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Contemporary Perspectives on the Sacred in Pasolini’s La ricotta
Published Web Location
https://doi.org/10.5070/C351022587Abstract
This paper explores the representation of the sacred in Pasolini's controversial 1962 film, La ricotta , including a careful examination of the historical and intellectual contexts of the sacred in Pasolini's art and thought. I contend that Pasolini's positions, which were so pertinent in the 1960s, still have relevance today.