UC Berkeley

This dissertation focuses on what art in general and poetry in particular can reveal about sociopolitical history, and on the possible significance of such knowledge or understanding for human subjectivity and ethical-political agency. Following Marxian-inflected theory my claim is that the assumption that poetry and the other arts do not differ, first from already-conceptualized, purpose-driven thought, and then from actual action, is not only dangerously delusional, but also ignores the most radical potential of poetry. Poetry is an imaginative construction that is felt to be as if it were already an objective truth, als ob, in Kant's terms, but is in fact something not yet actually proven to be objective. This in turn makes aesthetic experience imaginatively and affectively available to us without the conceptual constraints that delimit objectively-oriented thought and action in the real, empirical world itself. It is in this sense that art allows for the activation of subjectivity and agency not already known and stipulated.

More specifically, this dissertation identifies the role that Jewish poets ascribed to modern Hebrew and Yiddish poetry from a perspective wrought through a rich engagement with German literary culture. I show how both Yiddish and Hebrew modernist poetry provides and records unique evidence of historical experience. This study also examines how and why modern Hebrew Israeli poetry is haunted by the possibility that the newly established state of Israel might be moving away catastrophically from the imperative to achieve a genuinely democratic configuration. Finally, it examines how and why this legacy of critical examination of the sociopolitical reality still suffuses the aesthetic vocations of Israeli poetry today.

This project follows three main routes. The first is an exploration of the work of the Yiddish poet Moyshe-Leyb Halpern (1886-1932), read in light of its engagement with the poetry of Heinrich Heine (1797-1856), the poet Halpern admired most; the second is a comparative study of David Avidan's poetry, and to a lesser extent Natan Zach's, with the poetry and thought of Bertolt Brecht (1898-1956) and, through Brecht, Heine again; the third route is a study of the concept of poetry promoted by the American-born contemporary Israeli poet, Harold Schimmel (b.1935), in light of both Frankfurt School aesthetics and Halpern's poetics.

The complex constellation of poetic works and histories that this dissertation undertakes reveals how poetry emerges out of self-other relations, and in what ways these dynamics facilitate an agency effect, that is, an agency that is never already established, but is always coming into being. It is this notion of felt-agency, I further show, that is vital for the establishment a non-violent public sphere, one that is urgently needed today.