Contemporary Perspectives on the Sacred in Pasolini’s La ricotta
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Contemporary Perspectives on the Sacred in Pasolini’s La ricotta

  • Author(s): Smith, Gregory Overton;
  • et al.
Abstract

This paper explores the representation of the sacred in Pasolini's controversial 1962 film, La ricotta, including a careful examination of the historical and intellectual contexts of the sacred in Pasolini's art and thought. I contend that Pasolini's positions, which were so pertinent in the 1960s, still have relevance today.

 

 

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