Departmental Honors Theses
Parent: Department of English
eScholarship stats: History by Item for May through August, 2026
| Item | Title | Total requests | 2026-08 | 2026-07 | 2026-06 | 2026-05 |
|---|---|---|---|---|---|---|
| 1h39r5ms | "Please Don't Stop Being My Mother!": Attachment Theory and Identity Formation in Kurt Vonnegut's <em>Slaughterhouse-Five</em> and Hideaki Anno's <em>Neon Genesis Evangelion</em> | 1,649 | 540 | 675 | 269 | 165 |
| 9zk9d7sj | The Human Mecha: Titan, Technology, and Self in <em>Attack on Titan</em> | 1,646 | 797 | 311 | 275 | 263 |
| 3gg0t2nw | Simulation at Work: An Analysis of Job Simulator Video Games | 945 | 258 | 251 | 280 | 156 |
| 17k1c130 | Mythic Pizza: Semiotic and Archetypal Significance in the Conspiracy Narrative Known as 'Pizzagate' | 920 | 91 | 126 | 495 | 208 |
| 886009wz | “I’ve Never Heard Silence Quite this Loud”: The Complexity of Taylor Swift’s Neutral Star Text | 819 | 356 | 122 | 191 | 150 |
| 95q5833c | Walking Fish, Crying Rocks, Singing Crows: Racialization and Anthropomorphism in Contemporary Children's Animation | 729 | 331 | 259 | 62 | 77 |
| 4rt3t02n | Doomed Voyage: America's Evolving Relationship with <em>Moby-Dick</em> | 719 | 250 | 91 | 184 | 194 |
| 575215c0 | CRUEL AND CASUAL PUNISHMENT: THE SITUATIONSHIP IN <em>NORMAL PEOPLE</em> BY SALLY ROONEY | 648 | 215 | 109 | 138 | 186 |
| 6v64v08r | Utopia by a Thousand Cuts: Melodrama and the Queer Art of Self-Harm in Hanya Yanagihara’s <em>A Little Life</em> | 597 | 180 | 110 | 150 | 157 |
| 03p5w4hw | (Re)Creation | 587 | 134 | 155 | 144 | 154 |
| 6f5989r0 | Sadomasochism in <em>Jane Eyre</em>: A Psychological Exchange of Power | 577 | 129 | 112 | 148 | 188 |
| 46h0x4kp | Preliminary Materials for a Theory of <em>Gossip Girl</em> | 545 | 127 | 60 | 156 | 202 |
| 4hq0x82s | Liberate the Asian American Writer: Embracing the Flaws of Amy Tan's <em>The Joy Luck Club</em> | 532 | 118 | 82 | 137 | 195 |
| 7mh827nr | “Between Gloom and Laughter”: Female Longing, Unhappiness, and Structures of Absence in the Works of Virginia Woolf | 528 | 162 | 88 | 138 | 140 |
| 9kv2n20f | The Norman Trinity: A Study on the Development of the Norman Bates Character from Psycho | 522 | 180 | 109 | 116 | 117 |
| 1325j8hn | "We are not Who We Were:" Navigating Queer Time and Grieving Shifting Narratives in <em>Destiny 2</em> | 476 | 158 | 180 | 63 | 75 |
| 9qx5t9t2 | Gayme On! A Queer Game Thesis | 474 | 262 | 78 | 60 | 74 |
| 2fs65978 | “The Lines of Influence”: The Occult Recontextualization of Nicholas Hawksmoor’s Churches in <em>From Hell</em> and <em>Lud Heat</em> | 463 | 151 | 60 | 101 | 151 |
| 9pb2g06w | Blood as Reference to Fear in <em>Dracula</em> | 452 | 121 | 111 | 95 | 125 |
| 9hq000bg | Female Power and the Supernatural in Early Gothic Literature | 450 | 158 | 62 | 111 | 119 |
| 420996rx | Nob Hill | 448 | 100 | 105 | 106 | 137 |
| 25s0d4pm | The Conqueror Dominated, the Conquered Seduced: Postcolonial Love in Three Stories by Gabriel Garcia Marquez | 421 | 140 | 75 | 94 | 112 |
| 2s6478nm | Intertextuality within Mary Shelley’s Frankenstein Structures and Stabilizes Language Countering Male Romantic-Era Writers’ Subjectification of the World | 421 | 170 | 97 | 63 | 91 |
