Paroles gelées
Parent: Department of French and Francophone Studies
eScholarship stats: Breakdown by Item for July through October, 2026
| Item | Title | Total requests | Download | View-only | %Dnld |
|---|---|---|---|---|---|
| 3k76d2sm | Editor's Introduction. Special Feature: UCLA French Department Symposium--Generative Anthropology: Origin and Representation | 747 | 486 | 261 | 65.1% |
| 7p92b81t | “Under a Foreign Sky:” Place and Displacement in James Baldwin’s Giovanni’s Room | 334 | 101 | 233 | 30.2% |
| 8h50z8df | Michel Houellebecq: The Impossibility of Being an Island | 303 | 68 | 235 | 22.4% |
| 1gr5c8cr | The Ghetto Novels of Guillaume Dustan | 280 | 152 | 128 | 54.3% |
| 2vd6n4jc | Memory and Forgiveness: Addressing the Legacy of the Dark Years in Contemporary French Politics | 278 | 55 | 223 | 19.8% |
| 4pf9v8f2 | “Ceux-là Qui Partent pour Partir”: Travel as Relinquishment in Charles Baudelaire's Le Voyage | 272 | 60 | 212 | 22.1% |
| 8xf4h66s | The Bodypolitics of Feminist Science Fiction: Elisabeth Vonarburg’s Le Silence de la cité | 255 | 192 | 63 | 75.3% |
| 7444f0z3 | The Logic of the Undecidable: An Interview with René Girard | 247 | 168 | 79 | 68.0% |
| 8qt465qh | The Abject: Kristeva and the Antigone | 231 | 132 | 99 | 57.1% |
| 6h90406n | "I am a Woman": The Body as Background in The Second Sex | 230 | 161 | 69 | 70.0% |
| 0p58k5dc | The Summit of Violence: Cruelty in the work of Artaud and Bataille | 224 | 133 | 91 | 59.4% |
| 1g95g1s9 | ‘That God Within:’ Writing Female Genius from Diderot to Staël | 217 | 96 | 121 | 44.2% |
| 3891m6db | « Je ne suis pas de la famille » : Queerness as Exception in Gide's L 'immoraliste and Genet's Journal du Voleur | 216 | 96 | 120 | 44.4% |
| 5031q3js | Exquisite Corpses: Representations of Violence in the Collective Surrealist Unconscious | 216 | 97 | 119 | 44.9% |
| 2jf516kb | La Dame pipi du quarante-quatrième étage: l’exil et la marge dans Stupeurs et Tremblements d’Amélie Nothomb | 205 | 88 | 117 | 42.9% |
| 0495h57m | The Person who Tortures is Me: Violence and the Sacred in the Works of Margurite Duras | 198 | 122 | 76 | 61.6% |
| 0ns0j1n9 | The (Wo)Man in the Iron Mask: Cross-dressing, Writing and Sexuality in L'Histoire de la Marquise-Marquis de Banneville | 197 | 77 | 120 | 39.1% |
| 1323z44w | Michelet et le renouvellement de l’Histoire : une subversion du passé monarchique au profit d’une mémoire républicaine ? | 193 | 40 | 153 | 20.7% |
| 7b43t1s7 | Spectacular Paris: Representations of Nostalgia and Desire | 193 | 62 | 131 | 32.1% |
| 7dn778pk | Memory as Construction in Viollet-le-Duc's Architectural Imagination | 189 | 107 | 82 | 56.6% |
| 75z5r782 | Bodies of Enlightenment in Diderot's Encyclopédie | 186 | 125 | 61 | 67.2% |
| 8p45g78n | Le nationalisme de Barrès : Moi, la terre et les morts | 182 | 98 | 84 | 53.8% |
| 8r14q39s | Marcel Proust: Nietzschean (Künstler)-Übermensch | 181 | 137 | 44 | 75.7% |
