TRANSIT
Parent: Department of German
eScholarship stats: Breakdown by Item for September through December, 2024
| Item | Title | Total requests | Download | View-only | %Dnld |
|---|---|---|---|---|---|
| 4ht6w6zv | The Madonna in the Fur Coat | 552 | 42 | 510 | 7.6% |
| 05v6x4cz | Language | 330 | 305 | 25 | 92.4% |
| 28x3x9r0 | Criss-Crossing in Global Space and Time: Fatih Akın’s <em>The Edge of Heaven</em> (2007) | 219 | 69 | 150 | 31.5% |
| 06t7z88k | “The Welser Phantom”: Apparitions of the Welser Venezuela Colony in Nineteenth- and Twentieth-Century German Cultural Memory | 143 | 38 | 105 | 26.6% |
| 1hh9d5h5 | Translingual Encounters: Freedom, Civic Virtue, and the Social Organism in Liang Qichao's Reading of Kant | 142 | 10 | 132 | 7.0% |
| 5vv1k105 | BOOK REVIEW: <em>The Wehrmacht: History, Myth, Reality</em>, by Wolfram Wette | 138 | 17 | 121 | 12.3% |
| 6js8p1fc | Of Women and Polyglots: Yoko Tawada’s “Where Europe Begins” and Rosi Braidotti’s Transnational Feminist Nomadology | 136 | 39 | 97 | 28.7% |
| 1x84x67r | Willkommenskultur: A Computational and Socio-linguistic Study of Modern German Discourse on Migrant Populations | 127 | 8 | 119 | 6.3% |
| 7nm7g8vt | Good-bye, Germany! | 119 | 5 | 114 | 4.2% |
| 1nd8r83v | The Courtyard in the Mirror | 118 | 94 | 24 | 79.7% |
| 3vr5v24v | Emotionale Landschaften der Migration: Von unsichtbaren Grenzen, Nicht-Ankommen und dem Tod in Stanišićs Herkunft und Varatharajahs Vor der Zunahme der Zeichen | 117 | 37 | 80 | 31.6% |
| 4g25t3hw | World Conspiracy Literature and Antisemitism | 104 | 43 | 61 | 41.3% |
| 0s5217j0 | Translation Terminable and Interminable: Psychoanalysis Between Vienna and Calcutta | 101 | 33 | 68 | 32.7% |
| 4rw9f66w | Fears | 100 | 16 | 84 | 16.0% |
| 8v8324k1 | Privileges | 100 | 56 | 44 | 56.0% |
| 3pz8z9z1 | In the Postmonolingual Condition: Karin Sander’s <em>Wordsearch</em> and Yoko Tawada’s Wordplay | 95 | 8 | 87 | 8.4% |
| 6ns880hg | "Where Europe Begins": A Selection from the Short Story | 95 | 82 | 13 | 86.3% |
| 14z3z257 | BOOK REVIEW: Fatima El-Tayeb, European Others | 92 | 7 | 85 | 7.6% |
| 2gq4t3b0 | Ungehaltene neue deutsche Literatur | 88 | 10 | 78 | 11.4% |
| 4h2456f7 | Das deutsche Kolonialerbe in der Jugendkolonialliteratur der BRD und der DDR | 88 | 19 | 69 | 21.6% |
| 8xb6q0nn | BOOK REVIEW | White Rebels in Black: German Appropriation of Black Culture | 88 | 8 | 80 | 9.1% |
| 5848p76c | <em>GLUB</em> (<em>Hearts</em>) | 87 | 5 | 82 | 5.7% |
| 9gp0f163 | Multilingual Development in Germany in the Crossfire of Ideology and Politics: Monolingual and Multilingual Expectations, Polylingual Practices | 87 | 62 | 25 | 71.3% |
| 7sd2s0v6 | How Does Arriving Feel? Modulating a Cinematic Sense of Commonality | 85 | 3 | 82 | 3.5% |
