| Item | Title | Total requests | Download | View-only | %Dnld |
|---|---|---|---|---|---|
| 1tm7x1rv | Scribal Authorship and the Writing of History in Medieval England | 1,607 | 158 | 1,449 | 9.8% |
| 9zk9d7sj | The Human Mecha: Titan, Technology, and Self in <em>Attack on Titan</em> | 1,605 | 803 | 802 | 50.0% |
| 2ks5v4hh | Immaterial Archives: An African Diaspora Poetics of Loss | 1,343 | 495 | 848 | 36.9% |
| 17k1c130 | Mythic Pizza: Semiotic and Archetypal Significance in the Conspiracy Narrative Known as 'Pizzagate' | 1,276 | 290 | 986 | 22.7% |
| 70j061wc | Transpacific Poetics: Ideographic and Prosodic Transpositions in Li-Young Lee’s “Persimmons” and Marilyn Chin’s “Summer Sleep” | 1,140 | 217 | 923 | 19.0% |
| 15r8j7qx | Lived multidirectionality: “Historikerstreit 2.0” and the politics of Holocaust memory | 899 | 236 | 663 | 26.3% |
| 0xd5815c | Judicial Torture in Canon Law and Church Tribunals: From Gratian to Galileo | 838 | 89 | 749 | 10.6% |
| 6f5989r0 | Sadomasochism in <em>Jane Eyre</em>: A Psychological Exchange of Power | 821 | 273 | 548 | 33.3% |
| 886009wz | “I’ve Never Heard Silence Quite this Loud”: The Complexity of Taylor Swift’s Neutral Star Text | 808 | 169 | 639 | 20.9% |
| 47k1b3bk | Routes and roots | 777 | 197 | 580 | 25.4% |
| 1h39r5ms | "Please Don't Stop Being My Mother!": Attachment Theory and Identity Formation in Kurt Vonnegut's <em>Slaughterhouse-Five</em> and Hideaki Anno's <em>Neon Genesis Evangelion</em> | 770 | 387 | 383 | 50.3% |
| 03p5w4hw | (Re)Creation | 756 | 71 | 685 | 9.4% |
| 0513d277 | “Is Bing Xin a Chinese American Writer?” “冰心是华裔美国作家吗？论冰心《相片》之东方主义及种族主义批判 .” | 717 | 221 | 496 | 30.8% |
| 6v64v08r | Utopia by a Thousand Cuts: Melodrama and the Queer Art of Self-Harm in Hanya Yanagihara’s <em>A Little Life</em> | 681 | 195 | 486 | 28.6% |
| 807839r5 | (Mis)interpretations and (In)justice: The 1992 Los Angeles ‘Riots’ and ‘Black-Korean Conflict. | 676 | 457 | 219 | 67.6% |
| 46h0x4kp | Preliminary Materials for a Theory of <em>Gossip Girl</em> | 668 | 152 | 516 | 22.8% |
| 1q6992g4 | Fascination: Sixteen | 666 | 119 | 547 | 17.9% |
| 4rt3t02n | Doomed Voyage: America's Evolving Relationship with <em>Moby-Dick</em> | 657 | 59 | 598 | 9.0% |
| 9hq000bg | Female Power and the Supernatural in Early Gothic Literature | 657 | 93 | 564 | 14.2% |
| 9650s7k8 | Allegories of the Anthropocene | 625 | 486 | 139 | 77.8% |
| 4hq0x82s | Liberate the Asian American Writer: Embracing the Flaws of Amy Tan's <em>The Joy Luck Club</em> | 619 | 79 | 540 | 12.8% |
| 3x15p833 | Queer Desire as Restoration: The Rejection of Phallic Exchange in Christina Rossetti’s “Goblin Market” | 588 | 136 | 452 | 23.1% |
| 9pb2g06w | Blood as Reference to Fear in <em>Dracula</em> | 587 | 126 | 461 | 21.5% |
| 3gg0t2nw | Simulation at Work: An Analysis of Job Simulator Video Games | 566 | 177 | 389 | 31.3% |
| 98t6p25n | Life, Labor, and a Coolie Picturesque in Jamaica | 563 | 438 | 125 | 77.8% |
