PROBLEMS OF CULTURAL TRANSFER | 83 | 15 | 23 | 25 | 20 |
| 3g58c97h | DIALECT IDENTITIES IN GADDA’S TRANSLATION: THE CASE OF QUER PASTICCIACCIO BRUTTO DE VIA MERULANA | 81 | 20 | 24 | 17 | 20 |
| 8hg1f9b5 | Creative Translation, Transcreation or Simply Translation. How Can Literature Be Translated | 79 | 13 | 20 | 26 | 20 |
| 8x43v851 | Crónica de una muerte pasada: Eloy Alfaro, Vargas Vila y "La muerte del cóndor" como texto híbrido modernista | 78 | 17 | 25 | 27 | 9 |
| 1nr9n8r8 | VERNACULAR EXPERIMENT | 67 | 28 | 17 | 16 | 6 |
| 19t2k0hw | PREFACE TO VOLUME 3 - THE NECESSARY FOREIGN: TRANSLATING DIALECTS | 63 | 16 | 15 | 17 | 15 |
| 901488gc | Carlos Monsiváis: Discurso a dos voces | 62 | 19 | 21 | 14 | 8 |
| 5jk7x6p2 | LA EXPERIENCIA TURÍSTICA DEL CRONISTA LATINOAMERICANO EN _JET LAG_ DE SANTIAGO RONCAGLIOLO | 54 | 23 | 9 | 15 | 7 |
| 6sr9f80h | RECORRIDOS, ESPACIOS Y DESÁNIMOS POR LA CIUDAD DE MÉXICO EN CARLOS MONSIVÁIS | 53 | 11 | 18 | 9 | 15 |
| 1xg830j5 | Migration Chronicles: Reporting on the Paradoxes of Migrant Visibility | 52 | 28 | 4 | 7 | 13 |
| 3kc3v0rr | La ciudad de México en las crónicas de Elena Poniatowska | 52 | 12 | 13 | 13 | 14 |
| 07p949nv | _ASÍ ES EL PAÍS VECINO_: LAS CRÓNICAS DE FRONTERA DE LUIS ARTURO RAMOS | 51 | 20 | 7 | 4 | 20 |
| 5r18r9dx | FROM STANDARDIZATION TO DIALECT COMPILATION: A BRIEF HISTORY OF ITALIAN DIALECT POETRY IN ENGLISH TRANSLATION | 49 | 9 | 19 | 10 | 11 |
| 07g920wk | HASTA NO VERTE SALKA MÍA: CÓMO VOLVER HIPERBÓREO EL MÉXICO POPULAR DE ELENA PONIATOWSKA | 48 | 7 | 16 | 10 | 15 |
| 4xq6425n | POPE JOHN PAUL I’S CRITIQUE OF TRILUSSA’S FAITH: A TRANSLATOR’S DEFENSE | 45 | 13 | 13 | 12 | 7 |
| 4z85s4w0 | Hibridez y tradición en la crónica latinoamericana contemporánea: Los textos de Rafael Gumucio. | 44 | 8 | 13 | 18 | 5 |
| 2d60086g | Selected Poems from "Sebastian Im Traum" | 42 | 6 | 9 | 15 | 12 |
| 6xg6n1kz | Índice | 41 | 18 | 6 | 14 | 3 |
| 36x040bw | "Three Square Stories" | 40 | 18 | 10 | 9 | 3 |
| 89v1s405 | THE ITALIAN LINGUISTIC CONTINUUM ON THE STAGE: THE CHALLENGE OF TRANSLATING CARTA CANTA BY RAFFAELLO BALDINI | 38 | 9 | 9 | 14 | 6 |
| 11d0x200 | Translator´s Preface, by Cristina de la Torre. Excerpt from Past Perfect (Pasado perfecto) by Leonardo Padura Fuentes | 37 | 22 | 5 | 7 | 3 |
| 4459b648 | En el campo de la guerra con Sabino Osuna, fotógrafo de la Revolución Mexicana. Reseña de Mexico at the Hour of Combat. Sabino Osuna's Photographs of the Mexican Revolution de Ronald H. Chilcote, ed. | 35 | 6 | 12 | 11 | 6 |
| 9973t7v7 | Puerto Rico’s Archival Traditions in a Colonial Context | 34 | 7 | 13 | 5 | 9 |
