Growing numbers of persons worldwide are beginning to call themselves "men who have sex with men" or "MSM." How has this subject position come into being so swiftly, without the kind of social and political organizing associated with so many claims to identity? And how might considering this novel form of selfhood help us craft anthropological responses to cultural phenomena whose conditions of historical emergence appear "untimely?" In this article, I develop a notion of "proleptic genealogy" to explore the origins of the MSM category, as well as transformations in the category with regard to enumeration, identity, and translocalization. In doing so, I show how anthropological inquiry can engage with emergent cultural logics through forms of anticipatory analysis. © 2011 by the American Anthropological Association.

In this article I explore how Indonesians come to see themselves as lesbi or gay through fragmentary encounters with mainstream mass media (rather than lesbian and gay Westerners or Western lesbian and gay media). By placing this ethnographic material alongside a recent debate on the dubbing of foreign television programs into the Indonesian language, I develop a theoretical framework of "dubbing culture" to critically analyze globalizing processes.

This paper explores an unprecedented series of violent acts against 'gay' Indonesians beginning in September 1999. Indonesia is often characterized as 'tolerant' of homosexuality. This is a false belief, but one containing a grain of truth. To identify this grain of truth I distinguish between 'heterosexism' and 'homophobia,' noting that Indonesia has been marked by a predominance of heterosexism over homophobia. I examine the emergence of a political homophobia directed at public events where gay men stake a claim to Indonesia's troubled civil society. That such violence is seen as the properly masculine response to these events indicates how the nation may be gaining a new masculinist cost. In the new Indonesia, male-male desire can increasingly be construed as a threat to normative masculinity, and thus to the nation itself. © Routledge Journals, Taylor and Francis Ltd.

Waria (better known as banci or béncong), who can be provisionally defined as male-to-female transvestites, are well-known members of contemporary Indonesian society. Waria are best understood not as a third gender but a male femininity. By exploring how waria reconfigure concepts of authenticity, I address the relationship between the waria subject position and Indonesian national culture.