Paroles gelées
Parent: UCLA Department of French and Francophone Studies
eScholarship stats: Breakdown by Item for June through September, 2024
| Item | Title | Total requests | Download | View-only | %Dnld |
|---|---|---|---|---|---|
| 8qt465qh | The Abject: Kristeva and the Antigone | 195 | 170 | 25 | 87.2% |
| 7p92b81t | “Under a Foreign Sky:” Place and Displacement in James Baldwin’s Giovanni’s Room | 151 | 37 | 114 | 24.5% |
| 96b0x72c | Modern Transitions in 19th Century Paris: Baudelaire and Renoir | 151 | 119 | 32 | 78.8% |
| 3891m6db | « Je ne suis pas de la famille » : Queerness as Exception in Gide's L 'immoraliste and Genet's Journal du Voleur | 138 | 43 | 95 | 31.2% |
| 5899b43t | Laïcité in the French Public School System : an exception française ? | 135 | 65 | 70 | 48.1% |
| 22d882tx | "XX+XX=XX": Monique Wittig's Reproduction of the Monstrous Lesbian | 130 | 65 | 65 | 50.0% |
| 8p45g78n | Le nationalisme de Barrès : Moi, la terre et les morts | 129 | 102 | 27 | 79.1% |
| 9x23439n | Les Géorgiques de Claude Simon : la particularité de la généralisation | 127 | 45 | 82 | 35.4% |
| 4pf9v8f2 | “Ceux-là Qui Partent pour Partir”: Travel as Relinquishment in Charles Baudelaire's Le Voyage | 119 | 33 | 86 | 27.7% |
| 7444f0z3 | The Logic of the Undecidable: An Interview with René Girard | 119 | 102 | 17 | 85.7% |
| 7b14d5wn | Magic and Mesmerism in Saint Domingue | 118 | 35 | 83 | 29.7% |
| 8031p7sm | Mémoires du « bled » : Entretien avec Alain Ricard | 114 | 33 | 81 | 28.9% |
| 9p34b4n1 | Le discours fantastique de La Morte amoureuse | 114 | 97 | 17 | 85.1% |
| 0ns0j1n9 | The (Wo)Man in the Iron Mask: Cross-dressing, Writing and Sexuality in L'Histoire de la Marquise-Marquis de Banneville | 113 | 25 | 88 | 22.1% |
| 28g992w9 | Exile and Identity in the Plays of Maryse Condé | 113 | 30 | 83 | 26.5% |
| 27v5k4gc | An Interview with Jonathan Culler | 112 | 29 | 83 | 25.9% |
| 8jx194fw | Chronique d’une mort annoncée : les métamorphoses du pouvoir dans Le Légataire universel (1708) | 112 | 97 | 15 | 86.6% |
| 4sj933mb | Ghost-Ridden Authors/Ghost-Written Texts: Female Phantoms in Two Works by André Breton and Georges Bataille | 105 | 24 | 81 | 22.9% |
| 1g95g1s9 | ‘That God Within:’ Writing Female Genius from Diderot to Staël | 100 | 12 | 88 | 12.0% |
| 7dn778pk | Memory as Construction in Viollet-le-Duc's Architectural Imagination | 100 | 64 | 36 | 64.0% |
| 0hf6j7v5 | "What About the Audience? What About Them?" : Spectatorship and Cinematic Pleasure | 98 | 20 | 78 | 20.4% |
| 7v9615hg | The Profound Complicity of George Batailie's Blue of Noon | 98 | 78 | 20 | 79.6% |
| 7qz8v7jf | ‘Le grand fantôme’ : Actor as Specter in Diderot’s Paradoxe sur le comédien | 96 | 21 | 75 | 21.9% |
| 4j7246jk | Georges Perec--La Disparition des manipulations sur le langage pour interpréter le réel | 95 | 73 | 22 | 76.8% |
