Mester
Parent: Department of Spanish and Portuguese
eScholarship stats: Breakdown by Item for July through October, 2026
| Item | Title | Total requests | Download | View-only | %Dnld |
|---|---|---|---|---|---|
| 1dk268wf | Mester 52 - Digital Version (PDF) | 1,673 | 1,244 | 429 | 74.4% |
| 7j92c4q3 | ¿Qué es lo neofantástico? | 469 | 158 | 311 | 33.7% |
| 16w9m3k3 | MESTER VOL. 54 PDF (DIGITAL VERSION) | 425 | 361 | 64 | 84.9% |
| 8tt3p7fm | The Essayistic Touch: Saramago's Version of Blindness and Lucidity | 388 | 204 | 184 | 52.6% |
| 226045p9 | Escritura y escrutinio paranoico en La invención de Morel de Adolfo Bioy Casares | 373 | 90 | 283 | 24.1% |
| 55n19268 | Mester PDF Digital Version | 347 | 263 | 84 | 75.8% |
| 5t0151j6 | MIEDER, WOLFGANG. <em>Proverbs: A Handbook</em> . Westport, CT: Greenwood, 2004. 304 pp. | 342 | 74 | 268 | 21.6% |
| 931054w7 | Fuentes "Chac Mool": Its Ancestors and Progeny | 333 | 103 | 230 | 30.9% |
| 7dg4f998 | Reggae as Subaltern Knowledge: Representations of Christopher Columbus as a Construction of Alternative Historical Memory | 301 | 183 | 118 | 60.8% |
| 0p97f0mc | From the New Heights: The City and Migrating Latinas in Real Women Have Curves and María Full of Grace | 298 | 121 | 177 | 40.6% |
| 9wx9s56t | Masculinidad, antisemitismo y nación en María de Jorge Isaacs | 295 | 136 | 159 | 46.1% |
| 4284j72x | Daguerreotypy, Optical Metaphors, and Visual Power in Echeverría’s "El matadero" | 288 | 58 | 230 | 20.1% |
| 5m36v2x5 | Three Experiences of Culture Contact: Nahua, Maya, and Quechua | 286 | 176 | 110 | 61.5% |
| 1d5823bm | Self-Baptizing the Wicked Esperanza: Chicana Feminism and Cultural Contact in The House on Mango Street | 281 | 117 | 164 | 41.6% |
| 3m38x80k | El náhuatl en Los Ángeles: el papel de la lengua indígena en la creación de la identidad chicana | 279 | 44 | 235 | 15.8% |
| 70g0g069 | Urban Numbness toward Mexican Domestic Workers from the 1970s to Present Day: A Spiral of Instability in Roma, Hilda, and “Esperanza número equivocado” | 275 | 173 | 102 | 62.9% |
| 1dj093nw | Mignolo's Idea of Latin America: Race, Place, and the Pluriverse: MIGNOLO, WALTER D. The Idea of Latin America. Malden, MA: Blackwell, 2005. 198 pp. | 273 | 68 | 205 | 24.9% |
| 1pk1q7xk | Epistemology and The Lettered City: Ángel Rama, Michel Foucault and Ibn Khaldun | 254 | 47 | 207 | 18.5% |
| 1hz8c8pw | El Ecuador retrocediendo a 1492 con el Decreto 883 | 252 | 62 | 190 | 24.6% |
| 70s5d9h1 | Botiflers and Betrayal: Heraldic Semiotics and Linguistic Landscape on Catalonia's National Day | 249 | 131 | 118 | 52.6% |
| 7h4522h7 | Um Realismo Mágico no Brasil?: Um Levantamento | 246 | 61 | 185 | 24.8% |
| 03b5j77g | A Family Business: Chile and the Transition to Democracy in Alberto Fuguet’s Se arrienda | 241 | 120 | 121 | 49.8% |
| 24j6819d | La otra muerte de Martín Fierro | 241 | 127 | 114 | 52.7% |
| 4vd545s4 | Differences in Phonation of Lesbian Spanish Speakers | 239 | 77 | 162 | 32.2% |
| 77z9g1pp | Fisuras del discurso liberal en <em>El matadero</em> de Esteban Echeverría | 235 | 76 | 159 | 32.3% |
