This paper looks at the role of artists and art instruction in New Caledonia, with particular emphasis on workshops used to teach traditional arts in a contemporary Pacific context. It articulates realistic insight into the life of Pacific artists and their work as and with tagata fenua (the Kanaky people of New Caledonia) and Polynesian participants from Uvea, Futuna, Tahiti, and other islands. Workshops at the Siapo Art Centre are designed to find ways to adapt the cultural environment to urban situations with the support of local associations, the government, and social agencies in order to develop long term initiatives. By focusing on the Kupesi Contemporary Artist in Residence program at the University of New Caledonia–Higher School of Teaching and Education (École Supérieure du Professorat et de l’Éducation, UNC ESPE) center, as well as other projects, this essay provides a window into the role of public art education in the Pacific.