| 9js288nn | Haunting the Underworld in Nerval’s Les Nuits d’octobre | 181 | 106 | 75 | 58.6% |
| 5899b43t | Laïcité in the French Public School System : an exception française ? | 178 | 120 | 58 | 67.4% |
| 7v9615hg | The Profound Complicity of George Batailie's Blue of Noon | 174 | 95 | 79 | 54.6% |
| 1pz7t9qn | Les plis dans les puits: Identity and Narrative in Myriam Warner-Vieyra's Juletane | 165 | 108 | 57 | 65.5% |
| 2sm815d2 | Ethics Beyond the Body: Descartes and Heidegger in Emmanuel Levinas's Totality and Infinity | 163 | 97 | 66 | 59.5% |
| 96b0x72c | Modern Transitions in 19th Century Paris: Baudelaire and Renoir | 159 | 70 | 89 | 44.0% |
| 8xp6g13v | “Alone Together/Together Alone” and “Spectacle and Spectator: Seeing /Being Seen” | 157 | 61 | 96 | 38.9% |
| 0bj5t7hw | An Elusive Vision: Genesis and Apocalypse in <em>Le Ravissement de Lol V. Stein</em> | 156 | 42 | 114 | 26.9% |
| 9x11c70q | French Folie: Memory and Madness in Buñuel’s Belle de Jour | 154 | 120 | 34 | 77.9% |
| 4sj933mb | Ghost-Ridden Authors/Ghost-Written Texts: Female Phantoms in Two Works by André Breton and Georges Bataille | 153 | 45 | 108 | 29.4% |
| 6pj4f154 | Alain Robbe-Grillet: Sex and Violence or the Destruction of the Traditional Novel | 151 | 66 | 85 | 43.7% |
| 8793t4tb | Mon Semblable, ma mère : Woman, Subjectivity and Escape in Les Fleurs du Mal | 151 | 56 | 95 | 37.1% |
| 10t5m2tx | Contested Nationalism: Naturalism & Agrarian Tropes in French Films of the Occupation | 150 | 79 | 71 | 52.7% |
| 1500p7j6 | Identity Crises: Positions of Self in Simone de Beauvoir’s Memoirs | 149 | 74 | 75 | 49.7% |
| 22d882tx | "XX+XX=XX": Monique Wittig's Reproduction of the Monstrous Lesbian | 149 | 88 | 61 | 59.1% |
| 6k49j5p9 | Tracking Medieval Orientalism: Religion and Gender in Le Conte de Floire et Blanchefleur | 146 | 34 | 112 | 23.3% |
| 8xm8x3v6 | (Auto)biographic Algerian Travels of Albert Camus and Assia Djebar | 146 | 66 | 80 | 45.2% |
| 3d48x20g | Jamming the Machine: Yves Klein's Blue Monochrome and the End of the Avant-Garde | 143 | 81 | 62 | 56.6% |
| 5kq5k7tw | Generative Anthropology and Cultural Sexuality | 143 | 95 | 48 | 66.4% |
| 7pr7f7kx | The City that is not a City | 141 | 47 | 94 | 33.3% |
| 4xm0b969 | Jean-Philippe Toussaint's Slow Flight from Television | 138 | 50 | 88 | 36.2% |
| 5gt8f9hn | Reviews | 138 | 76 | 62 | 55.1% |
| 5sm6v0cm | The Collaborative Lens: Robert de Boron’s Overshadowing of Chrétien de Troyes | 138 | 31 | 107 | 22.5% |
| 9j40p306 | Mallarmé and the Uprooting of Vision | 138 | 101 | 37 | 73.2% |
| 1wh448nh | Les fleurs de maladie : Baudelaire's Mother and "Writing Cure," 1860-1866 | 137 | 94 | 43 | 68.6% |
| 8zr1t8xj | Assia Djebar’s Vaste est la prison: Platform for a New Space of Agency and Feminine Enunciation in Algeria | 136 | 64 | 72 | 47.1% |
| 5h51388c | Les mots et les couleurs en mouvement | 134 | 30 | 104 | 22.4% |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.