“Our goal is to create a beloved community, and this will require a qualitative change in our souls as well as a quantitative change in our lives. - Martin Luther King, 1967
Abstract: This dissertation presents an in-depth study centered in Memphis, Tennessee, employing a Black geography perspective to explore the intricate ways in which cultural, social, and political spaces are shaped and reclaimed, specifically focusing on health-related contexts. Drawing upon foundational works by scholars such as Akom (2011), Finney (2014), and Purifroy and Seamster (2019), this research underscores the importance of perspectives rooted in the experiences of marginalized groups. Such perspectives provide relevant and valuable data and bolster community efforts toward self-determination, as advocated by Ford & Airhihenbuwa (2010) and Griffith & Semlow (2020).
A notable gap in community-centered practices, highlighted in this dissertation, is the lack of exploration into aspects such as spatial aesthetics, the embodiment of Blackness, and the overall quality of life indicators within Memphis. Addressing this gap, the paper investigates the role of creative mediums in transforming spatial narratives and dynamics at both organizational and community levels. It emphasizes the significance of community-led experiences in redefining social, political, and structural spaces.
The first paper introduces and outlines the C.A.R.E. (Community Healing, Arts, Racial Health Equity, and Environmental Justice) curriculum. It covers the curriculum’s literature foundation, theoretical and conceptual frameworks based on Black Emancipatory Action Research, implementation guidelines, and design principles. This curriculum aims to build individual and community capacity across four areas: healing, hope, health and wealth, and the built environment, as conceptualized by Akom (2011).
The second paper focuses on how integrating healing-centered and wellness practices into policy design can contextualize social capital and community power for racial health equity. It employs the Black Emancipatory Action Research (BEAR) framework to analyze various vignettes, offering an intersectional perspective on community health and empowerment. The paper illustrates how the Community Health Equity, Wellbeing, and Healing Justice Symposium’s design and implementation serve as a practical example of emancipatory action research. It emphasizes storytelling, gratitude practices, and acknowledging collective and individual talents, highlighting the interplay between community health, environmental factors, and historical power structures in addressing institutional and structural racism in Memphis.
The third paper emphasizes the importance of a Black geography perspective in Memphis, Tennessee, especially for examining the formation and reclamation of cultural, social, and political spaces, particularly in health contexts. It specifically looks at aspects like spatial aesthetics, the embodiment of Blackness, and overall quality of life indicators in Memphis. The focus is on how creative mediums can alter spatial narratives and dynamics at organizational and community levels.
By centering on these community-led initiatives, the dissertation offers a novel perspective on the intersection of Black geography, community engagement, and creative expression, contributing significantly to the discourse on spatial dynamics and community empowerment. This dissertation is grounded in nine years of community-engaged research and organizing work in Memphis (2014-Present). This research was approved by the Institutional Review Board, Committee for Protection of Human Subjects at the University of California, Berkeley.