| Item | Title | Total requests | Download | View-only | %Dnld |
|---|---|---|---|---|---|
| 77q9m9cg | Love and Marriage: Emotion and Sexuality in the Early Medici Family | 797 | 446 | 351 | 56.0% |
| 60q5502b | Casanova, Marinetti and the Art of Seduction | 542 | 49 | 493 | 9.0% |
| 32c092nr | Gramsci's Presence in China | 436 | 68 | 368 | 15.6% |
| 78r9n53b | Liliana Cavani's La pelle: Debunking the Fake Promises of Postmodern Sexual Emancipation and the Silencing Effect of Cultural Oblivion | 430 | 91 | 339 | 21.2% |
| 77v6n3rz | Peripheral (Dis)Unity: The Italian Influences on Corsican Linguistic and Cultural Developments | 427 | 166 | 261 | 38.9% |
| 3sp6k4d6 | Bologna and the trauma of March 1977: the 'intellettuali contro' and their ‘resistance’ to the local Communist Party | 410 | 121 | 289 | 29.5% |
| 89d1s175 | Staging a Word: Overcoming and Recovering Familial Bonds in Elena Ferrante’s Neapolitan Novels | 380 | 200 | 180 | 52.6% |
| 7xr02487 | (No) Queer Futurism: Prostitutes, Pink Poets, and Politics in Italy from 1913-1918 | 360 | 44 | 316 | 12.2% |
| 2s25c07m | Passeggiate nella città proibita: prostituzione, erotismo e trasgressione ne <em>L’incendiario</em> di Aldo Palazzeschi | 359 | 73 | 286 | 20.3% |
| 6gh929kv | Angela da Foligno: The Path to Spiritual Authority and the Severing of Family Bonds | 349 | 196 | 153 | 56.2% |
| 49z814tm | Verismo Through the Genres, or "<em>Cavallerie rusticane</em>"- The Delicate Question of Innovation in the Operatic Adaptations of Giovanni Verga's Story and Drama by Pietro Mascagni (1890) and Domenico Monleone (1907) | 341 | 63 | 278 | 18.5% |
| 6vv5w0jz | Working the Margins:The Geopolitical Marking of Italian National Identity | 331 | 105 | 226 | 31.7% |
| 5pp0b0tm | Il “fratello secentesco” perduto: Gabriele D’Annunzio e la riscoperta del marinismo | 322 | 71 | 251 | 22.0% |
| 15b6s5b8 | The Female Life Secret? Mother, Daughter, and New Family Paradigms in Michela Murgia's Accabadora | 315 | 127 | 188 | 40.3% |
| 1fk948x8 | The Anatomy of a Propaganda Event: the Mostra della rivoluzione fascista | 304 | 187 | 117 | 61.5% |
| 9212n4xq | Dante’s Cato: <em>Libertà</em> and the Dialectic of Empires in the <em>Purgatorio</em> | 297 | 105 | 192 | 35.4% |
| 2bq1j688 | La genealogia della madre: Maria Drago e la "lingua della mamma" | 290 | 167 | 123 | 57.6% |
| 5gd565zq | “Singulis Etruriae populis”: The Political Mobilization of the Etruscan Foundation Myth in the Self-Conception of Renaissance Florence | 271 | 71 | 200 | 26.2% |
| 9m59s9w5 | Il Realismo Poetico di Pier Paolo Pasolini: <em>Ragazzi di vita</em> | 267 | 170 | 97 | 63.7% |
| 5g64j9rg | Stealing Home: Flight from Exile in <em>Il ladro di bambini</em> | 251 | 134 | 117 | 53.4% |
| 2kj5f86f | Shepherding the Flock: Pope Julius II’s Renaissance Vision of a Unified Italy | 249 | 76 | 173 | 30.5% |
| 8hb3w4d1 | Fausta Cialente's <em>Natalia</em>: Representing Transgressive Female Formation During Fascism | 249 | 58 | 191 | 23.3% |
| 9338v5nf | Gender, Science, and the Modern Woman: Futurism’s Strange Concoctions of Femininity | 245 | 53 | 192 | 21.6% |
| 22r4k8fp | Ph.D. Dissertations in Italian Studies at UCLA, 2007-2020 | 241 | 49 | 192 | 20.3% |
