The aim of my project is to refocus on Garry Winogrand's airport pictures as a significant facet, both theoretically and corporeally, of the photographer's archive. I will argue that Winogrand's airport pictures are central to understanding his overall body of work. These images focus on bodies in space, not merely bodies in the street, and allow us to reassess Winogrand's work in terms of a monumental paradigm shift in popular culture in 1960s America.