Departmental Honors Theses
Parent: Department of English
eScholarship stats: History by Item for July through October, 2026
| Item | Title | Total requests | 2026-10 | 2026-09 | 2026-08 | 2026-07 |
|---|---|---|---|---|---|---|
| 9zk9d7sj | The Human Mecha: Titan, Technology, and Self in <em>Attack on Titan</em> | 2,475 | 715 | 652 | 797 | 311 |
| 1h39r5ms | "Please Don't Stop Being My Mother!": Attachment Theory and Identity Formation in Kurt Vonnegut's <em>Slaughterhouse-Five</em> and Hideaki Anno's <em>Neon Genesis Evangelion</em> | 1,854 | 271 | 368 | 540 | 675 |
| 95q5833c | Walking Fish, Crying Rocks, Singing Crows: Racialization and Anthropomorphism in Contemporary Children's Animation | 1,025 | 226 | 209 | 331 | 259 |
| 0wg349gb | THE BLOOD, SWEAT & TEARS OF MY YOUTH: BTS’S 2016 <em>WINGS</em> AS A RETELLING OF HERMANN HESSE’S 1919 <em>DEMIAN</em> | 872 | 725 | 104 | 43 | |
| 886009wz | “I’ve Never Heard Silence Quite this Loud”: The Complexity of Taylor Swift’s Neutral Star Text | 865 | 179 | 208 | 356 | 122 |
| 3gg0t2nw | Simulation at Work: An Analysis of Job Simulator Video Games | 836 | 145 | 182 | 258 | 251 |
| 575215c0 | CRUEL AND CASUAL PUNISHMENT: THE SITUATIONSHIP IN <em>NORMAL PEOPLE</em> BY SALLY ROONEY | 675 | 182 | 169 | 215 | 109 |
| 9qx5t9t2 | Gayme On! A Queer Game Thesis | 622 | 113 | 169 | 262 | 78 |
| 6v64v08r | Utopia by a Thousand Cuts: Melodrama and the Queer Art of Self-Harm in Hanya Yanagihara’s <em>A Little Life</em> | 596 | 162 | 144 | 180 | 110 |
| 9kv2n20f | The Norman Trinity: A Study on the Development of the Norman Bates Character from Psycho | 579 | 153 | 137 | 180 | 109 |
| 4rt3t02n | Doomed Voyage: America's Evolving Relationship with <em>Moby-Dick</em> | 562 | 118 | 103 | 250 | 91 |
| 17k1c130 | Mythic Pizza: Semiotic and Archetypal Significance in the Conspiracy Narrative Known as 'Pizzagate' | 503 | 199 | 87 | 91 | 126 |
| 4hq0x82s | Liberate the Asian American Writer: Embracing the Flaws of Amy Tan's <em>The Joy Luck Club</em> | 499 | 162 | 137 | 118 | 82 |
| 1325j8hn | "We are not Who We Were:" Navigating Queer Time and Grieving Shifting Narratives in <em>Destiny 2</em> | 496 | 43 | 115 | 158 | 180 |
| 03p5w4hw | (Re)Creation | 487 | 102 | 96 | 134 | 155 |
| 9hq000bg | Female Power and the Supernatural in Early Gothic Literature | 472 | 122 | 130 | 158 | 62 |
| 2s6478nm | Intertextuality within Mary Shelley’s Frankenstein Structures and Stabilizes Language Countering Male Romantic-Era Writers’ Subjectification of the World | 471 | 105 | 99 | 170 | 97 |
| 8105c2ch | The Fact of Fiction: Imagining Interiority in Petrarch, Chaucer, and Sidney | 470 | 107 | 133 | 149 | 81 |
| 46h0x4kp | Preliminary Materials for a Theory of <em>Gossip Girl</em> | 469 | 171 | 111 | 127 | 60 |
| 6f5989r0 | Sadomasochism in <em>Jane Eyre</em>: A Psychological Exchange of Power | 462 | 115 | 106 | 129 | 112 |
| 8tz2h3gc | A War of Roses: An Examination of Tudor Mythography in Shakespeare’s First Tetralogy of History and George R.R. Martin’s, <em>A Song of Ice and Fire</em> Series | 434 | 117 | 82 | 155 | 80 |
| 7mh827nr | “Between Gloom and Laughter”: Female Longing, Unhappiness, and Structures of Absence in the Works of Virginia Woolf | 422 | 119 | 53 | 162 | 88 |
| 9pb2g06w | Blood as Reference to Fear in <em>Dracula</em> | 416 | 121 | 63 | 121 | 111 |
| 25s0d4pm | The Conqueror Dominated, the Conquered Seduced: Postcolonial Love in Three Stories by Gabriel Garcia Marquez | 406 | 109 | 82 | 140 | 75 |