| 1k6008kn | Art for the Reader’s Sake: An Historical and Textual Study of Emilio De Marchi’s Il cappello del prete (1888) | 234 | 92 | 142 | 39.3% |
| 10k085xh | Ruolo dell’intellettuale e 'guerra di posizione:' da Gramsci a Carlo Giuliani, ragazzo | 227 | 136 | 91 | 59.9% |
| 8k93t0p2 | Identity and Humanity in Primo Levi's "Se questo è un uomo": Enlightenment, Vision, and the "animale-uomo" | 227 | 101 | 126 | 44.5% |
| 9q79w36k | TRANSLATION: Elsa Morante's <em>The Evening at Colonus - A Parody</em> | 225 | 151 | 74 | 67.1% |
| 0n28b3hz | Review of Gianluca Rizzo. Poetry on Stage: The Theatre of the Italian Neo-Avant-Garde. Toronto: University of Toronto Press, 2020. | 224 | 50 | 174 | 22.3% |
| 6631w7vf | From Meridionalismo to Orientalism: Three Representations of Sicily in the Contemporary Narrative of the Risorgimento | 224 | 77 | 147 | 34.4% |
| 8kj9g30w | Return from Exile: Joyce Lussu's Many Autobiographical Voices | 223 | 51 | 172 | 22.9% |
| 1cc8t2fg | Laura Battiferra: An Open Book | 221 | 36 | 185 | 16.3% |
| 5t45k80c | “Divenire Animale”: divenire Elisa. La centralità del gatto Alvaro in <em>Menzogna e Sortilegio</em> di Elsa Morante | 221 | 65 | 156 | 29.4% |
| 1j34q55d | Death and Rebirth in Photography: <em>Palazzo Ducale, Venice</em> by the Fratelli Alinari | 216 | 71 | 145 | 32.9% |
| 0d7254j6 | Modernismo ed elitismo nell'era delle macchine: I confini di una nuova aristocrazia in Marinetti e Mussolini | 211 | 44 | 167 | 20.9% |
| 2768w4js | Holy Alliance: Saint Catherine of Siena and the Paradox of Flesh | 210 | 70 | 140 | 33.3% |
| 89n780jk | I cappellani militari e la tematica etico-religiosa nelle memorie dell’internamento italiano nei Lager nazisti (1943-1945) | 208 | 86 | 122 | 41.3% |
| 2041r1c1 | Elements of the Divine in Futurist Art and Literature | 207 | 101 | 106 | 48.8% |
| 5vj6w1n0 | From <em>fotodinamismo</em> to <em>fotomontaggio</em>: The Legacy of Futurism's Photography | 205 | 38 | 167 | 18.5% |
| 2gf6525x | Democrazia e sfera pubblica in Italia | 204 | 73 | 131 | 35.8% |
| 7tf085fj | Partigiane e scrittrici: “Si sentì più alto” di Ada Gobetti e “La grande occasione” di Renata Viganò | 203 | 51 | 152 | 25.1% |
| 53b2z7b2 | Amelia Rosselli: poesia e guerra | 200 | 122 | 78 | 61.0% |
| 8tv1n97r | Playing God: Alberto Caeiro’s “Num meio-dia de fim de primavera” and Pier Paolo Pasolini’s <em>La Ricotta</em> | 200 | 82 | 118 | 41.0% |
| 5nd9x6ds | The Crowd and Manzoni’s Conception of Cultural Unification | 197 | 69 | 128 | 35.0% |
| 6qb4590h | D'Annunzio e la ripresa del mito del poeta vate in <em>Alcyone</em> | 197 | 72 | 125 | 36.5% |
| 84m6v39b | "Noi Donne" and "Famiglia Cristiana": Communists, Catholics, and American Female Culture in Cold War Italy | 197 | 63 | 134 | 32.0% |
| 5pm2h00w | Introduction and Acknowledgments | 195 | 34 | 161 | 17.4% |
| 1sw4g5ft | Futurism's Construction of a Phallic National Identity | 194 | 100 | 94 | 51.5% |
| 7h68q6dk | Excess and Antagonism in Giordano Bruno’s Il candelaio | 194 | 67 | 127 | 34.5% |
| 3j22m06g | From <em>Il fu mattia Pascal</em> to <em>Liolà</em>: an analysis of Pirandello's humor | 192 | 77 | 115 | 40.1% |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.