TRANSMODERNITY: Journal of Peripheral Cultural Production of the Luso-Hispanic World
Parent: School of Social Sciences, Humanities, and Arts
eScholarship stats: Breakdown by Item for May through August, 2026
| Item | Title | Total requests | Download | View-only | %Dnld |
|---|---|---|---|---|---|
| 21k6t3fq | Decolonizing Post-Colonial Studies and Paradigms of Political-Economy: Transmodernity, Decolonial Thinking, and Global Coloniality | 2,726 | 1,184 | 1,542 | 43.4% |
| 62j3w283 | Epistemic Disobedience and the Decolonial Option: A Manifesto | 2,416 | 652 | 1,764 | 27.0% |
| 59w8j02x | Thinking through the Decolonial Turn: Post-continental Interventions in Theory, Philosophy, and Critique—An Introduction | 1,631 | 389 | 1,242 | 23.9% |
| 0f14n2w6 | Haunted Screens: Horacio Quiroga in Dialogue with Japanese Horror Cinema | 935 | 190 | 745 | 20.3% |
| 8wq5s5tv | The Evolution of Conguitos: Changing the Face of Race in Spanish Advertising | 779 | 233 | 546 | 29.9% |
| 6591j76r | Transmodernity and Interculturality: An Interpretation from the Perspective of Philosophy of Liberation | 642 | 230 | 412 | 35.8% |
| 01w7163v | Decolonizing Western Uni-versalisms: Decolonial Pluri-versalism from Aimé Césaire to the Zapatistas | 541 | 200 | 341 | 37.0% |
| 16w6d98r | The <em>Ego Conquiro </em>as the Paradigm of Modern Imperialism and its Violence Against the Struggle for Epistemic Justice | 484 | 103 | 381 | 21.3% |
| 3tp4p886 | From Oppressive to Benign: A Comparative History of the Construction of Whiteness in Brazil in the Post Abolition Era | 466 | 92 | 374 | 19.7% |
| 5hg8t7cj | Enrique Dussel's Liberation Thought in the Decolonial Turn | 440 | 90 | 350 | 20.5% |
| 5ms6479h | A History that does not yet exist. Historiography and the Postcolonial Question at the Crossroads of Postmodernity | 428 | 235 | 193 | 54.9% |
| 2mx6c3s1 | Desafiando al patriarcado a través del fuego: el empoderamiento de las mujeres en Las cosas que perdimos en el fuego de Mariana Enríquez | 424 | 121 | 303 | 28.5% |
| 5h40x43m | Of Shadows and Goldfish: Discovering Japanese Brazilian Dekasegi | 418 | 144 | 274 | 34.4% |
| 2md416qv | Who We Are and From Where We Speak | 417 | 292 | 125 | 70.0% |
| 4hm2f4pf | The Strategy of Style: Music, Struggle, and the Aesthetics of Sahrawi Nationalism in Exile | 413 | 99 | 314 | 24.0% |
| 58k9k17t | Enrique Dussel’s Transmodernism | 410 | 108 | 302 | 26.3% |
| 9jm3d3jw | <em>(Ser)tão Animal:</em> Facing the Human Animality in Gabriel Mascaro’s <em>Boi neon</em> (2015) | 409 | 261 | 148 | 63.8% |
| 86c4j0wk | Down the Rabbit Hole and into the Moon: Nahua Perspectives in Mardonio Carballo’s Tlajpiajketl (2014) | 397 | 174 | 223 | 43.8% |
| 3492v2pt | An Epistemology for the Next Revolution | 387 | 190 | 197 | 49.1% |
| 7vq568nj | José García Villa’s Silent Tongue Tie: Hispanic Resonances in Filipino American Literature | 382 | 122 | 260 | 31.9% |
| 516354z1 | Monuments and Promise: Maya Ruins and the Death of Felipe Carrillo Puerto | 380 | 107 | 273 | 28.2% |
| 9x4597bv | The Spanish Colonial Past in the Writer’s Memory: (Post)colonial Nostalgias in Enrique Fernández Lumba’s Hispanofilia Filipina | 379 | 102 | 277 | 26.9% |
| 5s2026c8 | Mexico City, Koans, and the Zen Buddhist Master: Alejandro Jodorowsky, Ejo Takata and the Fundamental Lesson of the Death of the Intellect | 369 | 99 | 270 | 26.8% |
| 3fz7r65n | Gonzalo in the Middle Kingdom: What Abimael Guzmán Tells Us in His Three Discussions of His Two Trips to China | 361 | 102 | 259 | 28.3% |
