This dissertation analyzes three important Catholic organizations at the turn of the twentieth century in the United States: the Catholic Theater Movement; the Catholic Summer School; and the Catholic Educational Exhibit at the 1893 World’s Fair in Chicago, Illinois. In studying these three organizations, I rely heavily on the writings of Father John Talbot Smith, an understudied leader in these Catholic endeavors, along with internal organizational records such as ledgers, promotional materials, newspapers, magazines, papal encyclicals, and US Supreme Court decisions which provide helpful information regarding the historical and legal contexts in which these organizations formed. A prolific author and reformer, Smith founded the Catholic Theater Movement and articulated its main goals in a text he published in 1917 titled The Parish Theater. He featured prominently in the organization and leadership of the Catholic Summer School at Lake Champlain, New York, serving as president at the peak of its success in 1905. In 1896, he published a provocative book on Catholic parochial and seminary education titled Our Seminaries: An Essay on Clerical Training which challenged his colleagues to reimagine seminary education as a tool of cultivating healthy, attractive, and well-spoken priests who could, on the one hand, lead outsiders to the Roman Catholic fold in a secular age and, on the other, serve as evidence of the distinct truth, vitality, and strength of the Catholic faith.
In tracing Smith’s leadership in and contribution to Roman Catholic educational and media institutions in the United States, this dissertation intervenes in a historiographical discussion regarding the “Americanist” controversy at the end of the nineteenth century. Scholars have considered how Americanist priests such as Smith advanced a Catholic vision which could appeal to modern audiences without sacrificing Roman Catholicism’s sacramental core while at times attracting strong rebukes from traditional Catholic leaders. This dissertation explores a new angle of the Americanist controversy, analyzing how Smith, with papal support, marketed Roman Catholic sacramentalism as a means of preserving white family structures and patriarchal leadership following the abolition of slavery in the United States. In Catholic theaters, summer schools, parochial schools, and seminaries, Smith believed, along with Pope Leo XIII, that devotions to the Virgin Mary and priestly models of masculine valor could spur the nation toward religious revival and racial purification. Moreover, given the precarious reality of the Vatican’s future following the loss of the Papal States in 1870, I highlight how Smith’s and Leo’s investments in the cultivation of prosperous Euro-American Catholics in the United States became pivotal to Roman Catholicism’s institutional maintenance at the end of the nineteenth century. This dissertation, then, explores how Catholic leaders aimed to build successful Euro-American Catholic families in large part through adopting exclusionary and racist policies in the United States which pitted white Euro-American communities against non-white, and especially Black, populations following the abolition of slavery.
This dissertation also intervenes in theoretical debates regarding the privatization and relativization of religion in a secular age. Scholars have regularly rendered techno-capitalistic modernity as an era of individualization and calculation which has alienated modern humans from premodern forms of community and religious affiliation. As they have done so, they have often represented Catholicism as traditional and “other” in relation to the dominant ethos of modern capitalism. This dissertation traces how John Talbot Smith and other Catholic leaders, in envisioning their religion’s symbols and sacraments in relation to the preservation of Euro-American communities and families, articulated Catholicism’s traditional and sacramental culture as oppositional to “urban” modernity in particular and, in so doing, built and framed Catholic institutions against the “lower” cultures and realities of non-white populations. Instead of studying the capitalistic and technological West as contrary to premodern emotional and communal bonds which an individualizing secular age has reportedly eclipsed, I focus on Euro-American Catholic identity at the turn of the twentieth century as an aesthetic and political project — facilitated through three Catholic organizations — which generated emotional investments in ideas of nature, family, and reproduction which were crucial to the perpetuation of racial capitalism.