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Sounds of Coexistence: Traditional East Asian Flutes and Their Impact on Contemporary Western Flute Repertoire and Performance Practices
- Jo, Jennifer Minsoo
- Advisor(s): Baker, Jan N
Abstract
This dissertation examines the integration of traditional East Asian flutes from Korea, Japan, and China into contemporary Western flute repertoire. It explores how Asian composers, trained in Western musical traditions, incorporate elements from their cultural heritage into their compositions. The research begins with an in-depth analysis of the performance techniques and acoustic characteristics of traditional East Asian flutes. Subsequently, it explores the compositional trends within each country and how contemporary composers like Paul Yeon Lee, Zhou Long, and Kazuo Fukushima blend these traditional elements into their works. Additionally, the study addresses the ethical considerations of cultural globalization, focusing on the delicate balance between preservation and innovation. By thoroughly investigating the fusion of Eastern and Western influences in contemporary flute compositions, this study aims to contribute to the cultural diversity within classical music, spotlight underrepresented flute repertoire, and promote a deeper understanding of the intricate dynamics involved in cross-cultural musical exchanges.
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