| 0xx7h6vj | <em>Memories of the Memories of the Black Rose Cat</em>, <em>Pedro Páramo </em>and <em>One Hundred Years of Solitude</em>: Haunting Narratives and Magical Realism in Thailand, Mexico and Colombia | 360 | 108 | 252 | 30.0% |
| 3rd2z64t | When a "New Deal" Became a Raw Deal: Depression-Era, "Latin" Federal Theatre | 357 | 165 | 192 | 46.2% |
| 93x7w73n | An Interview with Cristina Martins | 355 | 112 | 243 | 31.5% |
| 0j34r1f9 | Narrating Japanese Immigration to Brazil: From Modernist Stereotypes to Familial Tales | 353 | 95 | 258 | 26.9% |
| 84m68107 | Nicolás Palacios y el problema de la psique chilena | 353 | 85 | 268 | 24.1% |
| 4hc7h655 | The Chino Cubano Complex: Five Artists’ Strategic Self-Orientalization and Reclamation of Chinese Identity | 336 | 166 | 170 | 49.4% |
| 8zm9g4k0 | Broken Records: Materiality, Temporality, and Queer Belonging in Mexican Drag Cabaret Performance | 334 | 97 | 237 | 29.0% |
| 8vc576cx | Translating Earth: Indigenous Poetry, Critical Translation Practice and Social Justice | 333 | 105 | 228 | 31.5% |
| 8mz549kc | Epistemological Decolonization of World History and Decolonizing the Conception of Modernity: Towards Transmodernity | 332 | 110 | 222 | 33.1% |
| 6qd721cp | “Other” Knowledges, “Other” Critiques: Reflections on the Politics and Practices of Philosophy and Decoloniality in the “Other” America | 331 | 94 | 237 | 28.4% |
| 8kz8f6sw | AfroEspaña antes del boom. Una mirada interdisciplinaria sobre la presencia histórica y el legado cultural negro | 330 | 72 | 258 | 21.8% |
| 3w33x7bm | El giro decolonial, el Caribe y la posibilidad de una filosofía poscontinental | 328 | 89 | 239 | 27.1% |
| 7b39p42s | Racismo sexual y representaciones de los chinos en el norte de México en la película Sonora y la novela Tu nombre chino | 327 | 107 | 220 | 32.7% |
| 5xs195v8 | On a Newly Arisen Infrapolitical Tone in Theory | 323 | 170 | 153 | 52.6% |
| 2np5c9xp | Manduca’s Choice: Machado de Assis, the Crimean War, and the Affects of the Semiglobal | 322 | 46 | 276 | 14.3% |
| 218618vj | Shifting the Geography of Reason in an Age of Disciplinary Decadence | 321 | 105 | 216 | 32.7% |
| 1pz3b36p | From Impurity of Thought Toward the Glocalization of Whiteness in Spain | 319 | 128 | 191 | 40.1% |
| 86g512fm | Cubaxploitation: el cine de Jorge Molina (voyerismo, fetichismo y la mujer monstruosa) | 319 | 93 | 226 | 29.2% |
| 2599k1kf | Post-Apocalyptic Visions: Biopolitics, Late Capitalism, and Trauma in Children of Men and Naked City Spleen | 310 | 73 | 237 | 23.5% |
| 2h403169 | Celebrity, Diplomacy, Documentary:Javier Bardem and Sons of the Clouds: The Last Colony | 308 | 87 | 221 | 28.2% |
| 03n6h96p | Bare Life, Indigenous Viscerality and Cholo Barbarity in Jesús Lara’s Yanakuna | 307 | 101 | 206 | 32.9% |
| 57c8s9gr | Transmodernidad: un nuevo paradigma | 306 | 107 | 199 | 35.0% |
| 658541z3 | Racionais MC’s and N.W.A.: Bridging the Gap, Embracing Race, and Reclaiming Brazilian Rap’s Blackness | 295 | 64 | 231 | 21.7% |
| 3pt4k3gd | The “Audacity” of Visibility: Preta-Rara’s Feminist Praxis | 294 | 93 | 201 | 31.6% |
| 752100g3 | Política y forma visual. En torno al Grupo Ukamau y el Cine Club Cusco | 292 | 129 | 163 | 44.2% |
| 23q8q8dj | The Female Body as Spectacle: Ángel de fuego and La mujer del pueblo: Otilia Rauda by Dana Rotberg | 290 | 132 | 158 | 45.5% |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.