UC Berkeley

Using film, television, archival materials, and new media art, this dissertation asks how politically enforced constraints on Black being--especially the origination of racial blackness in slavery and the ongoing availability of Black bodies to gratuitous and structural violence--work through subsequent Black performances of leadership. The philosophical breadth of the concept of "new media" and of the constituent elements of slavery as elaborated by Orlando Patterson invites close study of the ways that human beings can serve as new media. The impulse to create an all-new form of being known as the "Black" allowed a new human labor technology for western Europeans to mediate their libidinal desire and political demands. This dissertation engages the ways this technological paradigm extends into the present.