Department of World Cultures and History - Open Access Policy Deposits
Parent: School of Social Sciences, Humanities, and Arts
eScholarship stats: Breakdown by Item for March through June, 2026
| Item | Title | Total requests | Download | View-only | %Dnld |
|---|---|---|---|---|---|
| 63g3m4mn | Roberto Bolano, a Less Distant Star Critical Essays | 1,898 | 82 | 1,816 | 4.3% |
| 0wt8v289 | Imaging the Chinese in Cuban literature and culture | 1,527 | 98 | 1,429 | 6.4% |
| 3fp829g3 | The affinity of the eye: Writing Nikkei in Peru | 1,372 | 106 | 1,266 | 7.7% |
| 6qd146gm | Imaging the Chinese in Cuban Literature and Culture | 1,092 | 65 | 1,027 | 6.0% |
| 8bx2m1zs | JAPANESE BRAZILIAN SAUDADES DIASPORIC IDENTITIES & CULTURAL PRODUCTION EPILOGUE | 814 | 533 | 281 | 65.5% |
| 68c57144 | Roberto Bolano's Flower War: Memory, Melancholy, and Pierre Menard | 586 | 242 | 344 | 41.3% |
| 3c61q2n3 | Dragons in the land of the condor: Writing Tusán in Peru | 522 | 57 | 465 | 10.9% |
| 6rw2328w | Impossible to Return: Abe Kōbō, Repatriation, and Postwar Japan | 428 | 266 | 162 | 62.1% |
| 1h35r6zr | An unconventional collaboration at the college level to improve STEM student success | 345 | 257 | 88 | 74.5% |
| 71j5b0vp | Keeping Sweden Swedish: Folk Music, Right-Wing Nationalism, and the Immigration Debate | 296 | 95 | 201 | 32.1% |
| 0rt2x6pk | Total Rhythm in Three Dimensions: Towards a Motional Theory of Melodic Dance Rhythm in Swedish Polska Music | 290 | 94 | 196 | 32.4% |
| 88c0045p | Magical Realism and the `Boom' of the Latin American Novel | 276 | 85 | 191 | 30.8% |
| 4bk8s24z | A brief genealogy of the category of the subject from Althusser and Foucault to Badiou’s Theory of the Subject | 260 | 106 | 154 | 40.8% |
| 9qs354ff | Water, Extractivism, Biopolitics, and Latin American Indigeneity in Arguedas's <i>Los rios profundos</i> and Potdevin's <i>Palabrero</i> | 247 | 123 | 124 | 49.8% |
| 2v33h672 | Gender and Sexuality in the Polska: Swedish Couple Dancing and the Challenge of Egalitarian Flirtation | 245 | 101 | 144 | 41.2% |
| 06j6g8pj | Introduction: The New Old Europe Sound | 225 | 79 | 146 | 35.1% |
| 6qp8w8t9 | Introduction: The Four Branches of Awareness | 220 | 88 | 132 | 40.0% |
| 4dt9v70r | The Zorn Trials and the Jante Law: On Shining Musically in the Land of Moderation | 202 | 77 | 125 | 38.1% |
| 4xx0w8r6 | Peripheral Orientalism and the Creation of Arab Literary Precursors in Quinteto de Mogador by Alberto Ruy Sánchez | 192 | 62 | 130 | 32.3% |
| 0zk4w2gz | Orientalisms of the Hispanic and Luso-Brazilian World | 182 | 64 | 118 | 35.2% |
| 3x5316v3 | Two contradictory visions of the Catholic Church in the work of Ruben!Dario | 171 | 62 | 109 | 36.3% |
| 1zd6n2qd | Disaster Writing: The Cultural Politics of Catastrophe in Latin America | 161 | 62 | 99 | 38.5% |
| 8ss985cb | Resemanticizing Yamato-damashii in The Samurai of Mexico | 160 | 47 | 113 | 29.4% |
| 4445z3kr | Sifting Through Gen Z Stereotypes: Using Critical Empathy to Assess Writers’ Invisible Learning | 158 | 84 | 74 | 53.2% |
