This thesis presents the design and outcomes of SketchPath, a system that useshand-drawn toolpaths to design for clay 3D printing. Drawing, as a direct manipulation
technique, allows artists to design with the expressiveness of CAM-based tools without
needing to work with a numerical system or constrained system. SketchPath works to
provide artists with direct control over the outcomes of their form by not abstracting
away machine operations or constraining the kinds of artifacts that can be produced.
Artifacts produced with SketchPath emerge at a unique intersection of manual qualities
and machine precision, creating works that blend handmade and machine aesthetics. In
interactions with our system, ceramicists without a background in CAD/CAM were able
to produce more complex forms with limited training, suggesting the future of CAM
based fabrication design can take on a wider range of modalities.