Paroles gelées
Parent: UCLA Department of French and Francophone Studies
eScholarship stats: Breakdown by Item for January through April, 2025
| Item | Title | Total requests | Download | View-only | %Dnld |
|---|---|---|---|---|---|
| 7p92b81t | “Under a Foreign Sky:” Place and Displacement in James Baldwin’s Giovanni’s Room | 262 | 107 | 155 | 40.8% |
| 8qt465qh | The Abject: Kristeva and the Antigone | 209 | 181 | 28 | 86.6% |
| 8jx194fw | Chronique d’une mort annoncée : les métamorphoses du pouvoir dans Le Légataire universel (1708) | 174 | 154 | 20 | 88.5% |
| 96b0x72c | Modern Transitions in 19th Century Paris: Baudelaire and Renoir | 147 | 121 | 26 | 82.3% |
| 3891m6db | « Je ne suis pas de la famille » : Queerness as Exception in Gide's L 'immoraliste and Genet's Journal du Voleur | 131 | 33 | 98 | 25.2% |
| 5899b43t | Laïcité in the French Public School System : an exception française ? | 113 | 29 | 84 | 25.7% |
| 9p34b4n1 | Le discours fantastique de La Morte amoureuse | 112 | 96 | 16 | 85.7% |
| 4pf9v8f2 | “Ceux-là Qui Partent pour Partir”: Travel as Relinquishment in Charles Baudelaire's Le Voyage | 111 | 31 | 80 | 27.9% |
| 7dn778pk | Memory as Construction in Viollet-le-Duc's Architectural Imagination | 110 | 29 | 81 | 26.4% |
| 8xm8x3v6 | (Auto)biographic Algerian Travels of Albert Camus and Assia Djebar | 107 | 43 | 64 | 40.2% |
| 2wc036nv | Maupassant nouvelliste: personnage féminin et adultère | 105 | 56 | 49 | 53.3% |
| 9x23439n | Les Géorgiques de Claude Simon : la particularité de la généralisation | 104 | 16 | 88 | 15.4% |
| 8p45g78n | Le nationalisme de Barrès : Moi, la terre et les morts | 103 | 67 | 36 | 65.0% |
| 75z5r782 | Bodies of Enlightenment in Diderot's Encyclopédie | 96 | 66 | 30 | 68.8% |
| 4sj933mb | Ghost-Ridden Authors/Ghost-Written Texts: Female Phantoms in Two Works by André Breton and Georges Bataille | 95 | 21 | 74 | 22.1% |
| 5031q3js | Exquisite Corpses: Representations of Violence in the Collective Surrealist Unconscious | 95 | 52 | 43 | 54.7% |
| 9x11c70q | French Folie: Memory and Madness in Buñuel’s Belle de Jour | 94 | 75 | 19 | 79.8% |
| 3vz2d3dj | Le bijou dans l’œuvre de Baudelaire : une mutilation symbolique | 93 | 72 | 21 | 77.4% |
| 7444f0z3 | The Logic of the Undecidable: An Interview with René Girard | 93 | 80 | 13 | 86.0% |
| 7b14d5wn | Magic and Mesmerism in Saint Domingue | 92 | 20 | 72 | 21.7% |
| 0ns0j1n9 | The (Wo)Man in the Iron Mask: Cross-dressing, Writing and Sexuality in L'Histoire de la Marquise-Marquis de Banneville | 89 | 25 | 64 | 28.1% |
| 1gr5c8cr | The Ghetto Novels of Guillaume Dustan | 89 | 52 | 37 | 58.4% |
| 7qz8v7jf | ‘Le grand fantôme’ : Actor as Specter in Diderot’s Paradoxe sur le comédien | 84 | 8 | 76 | 9.5% |
| 0p58k5dc | The Summit of Violence: Cruelty in the work of Artaud and Bataille | 83 | 58 | 25 | 69.9% |
| 7tm4j8wd | La création d’un idéal national français à travers la redécouverte de La Chanson de Roland par Léon Gautier | 81 | 56 | 25 | 69.1% |
| 28g992w9 | Exile and Identity in the Plays of Maryse Condé | 80 | 16 | 64 | 20.0% |
| 1879912w | Performing the Immigrant: The Works of Calixthe Beyala and Fatou Diome | 79 | 39 | 40 | 49.4% |
| 8031p7sm | Mémoires du « bled » : Entretien avec Alain Ricard | 79 | 8 | 71 | 10.1% |
| 0bj5t7hw | An Elusive Vision: Genesis and Apocalypse in <em>Le Ravissement de Lol V. Stein</em> | 78 | 32 | 46 | 41.0% |
| 4j7246jk | Georges Perec--La Disparition des manipulations sur le langage pour interpréter le réel | 78 | 57 | 21 | 73.1% |
| 0cs123x8 | The Devil Without Confessing Him | 77 | 58 | 19 | 75.3% |
| 1323z44w | Michelet et le renouvellement de l’Histoire : une subversion du passé monarchique au profit d’une mémoire républicaine ? | 77 | 5 | 72 | 6.5% |
| 4r82s45p | Charting Collaborative Practices: Acknowledgements | 75 | 4 | 71 | 5.3% |
| 06m9d9r0 | Classical Aesthetics, Modem Ethics: Lacan, Kierkegaard, Sophocles, Anouilh | 74 | 12 | 62 | 16.2% |
| 0hf6j7v5 | "What About the Audience? What About Them?" : Spectatorship and Cinematic Pleasure | 73 | 30 | 43 | 41.1% |
| 1g95g1s9 | ‘That God Within:’ Writing Female Genius from Diderot to Staël | 73 | 9 | 64 | 12.3% |
| 58q2k2nh | The Unity of Hérédia’s Antony and Cleopatra Sequence | 72 | 4 | 68 | 5.6% |
| 3w76w31c | Le troc des femmes ou la révolte de Dora | 69 | 9 | 60 | 13.0% |
| 80d3h4rx | Nom du père / nom d'auteur : les origines énigmatiques du Fresne | 69 | 6 | 63 | 8.7% |
| 8793t4tb | Mon Semblable, ma mère : Woman, Subjectivity and Escape in Les Fleurs du Mal | 69 | 45 | 24 | 65.2% |
| 8tq5t38r | Baudelaire et Mallarmé: « La Chevelure » Exploit(ation) de la femme ? | 69 | 50 | 19 | 72.5% |
| 1pz7t9qn | Les plis dans les puits: Identity and Narrative in Myriam Warner-Vieyra's Juletane | 68 | 44 | 24 | 64.7% |
| 3fj1s346 | Le Passage ou l'architecture du devenir | 68 | 5 | 63 | 7.4% |
| 27v5k4gc | An Interview with Jonathan Culler | 67 | 12 | 55 | 17.9% |
| 3d48x20g | Jamming the Machine: Yves Klein's Blue Monochrome and the End of the Avant-Garde | 67 | 48 | 19 | 71.6% |
| 1d48d7wx | Between fantasque and fantasmagorique: a fantastic reading of Balzac's La Peau de Chagrin | 66 | 52 | 14 | 78.8% |
| 8h50z8df | Michel Houellebecq: The Impossibility of Being an Island | 66 | 28 | 38 | 42.4% |
| 1500p7j6 | Identity Crises: Positions of Self in Simone de Beauvoir’s Memoirs | 63 | 43 | 20 | 68.3% |
| 24v3331g | Genre-Crossing: Kingston's The Woman Warrior and Its Discursive Community | 63 | 43 | 20 | 68.3% |
| 7v9615hg | The Profound Complicity of George Batailie's Blue of Noon | 63 | 39 | 24 | 61.9% |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.