| 06m9d9r0 | Classical Aesthetics, Modem Ethics: Lacan, Kierkegaard, Sophocles, Anouilh | 94 | 18 | 76 | 19.1% |
| 75z5r782 | Bodies of Enlightenment in Diderot's Encyclopédie | 92 | 64 | 28 | 69.6% |
| 1879912w | Performing the Immigrant: The Works of Calixthe Beyala and Fatou Diome | 91 | 46 | 45 | 50.5% |
| 3fj1s346 | Le Passage ou l'architecture du devenir | 90 | 20 | 70 | 22.2% |
| 4r82s45p | Charting Collaborative Practices: Acknowledgements | 90 | 16 | 74 | 17.8% |
| 1gr5c8cr | The Ghetto Novels of Guillaume Dustan | 87 | 52 | 35 | 59.8% |
| 6pj4f154 | Alain Robbe-Grillet: Sex and Violence or the Destruction of the Traditional Novel | 87 | 58 | 29 | 66.7% |
| 3w76w31c | Le troc des femmes ou la révolte de Dora | 84 | 13 | 71 | 15.5% |
| 7pr7f7kx | The City that is not a City | 83 | 44 | 39 | 53.0% |
| 80d3h4rx | Nom du père / nom d'auteur : les origines énigmatiques du Fresne | 83 | 12 | 71 | 14.5% |
| 8z72z95w | Subversion, fragmentation et mixité – Structures de la mémoire dans <em>C’est maintenant du passé</em> de Marianne Rubinstein | 79 | 31 | 48 | 39.2% |
| 1pz7t9qn | Les plis dans les puits: Identity and Narrative in Myriam Warner-Vieyra's Juletane | 77 | 58 | 19 | 75.3% |
| 5031q3js | Exquisite Corpses: Representations of Violence in the Collective Surrealist Unconscious | 76 | 51 | 25 | 67.1% |
| 5ww094n7 | Virtual Bodies: Anatomy, Technology, and the Inhuman in Descartes | 76 | 58 | 18 | 76.3% |
| 58q2k2nh | The Unity of Hérédia’s Antony and Cleopatra Sequence | 75 | 8 | 67 | 10.7% |
| 5f57h784 | Homosexualité mon amour : Derrida and the Haunting of Sodom | 75 | 59 | 16 | 78.7% |
| 2jf516kb | La Dame pipi du quarante-quatrième étage: l’exil et la marge dans Stupeurs et Tremblements d’Amélie Nothomb | 72 | 43 | 29 | 59.7% |
| 7ft1g1ms | Traverses: une interview avec Michel de Certeau | 72 | 44 | 28 | 61.1% |
| 0bj5t7hw | An Elusive Vision: Genesis and Apocalypse in <em>Le Ravissement de Lol V. Stein</em> | 70 | 32 | 38 | 45.7% |
| 8h50z8df | Michel Houellebecq: The Impossibility of Being an Island | 68 | 47 | 21 | 69.1% |
| 8xf4h66s | The Bodypolitics of Feminist Science Fiction: Elisabeth Vonarburg’s Le Silence de la cité | 68 | 51 | 17 | 75.0% |
| 0p58k5dc | The Summit of Violence: Cruelty in the work of Artaud and Bataille | 66 | 41 | 25 | 62.1% |
| 8zr1t8xj | Assia Djebar’s Vaste est la prison: Platform for a New Space of Agency and Feminine Enunciation in Algeria | 66 | 47 | 19 | 71.2% |
| 1d48d7wx | Between fantasque and fantasmagorique: a fantastic reading of Balzac's La Peau de Chagrin | 65 | 40 | 25 | 61.5% |
| 9x11c70q | French Folie: Memory and Madness in Buñuel’s Belle de Jour | 64 | 46 | 18 | 71.9% |
| 54s2c0zr | Les Mémoires de Louise Michel : Travail de deuil et quête identitaire | 62 | 44 | 18 | 71.0% |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.