Cambodian American scholarship has largely interpreted Cambodian history and
people within frameworks of violence and implicitly claims that today’s Cambodian diaspora is
legible only against the backdrop of unimaginable horror. The epistemological and ontological
stakes of defining the Cambodian experience within structures of violence has profound impact
on the personal and institutional understanding of Cambodian subjecthood. Through visual
culture and photographic analyses of my family’s own photographs from the Khao-I-Dang
refugee camp in Thailand circa 1980s-1990s, I introduce the concept of fictions of memory to
reimagine my family’s social life following the Khmer Rouge. Fictions of memory is a partial
analytic designed for second-generation Cambodians facing the generational trauma that often
structures their relationships to family and history. With a silence-informed approach offered
through fictions of memory, such trauma can be respected while also becoming a site of
speculative reimagination. This reimagination is facilitated through a reading of photography as
selectively “orphan”, or removed from their narrative intentionality, which is often
generationally inaccessible due to silence. Furthermore, the mundane reimagination of this
silence shifts away from conventionally violent interpretations of Cambodian legibility. This
reframing does not intend to replace extant scholarship on Cambodian subjectivity by dislocating
the real and often violent conditions of the Khmer Rouge and refugee camps, but hopes to exist
alongside such theorizations as possible alternatives for understanding Cambodian being.