Honorable Mention 2024 Special Collections & Archives Category, nominated by Ameeth Vijay (Department of Literature)
The United States of America in the 1960s was characterized by big changes in the socio-political scenario, owing to the rapidly changing view of technology, science, and cultural art,marking the advent of the counterculture. With the Civil Rights Movement at its climax, there was a heavy division of race and among the people who remained conservative in the rising popularity of liberalism. This gave way to new movements in art, with localized artistic styles and innovations gaining popularity through close-knit, academically, and artistically associated groups of poets, painters, philosophers, etc. Larry Eigner, being one of them, linked to the Black Mountain school of poets, focused his poetry during this time mainly on literary-historical topics with special attention to the placement of words on the page and the creation of an environment through his words and style. This paper will explore the nuances of violence and peace in Eigner’s individual poetry and artistic partnership with Ian Tyson, and how this is reflective of the alternations and coexistence of violence and peace in the world around him. This will also include broader changes in the cultural and social environment at the time and how Eigner’s poetry can be read with that under consideration.