| 1h59512w | PROJECT TWO: Patterns of the Anthemion: Discovering Networks of Coincidence in W.G. Sebald’s Die Ausgewanderten | 84 | 7 | 77 | 8.3% |
| 6w635760 | Home | 84 | 23 | 61 | 27.4% |
| 0cc704mx | Selections from Kopfstoff | 83 | 4 | 79 | 4.8% |
| 2m4950cj | Contested Memory and Narrative within GDR-Polish Intercultural Landscapes: Ursula Höntsch’s Wir Flüchtlingskinder (1985) and Wir sind keine Kinder mehr (1990) | 83 | 11 | 72 | 13.3% |
| 8jp4268s | Memory Meetings: Semra Ertan’s Ausländer and the Practice of the Migrant Archive | 79 | 25 | 54 | 31.6% |
| 4xx374qk | Bordering on Names: Strategies of Mapping in the Prose of Terézia Mora and Peter Handke | 78 | 5 | 73 | 6.4% |
| 7dx4811v | Hardboiled Performance and Affective Intimacy: Remediations of Racism in the Cenk Batu Tatorte | 77 | 4 | 73 | 5.2% |
| 90b8w0dh | Pathways of Migrant Incorporation in Germany | 76 | 28 | 48 | 36.8% |
| 42k4j4t4 | Sex | 75 | 32 | 43 | 42.7% |
| 2qk4q8rh | Night Bioscope | 74 | 14 | 60 | 18.9% |
| 4fr0n8bw | Ming Wong’s Imitations | 74 | 14 | 60 | 18.9% |
| 0d270161 | Ruderal City: Ecologies of Migration, Race, and Urban Nature in Berlin by Bettina Stoetzer | 73 | 12 | 61 | 16.4% |
| 75p2s2m9 | BOOK REVIEW: <em>Mapping Channels between Ganges and Rhein: German-Indian Cross-Cultural Relations</em>, Jörg Esleben, Christina Kraenzle and Sukanya Kulkarni, eds. | 73 | 0 | 73 | 0.0% |
| 2hc0x9bk | Flânerie | 72 | 4 | 68 | 5.6% |
| 4130n258 | BOOK REVIEW: Amerika und die deutschsprachige Literatur nach 1848. Migration – kultureller Austausch – frühe Globalisierung, hrsg. von Christof Hamann, Ute Gerhard, und Walter Grünzweig | 72 | 2 | 70 | 2.8% |
| 3823n7jn | BOOK REVIEW: The Naked Eye, by Yoko Tawada | 71 | 35 | 36 | 49.3% |
| 8wm4w20x | November: A Film Treatment | 71 | 19 | 52 | 26.8% |
| 3j368484 | Multidirectional Memory and Verwobene Geschichte(n) | 69 | 21 | 48 | 30.4% |
| 7b1182cz | Visible | 69 | 36 | 33 | 52.2% |
| 23t4g25g | Encounters on a Street Corner: <em>Sommer vorm Balkon</em> and the Return of the Berlin Film | 68 | 45 | 23 | 66.2% |
| 9241h87r | <em>Tracking Europe: Mobility, Diaspora, and the Politics of Location</em>, by Ginette Verstraete | 68 | 3 | 65 | 4.4% |
| 51d626mq | Sharing Fugitive Lives: Digital Encounters in Senthuran Varatharajah's Vor der Zunahme der Zeichen | 67 | 12 | 55 | 17.9% |
| 91n8m3w0 | "Meine eigene Geschichte": Identity Construction Through Reading in Abbas Khider's Der falsche Inder | 67 | 32 | 35 | 47.8% |
| 0g88k3hr | "Almanya: A [Different] Future is Possible” Defying Narratives of Return in Fatma Aydemir's Ellbogen | 66 | 18 | 48 | 27.3% |
| 3hv706g2 | Amigo Armado | 66 | 5 | 61 | 7.6% |
| 1xr1r6n8 | Work | 65 | 23 | 42 | 35.4% |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.