When the Hegelian Other recognizes itself as an established Other, the dialectic is both actualized and upended. In this, I study the Jewish recognition of the self as politically Othered in interwar Europe and how this is refracted into a ruptured aesthetic forms by Franz Kafka, Marc Chagall, and Bruno Schulz. When these Jewish authors recognized their Otherness and represented their self-recognition in their aesthetic productions, they characterized the Jewish individual as nonhuman. The authors use these nonhuman representations subversively, leaning into the dehumanization by the political world, so as to protect the greater Jewish populations in the nations and cities represented in each of their texts. This thesis is composed of the introduction and first chapter of this project, which focus on setting up the argument and detailing the seven chapters, and the urban contextualization of Jews in each author’s hometown. The urban context is validated as necessary by analyzing a diary entry, a memoir fragment, and a letter, respectively, by each author. These analyses illustrate the authors’ identity as urbanized and acculturated and show that the ensuing analyses of fictive representations of Jewish characters as nonhuman is a subversive reaction to the urban political climates.