This paper seeks out a new queer viral aesthetic configuration that binds, interconnects, extends, and reproduces the biosocialities of homosexuality. The digital art and activist organization Queer Technologies presents their project “GRID” as viral methodologies for reconstructing the dominant GRID of homosexuality, working from Alan Liu’s call for destructive creativity—a creativity that goes “beyond the new picturesque of mutation and mixing to [. . .] the new sublime of ‘destruction.’ [. . . a] viral aesthetics.” Such an aesthetic tactic would be a viral exploitation of the homosexual’s self.