| 8tz2h3gc | A War of Roses: An Examination of Tudor Mythography in Shakespeare’s First Tetralogy of History and George R.R. Martin’s, <em>A Song of Ice and Fire</em> Series | 418 | 155 | 80 | 83 | 100 |
| 6pf491k3 | Milton and Empire: Satanic and Edenic Colonization in Paradise Lost | 412 | 112 | 63 | 81 | 156 |
| 8f64108s | Histories of Dust and Bone: Mythologizing the Chinese American Past in Contemporary Western Fictions | 395 | 153 | 77 | 83 | 82 |
| 27d9x6f9 | Historical Retrospection and Ambivalence in <em>A Tale of Two Cities</em> | 381 | 85 | 55 | 109 | 132 |
| 3pc8c0vq | Poor Connections | 375 | 127 | 54 | 146 | 48 |
| 3x15p833 | Queer Desire as Restoration: The Rejection of Phallic Exchange in Christina Rossetti’s “Goblin Market” | 374 | 83 | 68 | 98 | 125 |
| 94v4n7h6 | Troubles in Vienna | 374 | 90 | 143 | 44 | 97 |
| 8dp5q5z1 | Dog Rose | 338 | 79 | 110 | 89 | 60 |
| 3xk9877j | Danielle | 332 | 92 | 46 | 87 | 107 |
| 7148g3qq | Screen Memory | 324 | 78 | 59 | 103 | 84 |
| 1q6992g4 | Fascination: Sixteen | 321 | 68 | 38 | 33 | 182 |
| 8105c2ch | The Fact of Fiction: Imagining Interiority in Petrarch, Chaucer, and Sidney | 317 | 149 | 81 | 87 | |
| 05r7t4bj | Unsettling Mixed Identities in Viet Thanh Nguyen's <em>The Sympathizer</em> | 306 | 37 | 88 | 91 | 90 |
| 20f8k5fd | Heroism, Sensibility, and Gender: Mary Wollstonecraft's Feminist Politics in<em> A Vindication of the Rights of Woman</em> and <em>Maria: or, The Wrongs of Woman</em> | 303 | 82 | 37 | 72 | 112 |
| 9hn334v5 | I Miss You Mother: The Korean Diasporic Experience and Colonial Silencing in Theresa Hak Kyung Cha's <em>Dictee</em> | 298 | 58 | 50 | 102 | 88 |
| 2r80j01g | Opening the Doors of Perception in <em>Paradise Lost</em>: Seeing and Hearing as Imperfectly Gendered, or as Tools for Divine Revelation | 289 | 69 | 40 | 84 | 96 |
| 2039n7z1 | Golden Slumbers | 284 | 52 | 49 | 62 | 121 |
| 568012r9 | The <em>Bildungsroman</em> Transformed Magic, Memories, and the Unpredictable Movements of Growth in Young Adult Speculative Fiction | 271 | 92 | 56 | 59 | 64 |
| 7gp024n4 | CONDITIONED PERCEPTION: LANGUAGE, ENVIRONMENT, AND MORAL AGENCY IN ANTHONY BURGESS AND J. G. BALLARD | 271 | 83 | 52 | 136 | |
| 1wt7b6j4 | Revisiting the Twenties: Anachronism in American Fiction Narrative Structures | 269 | 83 | 32 | 50 | 104 |
| 2j35c9pv | Wanton and Wicked: Tracing the Eastern Femme Fatales of Oscar Wilde's Orientalist Narratives | 269 | 73 | 41 | 86 | 69 |
| 8qh2j5g1 | London is the Place for Me: On Cultural Hybridity in Sam Selvon's <em>The Lonely Londoners</em> | 266 | 65 | 70 | 57 | 74 |
| 0vm040m9 | THE ‘GODE’ OF ROBIN HOOD: PERFORMED COURTESY, YEOMANRY, SOCIAL BANDITRY, AND DISNEY’S CULTURAL TRANSMISSION | 264 | 58 | 79 | 125 | 2 |
| 60c2h8p4 | Victims, Perpetrators, and Implicated Subjects: The Effects of Trauma in Sherman Alexie's <em>Indian Killer</em> and Toni Morrison's <em>Beloved</em> | 254 | 102 | 41 | 30 | 81 |
| 1w50f9pp | <em>Grotesque</em>: A Gender and Psychoanalytical Analysis | 247 | 109 | 35 | 49 | 54 |
| 505039k3 | The Gospel of John McDaniel | 246 | 74 | 24 | 65 | 83 |
| 10s1v91k | A Social Disruption: The Decentering of the Individual in Contemporary Dystopian Fiction and its Challenges to Humanism, Posthumanism, and Neoliberal Individualism | 241 | 55 | 42 | 56 | 88 |
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