| 0d55d7wb | The Evolution of Student Engagement: Writing Improves Teaching in Introductory Biology | 156 | 64 | 92 | 41.0% |
| 3k4162dk | Mindful Assessment in Support of Student Learning. | 155 | 51 | 104 | 32.9% |
| 3k37j7km | Revising roles: Enhancing an engineering capstone course to improve outcomes for women | 153 | 60 | 93 | 39.2% |
| 61q12577 | THE IMPACT OF WORLD WAR II ON THE NIKKEIJIN | 152 | 61 | 91 | 40.1% |
| 0b63s054 | BETWEEN ASSIMILATIONISM AND CULTURAL CELEBRATION | 151 | 55 | 96 | 36.4% |
| 7835j1dz | Using writing in science class to understand and activate student engagement and self-efficacy | 148 | 42 | 106 | 28.4% |
| 7qx3t75c | Sociology Students as Storytellers: What Narrative Sociology and C. Wright Mills Can Teach Us about Writing in the Discipline | 147 | 45 | 102 | 30.6% |
| 50w5n9tp | Edward King , Virtual Orientalism in Brazilian Culture (London and New York: Palgrave Macmillan, 2015), pp. x + 214, £60.00, hb. | 146 | 45 | 101 | 30.8% |
| 7gg089tx | Geographies of Gender: Social Politics of the Partner Dance Venue | 144 | 51 | 93 | 35.4% |
| 9sc6q5jt | "Just Exotic Enough:" Swedish Chamber Klezmer as Postnational World Music and Mid-East Proxy | 144 | 37 | 107 | 25.7% |
| 26w78874 | Orientalism and Identity in Latin America: Fashioning Self and Other from the (Post)Colonial Margin. | 131 | 69 | 62 | 52.7% |
| 4fn5d6qz | ˜Welcome to Räfven Village": On Musical Claims to Multicultural Identity | 130 | 56 | 74 | 43.1% |
| 3fj2w1cv | The Death of the Author through False Translation in Mario Bellatin's Orientalised Japan | 129 | 46 | 83 | 35.7% |
| 3x98n2dg | Postcolonial Violence and Indigeneity in the testimonio | 129 | 45 | 84 | 34.9% |
| 1dj81630 | Student Shaming and the Need for Academic Empathy | 127 | 52 | 75 | 40.9% |
| 2pw7z2gg | The Vernal Pool Issue 4 | 126 | 55 | 71 | 43.7% |
| 2qk0q4wf | The Vernal Pool Issue Five Complete | 126 | 54 | 72 | 42.9% |
| 4bt8b6wv | Love and Friendship | 125 | 66 | 59 | 52.8% |
| 8q11g8ws | GOING NATIVE ANTI-INDIGENISM IN VARGAS LLOSA'S <i>THE STORYTELLER AND DEATH IN THE ANDES</i> | 123 | 35 | 88 | 28.5% |
| 0sm5p670 | The Vernal Pool Issue 5 Front Matter | 118 | 46 | 72 | 39.0% |
| 7693f0hk | Reseña. Gustavo Gac-Artigas. hombre de américa/man of the americas. New York: Poetry Press, 2022 | 118 | 54 | 64 | 45.8% |
| 8dm997qt | Theory after Theory An Intellectual History of Literary Theory from 1950 to the Early 21st Century. | 118 | 55 | 63 | 46.6% |
| 8107f6xr | Changes in interlanguage complexity during study abroad: A meta-analysis | 114 | 38 | 76 | 33.3% |
| 6km8g4c9 | The Afterlife of al-Andalus: Muslim Iberia in Contemporary Arab and Hispanic Narratives | 113 | 51 | 62 | 45.1% |
| 24m3x67q | Fast and Fruitful: Effective Writing Assessment for Determining the Success of New Initiatives | 112 | 48 | 64 | 42.9% |
| 0zq5d5hw | Chicanismo Meets Zapatismo: U.S. Third World Feminism and Transnational Activism in Graciela Limón's "Erased Faces" | 111 | 65 | 46 | 58.6% |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.