| 82452542 | Entrevista con Blanca Varela | 234 | 65 | 169 | 27.8% |
| 8973f88t | Playful Ecphrasis: María Elena Walsh and Children's Literature in Argentina | 220 | 52 | 168 | 23.6% |
| 0dq3b52c | Problemas del <em>Popol Vuh</em> | 217 | 101 | 116 | 46.5% |
| 74d484pj | Tortured Text: An Analysis of the Absent Pages of Ignácio de Loyola Brandão's Zero | 217 | 54 | 163 | 24.9% |
| 8v2220b9 | Encuentros homoeróticos y homosociales: Una lectura de Los detectives salvajes (1998) de Roberto Bolaño | 217 | 56 | 161 | 25.8% |
| 3dg801xw | Poesia negra brasileira de autoria feminina: assentamentos de resistência | 209 | 47 | 162 | 22.5% |
| 57m6s76s | Megan Daigle. From Cuba with Love: Sex and Money in the Twenty-First Century | 209 | 142 | 67 | 67.9% |
| 1cg48966 | Legal Discourse in <em>Don Quixote</em> | 207 | 80 | 127 | 38.6% |
| 25z3t02m | Borges y el cine: imaginería visual y estrategia creativa | 207 | 57 | 150 | 27.5% |
| 8mg7z61z | Lo Religioso en <em>Los Heraldos Negros</em> de Vallejo | 207 | 111 | 96 | 53.6% |
| 9m93c0fs | ¿Qué significa ser mujer indígena en la contemporaneidad? | 206 | 85 | 121 | 41.3% |
| 5n1219dv | <em>Sweat</em>, <em>Triangle of Sadness</em>, and the Fragile Performance of the Influencer | 205 | 152 | 53 | 74.1% |
| 3vc3v0s8 | Condenados da Terra: o confinamento dos pobres em Campos de Concentração no Ceará, Nordeste do Brasil | 204 | 95 | 109 | 46.6% |
| 0rj8w393 | La carnavalización del Archivo en Adiós, Ayacucho de Julio Ortega | 203 | 50 | 153 | 24.6% |
| 1x75160z | Virgilio Piñera y el Teatro del absurdo en Cuba | 203 | 57 | 146 | 28.1% |
| 28h7x4gn | Producción de historia, producción de territorio: traducciones y remakes en el arte mexicano contemporáneo | 201 | 109 | 92 | 54.2% |
| 5rr5d90d | La figura de Hernán Cortés en el <em>Túmulo Imperial</em> | 198 | 108 | 90 | 54.5% |
| 81s2n1md | Crisis del capitalismo y potencias de lo común. Expresiones gráficas, universidad y movimientos estudiantiles en Bogotá – Colombia | 195 | 37 | 158 | 19.0% |
| 0h927883 | The Dream of Reason | 192 | 77 | 115 | 40.1% |
| 2pp6p39g | Cabrera, Ana Maria. Felicitas Guerrero: "la mujer mas hermosa de la Republica" | 192 | 55 | 137 | 28.6% |
| 63h5n431 | Identity through Gaming in the L2 Classroom: Contextualization and Narrative | 191 | 75 | 116 | 39.3% |
| 8443r04j | Just the Tip of the Iceberg: The Truncation of Mexican American Identity in <em>My Family/Mi Familia</em> | 191 | 42 | 149 | 22.0% |
| 1c34f5hv | Resurgimiento queer: resistencia política y cultural en las representaciones artísticas y literarias latinoamericanas | 190 | 44 | 146 | 23.2% |
| 11n361m4 | A Grande Contradição da América do Sul Lusófona: De quem são as verdades vividas que não estamos a contar? Uma análise comparativa de <em>Cidade de Deus</em> (2002), de Meirelles, e <em>Afro-Paradise</em> (2016), de Smith | 189 | 92 | 97 | 48.7% |
| 6043n2kq | Autor, autoridad y policía en Formas de volver a casa de Alejandro Zambra | 188 | 49 | 139 | 26.1% |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.