| Item | Title | Total requests | Download | View-only | %Dnld |
|---|---|---|---|---|---|
| 77q9m9cg | Love and Marriage: Emotion and Sexuality in the Early Medici Family | 843 | 514 | 329 | 61.0% |
| 60q5502b | Casanova, Marinetti and the Art of Seduction | 570 | 73 | 497 | 12.8% |
| 2s25c07m | Passeggiate nella città proibita: prostituzione, erotismo e trasgressione ne <em>L’incendiario</em> di Aldo Palazzeschi | 505 | 119 | 386 | 23.6% |
| 8k93t0p2 | Identity and Humanity in Primo Levi's "Se questo è un uomo": Enlightenment, Vision, and the "animale-uomo" | 486 | 251 | 235 | 51.6% |
| 3sp6k4d6 | Bologna and the trauma of March 1977: the 'intellettuali contro' and their ‘resistance’ to the local Communist Party | 480 | 168 | 312 | 35.0% |
| 77v6n3rz | Peripheral (Dis)Unity: The Italian Influences on Corsican Linguistic and Cultural Developments | 470 | 169 | 301 | 36.0% |
| 89d1s175 | Staging a Word: Overcoming and Recovering Familial Bonds in Elena Ferrante’s Neapolitan Novels | 461 | 254 | 207 | 55.1% |
| 6gh929kv | Angela da Foligno: The Path to Spiritual Authority and the Severing of Family Bonds | 429 | 222 | 207 | 51.7% |
| 78r9n53b | Liliana Cavani's La pelle: Debunking the Fake Promises of Postmodern Sexual Emancipation and the Silencing Effect of Cultural Oblivion | 422 | 114 | 308 | 27.0% |
| 6vv5w0jz | Working the Margins:The Geopolitical Marking of Italian National Identity | 414 | 151 | 263 | 36.5% |
| 9212n4xq | Dante’s Cato: <em>Libertà</em> and the Dialectic of Empires in the <em>Purgatorio</em> | 411 | 107 | 304 | 26.0% |
| 32c092nr | Gramsci's Presence in China | 409 | 91 | 318 | 22.2% |
| 5pp0b0tm | Il “fratello secentesco” perduto: Gabriele D’Annunzio e la riscoperta del marinismo | 406 | 97 | 309 | 23.9% |
| 49z814tm | Verismo Through the Genres, or "<em>Cavallerie rusticane</em>"- The Delicate Question of Innovation in the Operatic Adaptations of Giovanni Verga's Story and Drama by Pietro Mascagni (1890) and Domenico Monleone (1907) | 385 | 98 | 287 | 25.5% |
| 7xr02487 | (No) Queer Futurism: Prostitutes, Pink Poets, and Politics in Italy from 1913-1918 | 366 | 62 | 304 | 16.9% |
| 9m59s9w5 | Il Realismo Poetico di Pier Paolo Pasolini: <em>Ragazzi di vita</em> | 366 | 232 | 134 | 63.4% |
| 22r4k8fp | Ph.D. Dissertations in Italian Studies at UCLA, 2007-2020 | 362 | 87 | 275 | 24.0% |
| 1fk948x8 | The Anatomy of a Propaganda Event: the Mostra della rivoluzione fascista | 357 | 210 | 147 | 58.8% |
| 15b6s5b8 | The Female Life Secret? Mother, Daughter, and New Family Paradigms in Michela Murgia's Accabadora | 345 | 146 | 199 | 42.3% |
| 1k6008kn | Art for the Reader’s Sake: An Historical and Textual Study of Emilio De Marchi’s Il cappello del prete (1888) | 345 | 121 | 224 | 35.1% |
| 6qb4590h | D'Annunzio e la ripresa del mito del poeta vate in <em>Alcyone</em> | 341 | 85 | 256 | 24.9% |
| 5gd565zq | “Singulis Etruriae populis”: The Political Mobilization of the Etruscan Foundation Myth in the Self-Conception of Renaissance Florence | 332 | 77 | 255 | 23.2% |
| 0d7254j6 | Modernismo ed elitismo nell'era delle macchine: I confini di una nuova aristocrazia in Marinetti e Mussolini | 330 | 71 | 259 | 21.5% |
| 2bq1j688 | La genealogia della madre: Maria Drago e la "lingua della mamma" | 327 | 174 | 153 | 53.2% |