| 2fs65978 | “The Lines of Influence”: The Occult Recontextualization of Nicholas Hawksmoor’s Churches in <em>From Hell</em> and <em>Lud Heat</em> | 393 | 102 | 80 | 151 | 60 |
| 1w50f9pp | <em>Grotesque</em>: A Gender and Psychoanalytical Analysis | 340 | 89 | 107 | 109 | 35 |
| 20f8k5fd | Heroism, Sensibility, and Gender: Mary Wollstonecraft's Feminist Politics in<em> A Vindication of the Rights of Woman</em> and <em>Maria: or, The Wrongs of Woman</em> | 340 | 90 | 131 | 82 | 37 |
| 05r7t4bj | Unsettling Mixed Identities in Viet Thanh Nguyen's <em>The Sympathizer</em> | 339 | 122 | 92 | 37 | 88 |
| 6pf491k3 | Milton and Empire: Satanic and Edenic Colonization in Paradise Lost | 339 | 81 | 83 | 112 | 63 |
| 3pc8c0vq | Poor Connections | 331 | 97 | 53 | 127 | 54 |
| 568012r9 | The <em>Bildungsroman</em> Transformed Magic, Memories, and the Unpredictable Movements of Growth in Young Adult Speculative Fiction | 326 | 100 | 78 | 92 | 56 |
| 94v4n7h6 | Troubles in Vienna | 324 | 53 | 38 | 90 | 143 |
| 3xk9877j | Danielle | 313 | 92 | 83 | 92 | 46 |
| 420996rx | Nob Hill | 313 | 57 | 51 | 100 | 105 |
| 3x15p833 | Queer Desire as Restoration: The Rejection of Phallic Exchange in Christina Rossetti’s “Goblin Market” | 306 | 93 | 62 | 83 | 68 |
| 8f64108s | Histories of Dust and Bone: Mythologizing the Chinese American Past in Contemporary Western Fictions | 303 | 57 | 16 | 153 | 77 |
| 0vm040m9 | THE ‘GODE’ OF ROBIN HOOD: PERFORMED COURTESY, YEOMANRY, SOCIAL BANDITRY, AND DISNEY’S CULTURAL TRANSMISSION | 295 | 81 | 77 | 58 | 79 |
| 27d9x6f9 | Historical Retrospection and Ambivalence in <em>A Tale of Two Cities</em> | 274 | 67 | 67 | 85 | 55 |
| 8dp5q5z1 | Dog Rose | 272 | 27 | 56 | 79 | 110 |
| 7gp024n4 | CONDITIONED PERCEPTION: LANGUAGE, ENVIRONMENT, AND MORAL AGENCY IN ANTHONY BURGESS AND J. G. BALLARD | 269 | 51 | 83 | 83 | 52 |
| 35j4s1g9 | <em>The Bell Jar</em> and <em>Whiplash</em> as Fugue States: Tortured Artists' Pain and the Language of Their Stories | 268 | 62 | 79 | 74 | 53 |
| 60c2h8p4 | Victims, Perpetrators, and Implicated Subjects: The Effects of Trauma in Sherman Alexie's <em>Indian Killer</em> and Toni Morrison's <em>Beloved</em> | 268 | 71 | 54 | 102 | 41 |
| 9v99706j | "The Wonder of the Visible": Fantasy, Reality, and the Prism of Story in the Work of Patricia A. McKillip | 268 | 69 | 60 | 74 | 65 |
| 2j35c9pv | Wanton and Wicked: Tracing the Eastern Femme Fatales of Oscar Wilde's Orientalist Narratives | 266 | 74 | 78 | 73 | 41 |
| 5z60r8pm | A Voyage Through Queer Oceania: Reclaiming Queer Indigeneity in Sāmoa and Hawai'i | 266 | 56 | 93 | 78 | 39 |
| 10s1v91k | A Social Disruption: The Decentering of the Individual in Contemporary Dystopian Fiction and its Challenges to Humanism, Posthumanism, and Neoliberal Individualism | 263 | 108 | 58 | 55 | 42 |
| 1wt7b6j4 | Revisiting the Twenties: Anachronism in American Fiction Narrative Structures | 257 | 59 | 83 | 83 | 32 |
| 8qh2j5g1 | London is the Place for Me: On Cultural Hybridity in Sam Selvon's <em>The Lonely Londoners</em> | 249 | 61 | 53 | 65 | 70 |
| 0rq5q0sd | Sontag and Disability Studies: Chronic Illness, Impairment Effect, and Biomedical Metaphor | 238 | 63 | 66 | 72 | 37 |
| 7h98z45d | John Ruskin's <em>Fors Clavigera</em>: The Hero as Educator | 235 | 41 | 52 | 90 | 52 |
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