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Open Access Publications from the University of California

Author Autonomy and Atomism in Copyright Law

  • Author(s): Van Houweling, Molly S
  • et al.
Abstract

The power and ubiquity of personal computing and the Internet have enabled individuals - even impecunious amateurs - to create and communicate in ways that were previously possible only for well-funded corporate publishers. These individual creators are increasingly harnessing copyright law - insisting on ownership of their rights and controlling the ways in which those rights are licensed to others. Facebook users are demanding ownership of their online musings. Scholars are archiving their research online and refusing to assign their copyrights to publishers. Independent musicians are streaming their own songs and operating without record companies. Organizations like the Free Software Foundation are encouraging individual authors to manage their copyrights in innovative ways.

When the myriad individual authors empowered by today’s ubiquitous digital technology claim, retain, and manage their own copyrights, they exercise a degree of authorial autonomy that befits the Internet Age. But they simultaneously contribute to a troubling phenomenon I call "copyright atomism" - the proliferation, distribution, and fragmentation of the exclusive rights bestowed by copyright law, and of idiosyncratic permutations of those rights. The information and transaction costs associated with atomism could hamper future generations of technology-fueled creativity and thus undermine the very purpose of copyright: to encourage the creation and dissemination of works of authorship for the ultimate benefit of the public.

In this project I aim to place contemporary copyright atomism in historical and doctrinal context by documenting copyright law’s previous encounters with proliferated, distributed, and fragmented copyright ownership. Along the way I examine how copyright law has encouraged and discouraged atomism and managed its consequences. This history demonstrates the enduring relevance of my concerns within copyright policy, highlights countervailing interests, and provides a framework for thinking about how to alleviate the unfortunate consequences of atomism - and how not to.

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