| 84m6v39b | "Noi Donne" and "Famiglia Cristiana": Communists, Catholics, and American Female Culture in Cold War Italy | 327 | 92 | 235 | 28.1% |
| 2kj5f86f | Shepherding the Flock: Pope Julius II’s Renaissance Vision of a Unified Italy | 319 | 97 | 222 | 30.4% |
| 42x51439 | Linguistic Encounters Now and Then: Amara Lakhous and Tahar Lamri Engage in the Debate on (Dis)United Italy | 319 | 77 | 242 | 24.1% |
| 8kj9g30w | Return from Exile: Joyce Lussu's Many Autobiographical Voices | 314 | 71 | 243 | 22.6% |
| 5g64j9rg | Stealing Home: Flight from Exile in <em>Il ladro di bambini</em> | 302 | 167 | 135 | 55.3% |
| 7rj8r3c6 | Nazione e narrazione: Scrittori, politica, sessualità e la "formazione" degli italiani, 1870-1900 | 302 | 104 | 198 | 34.4% |
| 8hb3w4d1 | Fausta Cialente's <em>Natalia</em>: Representing Transgressive Female Formation During Fascism | 295 | 81 | 214 | 27.5% |
| 1j34q55d | Death and Rebirth in Photography: <em>Palazzo Ducale, Venice</em> by the Fratelli Alinari | 288 | 99 | 189 | 34.4% |
| 5vj6w1n0 | From <em>fotodinamismo</em> to <em>fotomontaggio</em>: The Legacy of Futurism's Photography | 287 | 62 | 225 | 21.6% |
| 0n28b3hz | Review of Gianluca Rizzo. Poetry on Stage: The Theatre of the Italian Neo-Avant-Garde. Toronto: University of Toronto Press, 2020. | 284 | 68 | 216 | 23.9% |
| 2nt627zf | Introduction and Acknowledgments | 283 | 58 | 225 | 20.5% |
| 9888b1pt | Trieste ha sempre parlato diverse lingue: Intervista con Boris Pahor | 280 | 87 | 193 | 31.1% |
| 15s2030h | “Con le parole ho sempre amato giocare”: Intervista con Carla Vasio | 279 | 72 | 207 | 25.8% |
| 10k085xh | Ruolo dell’intellettuale e 'guerra di posizione:' da Gramsci a Carlo Giuliani, ragazzo | 277 | 149 | 128 | 53.8% |
| 6631w7vf | From Meridionalismo to Orientalism: Three Representations of Sicily in the Contemporary Narrative of the Risorgimento | 277 | 92 | 185 | 33.2% |
| 5nd9x6ds | The Crowd and Manzoni’s Conception of Cultural Unification | 274 | 83 | 191 | 30.3% |
| 7tf085fj | Partigiane e scrittrici: “Si sentì più alto” di Ada Gobetti e “La grande occasione” di Renata Viganò | 274 | 67 | 207 | 24.5% |
| 9m0230kh | Bertolucci 's <em>The Conformist</em>: A Study of the Flashbacks in the Narrative Strategy of the Film | 273 | 132 | 141 | 48.4% |
| 8tv1n97r | Playing God: Alberto Caeiro’s “Num meio-dia de fim de primavera” and Pier Paolo Pasolini’s <em>La Ricotta</em> | 271 | 107 | 164 | 39.5% |
| 53b2z7b2 | Amelia Rosselli: poesia e guerra | 269 | 158 | 111 | 58.7% |
| 89n780jk | I cappellani militari e la tematica etico-religiosa nelle memorie dell’internamento italiano nei Lager nazisti (1943-1945) | 266 | 98 | 168 | 36.8% |
| 9q79w36k | TRANSLATION: Elsa Morante's <em>The Evening at Colonus - A Parody</em> | 266 | 162 | 104 | 60.9% |
| 9338v5nf | Gender, Science, and the Modern Woman: Futurism’s Strange Concoctions of Femininity | 265 | 74 | 191 | 27.9% |
| 7z9005p9 | L' «Ulisse» di Saba | 264 | 107 | 157 | 40.5% |
| 2w6561tz | <em>Il Gattopardo</em>: una rivoluzione senza fine <em>perché tutto rimanga com'è</em> | 261 | 75 | 186 | 28.7% |
| 7jp952cb | Boccaccio dal <em>Filoloco</em> al <em>Decameron</em>: variazioni di poetica e di retorica dall'esame di due racconti | 260 | 115 | 145 | 44.2% |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.