| 0331w2wv | Title Page - Volume 3 | 33 | 6 | 11 | 9 | 7 |
| 2788g4rq | Monsiváis: Voyeurismo moral y pasión coleccionista | 33 | 8 | 16 | 5 | 4 |
| 1xn9m610 | Reseña de The Spanish American Crónica Modernista, Temporality and Material Culture: Modernismo's Unstoppable Presses de Andrew Reynolds | 32 | 9 | 9 | 9 | 5 |
| 48s2c322 | Crónica del simulacro: "Los rituales del caos" de Carlos Monsiváis | 31 | 8 | 11 | 7 | 5 |
| 5n05s3zn | “Un folclor terrible e ineludible”: Las revoluciones de Carlos Monsiváis | 31 | 9 | 14 | 3 | 5 |
| 8sz3m8zg | Reseña de Miradas transatlánticas: El periodismo de Elena Poniatowska y Rosa Montero de Alicia Rueda-Acedo | 31 | 9 | 10 | 10 | 2 |
| 2k57s8xg | "Early One Morning" | 30 | 19 | 4 | 3 | 4 |
| 0jc5c1p4 | La nación del porvenir: La visión de la nación puertorriqueña dentro del marco del romanticismo, el cosmopolitismo y la modernidad de Alejandro Tapia y Rivera | 28 | 13 | 6 | 3 | 6 |
| 6sv602c8 | La paz con-tigo--Crónica chileno boliviana | 28 | 5 | 12 | 9 | 2 |
| 0bn0d2wr | Chronicle and Diary, Politics and Self-Portrait in Elena Poniatowska’s "Amanecer en el Zócalo" | 27 | 6 | 3 | 7 | 11 |
| 2289509k | Convocatoria próxima edición (English) | 27 | 4 | 10 | 8 | 5 |
| 7n48t3pm | “¿Me estás oyendo, inútil?” Carlos Monsiváis y la música del Apocalipstick mexicano | 27 | 16 | 5 | 5 | 1 |
| 8vs552t0 | Índice | 27 | 5 | 8 | 10 | 4 |
| 0d0939g2 | Portada | 26 | 5 | 10 | 8 | 3 |
| 1074j367 | Convocatoria próxima edición (español) | 26 | 6 | 9 | 8 | 3 |
| 26q471h6 | Normas para la publicación de manuscritos. Descripción de la revista | 26 | 6 | 9 | 9 | 2 |
| 4zj0043t | "Peeping Tom" | 26 | 4 | 2 | 9 | 11 |
| 7s70d29t | Perspectivas sobre teoría, historia y crítica literaria en América Latina. Entrevista a Lauro Zavala | 26 | 10 | 6 | 3 | 7 |
| 5jx7n9kf | Anuncios oportunos | 24 | 3 | 12 | 7 | 2 |
| 4hn0t6sh | Translator´s Preface, by Daniela Hurezanu and Stephen Kessler. Selected Poems by Raymond Queneau | 21 | 12 | 1 | 5 | 3 |
| 1cm7d9d6 | Selections from the Georgics | 20 | 3 | 8 | 3 | 6 |
| 2376m964 | THERE GOES MY HERO: HEROIC FIGURES, UTOPIC DISCOURSE, AND CULTURAL IDENTITY IN CARLOS MONSIVÁIS’S _AIRES DE FAMILIA_ | 20 | 5 | 8 | 4 | 3 |
| 06j371bw | "Partridge Sky" | 19 | 3 | 2 | 3 | 11 |
| 5fv8s27z | Historia de una institucionalización: La crónica-testimonio modelo, 1970-2005 | 17 | 6 | 4 | 5 | 2 |
| 1hc2k5rr | "Contact" | 16 | 3 | 2 | 5 | 6 |
Disclaimer: due to the evolving nature of the web traffic we receive and the methods we use to collate it, the data presented here should be considered approximate and subject to revision.