| Item | Title | Total requests | Download | View-only | %Dnld |
|---|---|---|---|---|---|
| 2ks5v4hh | Immaterial Archives: An African Diaspora Poetics of Loss | 1,872 | 631 | 1,241 | 33.7% |
| 1h39r5ms | "Please Don't Stop Being My Mother!": Attachment Theory and Identity Formation in Kurt Vonnegut's <em>Slaughterhouse-Five</em> and Hideaki Anno's <em>Neon Genesis Evangelion</em> | 1,649 | 993 | 656 | 60.2% |
| 9zk9d7sj | The Human Mecha: Titan, Technology, and Self in <em>Attack on Titan</em> | 1,646 | 547 | 1,099 | 33.2% |
| 1tm7x1rv | Scribal Authorship and the Writing of History in Medieval England | 1,569 | 161 | 1,408 | 10.3% |
| 47k1b3bk | Routes and roots | 1,357 | 141 | 1,216 | 10.4% |
| 70j061wc | Transpacific Poetics: Ideographic and Prosodic Transpositions in Li-Young Lee’s “Persimmons” and Marilyn Chin’s “Summer Sleep” | 1,141 | 176 | 965 | 15.4% |
| 3gg0t2nw | Simulation at Work: An Analysis of Job Simulator Video Games | 945 | 516 | 429 | 54.6% |
| 17k1c130 | Mythic Pizza: Semiotic and Archetypal Significance in the Conspiracy Narrative Known as 'Pizzagate' | 920 | 171 | 749 | 18.6% |
| 886009wz | “I’ve Never Heard Silence Quite this Loud”: The Complexity of Taylor Swift’s Neutral Star Text | 819 | 115 | 704 | 14.0% |
| 95q5833c | Walking Fish, Crying Rocks, Singing Crows: Racialization and Anthropomorphism in Contemporary Children's Animation | 729 | 579 | 150 | 79.4% |
| 4rt3t02n | Doomed Voyage: America's Evolving Relationship with <em>Moby-Dick</em> | 719 | 49 | 670 | 6.8% |
| 15r8j7qx | Lived multidirectionality: “Historikerstreit 2.0” and the politics of Holocaust memory | 694 | 253 | 441 | 36.5% |
| 0513d277 | “Is Bing Xin a Chinese American Writer?” “冰心是华裔美国作家吗？论冰心《相片》之东方主义及种族主义批判 .” | 680 | 183 | 497 | 26.9% |
| 575215c0 | CRUEL AND CASUAL PUNISHMENT: THE SITUATIONSHIP IN <em>NORMAL PEOPLE</em> BY SALLY ROONEY | 648 | 226 | 422 | 34.9% |
| 0xd5815c | Judicial Torture in Canon Law and Church Tribunals: From Gratian to Galileo | 647 | 86 | 561 | 13.3% |
| 6v64v08r | Utopia by a Thousand Cuts: Melodrama and the Queer Art of Self-Harm in Hanya Yanagihara’s <em>A Little Life</em> | 597 | 146 | 451 | 24.5% |
| 98t6p25n | Life, Labor, and a Coolie Picturesque in Jamaica | 588 | 439 | 149 | 74.7% |
| 03p5w4hw | (Re)Creation | 587 | 45 | 542 | 7.7% |
| 6f5989r0 | Sadomasochism in <em>Jane Eyre</em>: A Psychological Exchange of Power | 577 | 148 | 429 | 25.6% |
| 46h0x4kp | Preliminary Materials for a Theory of <em>Gossip Girl</em> | 545 | 181 | 364 | 33.2% |
| 4hq0x82s | Liberate the Asian American Writer: Embracing the Flaws of Amy Tan's <em>The Joy Luck Club</em> | 532 | 66 | 466 | 12.4% |
| 7mh827nr | “Between Gloom and Laughter”: Female Longing, Unhappiness, and Structures of Absence in the Works of Virginia Woolf | 528 | 141 | 387 | 26.7% |
| 9kv2n20f | The Norman Trinity: A Study on the Development of the Norman Bates Character from Psycho | 522 | 124 | 398 | 23.8% |
| 9650s7k8 | Allegories of the Anthropocene | 501 | 375 | 126 | 74.9% |
