This paper is not intended as an academic analysis of the art-works produced for the thesis project, but rather is an experiment within the hypothesis that on this occasion the artist could perhaps best use the written word to generate an experience for the reader that functions similarly to one's experience of actually viewing the corresponding art exhibition. The experimental nature of this paper aims to provide a spacious yet curated playground for free-associations, cultural criticism, the reading of personal narratives, thoughts on the notion of location and projection, and for the decoding of poetry.