The paper examines three late nineteenth–early twentieth century Pacific Northwest coast objects—a Nuu-chah-nulth kuxmin (bird rattle), a Haida sGaaga (medicine man) figure, and a Kwakwaka’wakw or Wuikinuxv wooden model of a totem pole—from the collections of the Ehlers museum in Haderslev, Denmark. Drawing on multiple sources and epistemologies and structuring the study as a weaving of different narratives and perspectives, we investigate the identity of the objects, the materials and pigments used in their making, their function and value in the Indigenous contexts, as well as their significance as collectors’ objects. The article draws attention to the Native American collections at Danish museums, which have not attracted much scholarly attention, and illustrates a need and fruitfulness of a multi-epistemological approach in their studies.