The last decade saw the publication of more and more monographs (partially) devoted to the history of comics (and/or graphic novels) in smaller or larger geographical/cultural areas around our globe. In this article I first focus on what – if anything – (the relevant chapters in) several of these books tell their readers about the history of comics in the former Republic of Yugoslavia and its successor states, and in Bulgaria, the other Slavic country on the Balkan Peninsula. In doing so, I discuss a (‘Cold War’) misperception about East European comics. In the second part, I probe the usefulness of extending the application range of the terms ‘minor [literatures]’ and ‘ultraminor [literatures]’ to the field of comics, whereupon I put forward some suggestions on how future contributions – scholarly and other – to the cultural transmission or opening up of the history of (post-)Yugoslav and Bulgarian comics, as well as those of countries/nations/language areas with comparable traditions, could look like.