| 807839r5 | (Mis)interpretations and (In)justice: The 1992 Los Angeles ‘Riots’ and ‘Black-Korean Conflict. | 486 | 339 | 147 | 69.8% |
| 1325j8hn | "We are not Who We Were:" Navigating Queer Time and Grieving Shifting Narratives in <em>Destiny 2</em> | 476 | 425 | 51 | 89.3% |
| 9qx5t9t2 | Gayme On! A Queer Game Thesis | 474 | 89 | 385 | 18.8% |
| 2fs65978 | “The Lines of Influence”: The Occult Recontextualization of Nicholas Hawksmoor’s Churches in <em>From Hell</em> and <em>Lud Heat</em> | 463 | 77 | 386 | 16.6% |
| 4k20s5h7 | Galileo's Non-Trial (1616), Pre-Trial (1632–1633), and Trial (May 10, 1633): A Review of Procedure, Featuring Routine Violations of the Forum of Conscience | 458 | 68 | 390 | 14.8% |
| 9pb2g06w | Blood as Reference to Fear in <em>Dracula</em> | 452 | 126 | 326 | 27.9% |
| 9hq000bg | Female Power and the Supernatural in Early Gothic Literature | 450 | 76 | 374 | 16.9% |
| 420996rx | Nob Hill | 448 | 36 | 412 | 8.0% |
| 88w223j9 | "Chinese American Literature in the New Century 新世纪的美国及海外华裔美国文学." Jiangnan Magazine [江南] 2018 No. 2: 146-159. | 423 | 259 | 164 | 61.2% |
| 25s0d4pm | The Conqueror Dominated, the Conquered Seduced: Postcolonial Love in Three Stories by Gabriel Garcia Marquez | 421 | 98 | 323 | 23.3% |
| 2s6478nm | Intertextuality within Mary Shelley’s Frankenstein Structures and Stabilizes Language Countering Male Romantic-Era Writers’ Subjectification of the World | 421 | 47 | 374 | 11.2% |
| 8tz2h3gc | A War of Roses: An Examination of Tudor Mythography in Shakespeare’s First Tetralogy of History and George R.R. Martin’s, <em>A Song of Ice and Fire</em> Series | 418 | 87 | 331 | 20.8% |
| 6pf491k3 | Milton and Empire: Satanic and Edenic Colonization in Paradise Lost | 412 | 75 | 337 | 18.2% |
| 1301d9qm | Adam Citings before the Intrusion of Satan: Recontextualizing Paul's Theology of Sin and Death | 397 | 120 | 277 | 30.2% |
| 8f64108s | Histories of Dust and Bone: Mythologizing the Chinese American Past in Contemporary Western Fictions | 395 | 29 | 366 | 7.3% |
| 27d9x6f9 | Historical Retrospection and Ambivalence in <em>A Tale of Two Cities</em> | 381 | 123 | 258 | 32.3% |
| 2hb8w3zz | Medieval Manuscripts in the Digital Age | 381 | 67 | 314 | 17.6% |
| 3pc8c0vq | Poor Connections | 375 | 75 | 300 | 20.0% |
| 3x15p833 | Queer Desire as Restoration: The Rejection of Phallic Exchange in Christina Rossetti’s “Goblin Market” | 374 | 93 | 281 | 24.9% |
| 94v4n7h6 | Troubles in Vienna | 374 | 299 | 75 | 79.9% |
| 2rx3h75b | Changing the Unchangeable: The Transformative Power of Queerness in Magical Realism | 346 | 112 | 234 | 32.4% |
| 7j66188v | Slanted Allusions: Transnational Poetics and Politics of Marilyn Chin and Russell Leong | 345 | 118 | 227 | 34.2% |
| 8dp5q5z1 | Dog Rose | 338 | 307 | 31 | 90.8% |
| 3xk9877j | Danielle | 332 | 50 | 282 | 15.1% |
| 6qc0w5z0 | 《女战士对抗太平洋中国佬：华裔美国批评家非得选择女性主义或英雄主义吗？》张琼惠翻译 | 331 | 57 | 274 | 17.2% |
| 7148g3qq | Screen Memory | 324 | 288 | 36 | 88.9% |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.