| 7mh827nr | “Between Gloom and Laughter”: Female Longing, Unhappiness, and Structures of Absence in the Works of Virginia Woolf | 539 | 168 | 371 | 31.2% |
| 6qc0w5z0 | 《女战士对抗太平洋中国佬：华裔美国批评家非得选择女性主义或英雄主义吗？》张琼惠翻译 | 515 | 54 | 461 | 10.5% |
| 27d9x6f9 | Historical Retrospection and Ambivalence in <em>A Tale of Two Cities</em> | 514 | 122 | 392 | 23.7% |
| 88w223j9 | "Chinese American Literature in the New Century 新世纪的美国及海外华裔美国文学." Jiangnan Magazine [江南] 2018 No. 2: 146-159. | 499 | 214 | 285 | 42.9% |
| 6pf491k3 | Milton and Empire: Satanic and Edenic Colonization in Paradise Lost | 497 | 93 | 404 | 18.7% |
| 3pc8c0vq | Poor Connections | 490 | 84 | 406 | 17.1% |
| 8tz2h3gc | A War of Roses: An Examination of Tudor Mythography in Shakespeare’s First Tetralogy of History and George R.R. Martin’s, <em>A Song of Ice and Fire</em> Series | 488 | 105 | 383 | 21.5% |
| 2fs65978 | “The Lines of Influence”: The Occult Recontextualization of Nicholas Hawksmoor’s Churches in <em>From Hell</em> and <em>Lud Heat</em> | 485 | 86 | 399 | 17.7% |
| 3xk9877j | Danielle | 472 | 44 | 428 | 9.3% |
| 1h54x0bn | 赛珍珠和冰心：跨太平洋女性文学谱系中的殖民政治 | 471 | 57 | 414 | 12.1% |
| 420996rx | Nob Hill | 452 | 123 | 329 | 27.2% |
| 505039k3 | The Gospel of John McDaniel | 443 | 148 | 295 | 33.4% |
| 2039n7z1 | Golden Slumbers | 432 | 160 | 272 | 37.0% |
| 2s6478nm | Intertextuality within Mary Shelley’s Frankenstein Structures and Stabilizes Language Countering Male Romantic-Era Writers’ Subjectification of the World | 429 | 70 | 359 | 16.3% |
| 20f8k5fd | Heroism, Sensibility, and Gender: Mary Wollstonecraft's Feminist Politics in<em> A Vindication of the Rights of Woman</em> and <em>Maria: or, The Wrongs of Woman</em> | 420 | 58 | 362 | 13.8% |
| 25s0d4pm | The Conqueror Dominated, the Conquered Seduced: Postcolonial Love in Three Stories by Gabriel Garcia Marquez | 413 | 112 | 301 | 27.1% |
| 6q7619n5 | 才子如斯--文外文中徐志摩 | 402 | 38 | 364 | 9.5% |
| 8f64108s | Histories of Dust and Bone: Mythologizing the Chinese American Past in Contemporary Western Fictions | 388 | 43 | 345 | 11.1% |
| 6s48n8h0 | Thinking “Diaspora” with Stuart Hall | 381 | 115 | 266 | 30.2% |
| 2r80j01g | Opening the Doors of Perception in <em>Paradise Lost</em>: Seeing and Hearing as Imperfectly Gendered, or as Tools for Divine Revelation | 379 | 82 | 297 | 21.6% |
| 8nd2p4xr | “Convergences and Divergences in Chinese and Chinese American (Auto)Biographies.” “中美华裔作家自传/他传之异同.” | 377 | 30 | 347 | 8.0% |
| 2hb8w3zz | Medieval Manuscripts in the Digital Age | 375 | 75 | 300 | 20.0% |
| 60c2h8p4 | Victims, Perpetrators, and Implicated Subjects: The Effects of Trauma in Sherman Alexie's <em>Indian Killer</em> and Toni Morrison's <em>Beloved</em> | 338 | 67 | 271 | 19.8% |
| 8cm8n8b2 | Identity, Assimilation, and Representations of American Judaism in Philip Roth's American Trilogy | 337 | 62 | 275 | 18.4% |
| 907252xd | Reading Boethius in Medieval England: The Consolation of Philosophy from Alfred to Ashby | 335 | 71 | 264 | 21.2% |
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