Departmental Honors Theses
Parent: Department of English
eScholarship stats: Breakdown by Item for May through August, 2024
| Item | Title | Total requests | Download | View-only | %Dnld |
|---|---|---|---|---|---|
| 9zk9d7sj | The Human Mecha: Titan, Technology, and Self in <em>Attack on Titan</em> | 587 | 270 | 317 | 46.0% |
| 886009wz | “I’ve Never Heard Silence Quite this Loud”: The Complexity of Taylor Swift’s Neutral Star Text | 571 | 192 | 379 | 33.6% |
| 9qx5t9t2 | Gayme On! A Queer Game Thesis | 537 | 488 | 49 | 90.9% |
| 46h0x4kp | Preliminary Materials for a Theory of <em>Gossip Girl</em> | 325 | 251 | 74 | 77.2% |
| 60c2h8p4 | Victims, Perpetrators, and Implicated Subjects: The Effects of Trauma in Sherman Alexie's <em>Indian Killer</em> and Toni Morrison's <em>Beloved</em> | 305 | 151 | 154 | 49.5% |
| 9pb2g06w | Blood as Reference to Fear in <em>Dracula</em> | 283 | 196 | 87 | 69.3% |
| 6v64v08r | Utopia by a Thousand Cuts: Melodrama and the Queer Art of Self-Harm in Hanya Yanagihara’s <em>A Little Life</em> | 253 | 71 | 182 | 28.1% |
| 4rt3t02n | Doomed Voyage: America's Evolving Relationship with <em>Moby-Dick</em> | 241 | 16 | 225 | 6.6% |
| 2s6478nm | Intertextuality within Mary Shelley’s Frankenstein Structures and Stabilizes Language Countering Male Romantic-Era Writers’ Subjectification of the World | 228 | 16 | 212 | 7.0% |
| 20f8k5fd | Heroism, Sensibility, and Gender: Mary Wollstonecraft's Feminist Politics in<em> A Vindication of the Rights of Woman</em> and <em>Maria: or, The Wrongs of Woman</em> | 216 | 25 | 191 | 11.6% |
| 6f5989r0 | Sadomasochism in <em>Jane Eyre</em>: A Psychological Exchange of Power | 205 | 114 | 91 | 55.6% |
| 27d9x6f9 | Historical Retrospection and Ambivalence in <em>A Tale of Two Cities</em> | 202 | 119 | 83 | 58.9% |
| 9hq000bg | Female Power and the Supernatural in Early Gothic Literature | 177 | 42 | 135 | 23.7% |
| 2fs65978 | “The Lines of Influence”: The Occult Recontextualization of Nicholas Hawksmoor’s Churches in <em>From Hell</em> and <em>Lud Heat</em> | 169 | 45 | 124 | 26.6% |
| 1h39r5ms | "Please Don't Stop Being My Mother!": Attachment Theory and Identity Formation in Kurt Vonnegut's <em>Slaughterhouse-Five</em> and Hideaki Anno's <em>Neon Genesis Evangelion</em> | 147 | 59 | 88 | 40.1% |
| 25s0d4pm | The Conqueror Dominated, the Conquered Seduced: Postcolonial Love in Three Stories by Gabriel Garcia Marquez | 140 | 36 | 104 | 25.7% |
| 6565977z | Troublesome Minorities: Questioning Assimilation in <em>The Reluctant Fundamentalist</em> and <em>Home Fire</em> | 133 | 19 | 114 | 14.3% |
| 6pf491k3 | Milton and Empire: Satanic and Edenic Colonization in Paradise Lost | 123 | 45 | 78 | 36.6% |
| 8tz2h3gc | A War of Roses: An Examination of Tudor Mythography in Shakespeare’s First Tetralogy of History and George R.R. Martin’s, <em>A Song of Ice and Fire</em> Series | 122 | 46 | 76 | 37.7% |
| 10s1v91k | A Social Disruption: The Decentering of the Individual in Contemporary Dystopian Fiction and its Challenges to Humanism, Posthumanism, and Neoliberal Individualism | 121 | 42 | 79 | 34.7% |
| 4hq0x82s | Liberate the Asian American Writer: Embracing the Flaws of Amy Tan's <em>The Joy Luck Club</em> | 109 | 21 | 88 | 19.3% |
| 7mh827nr | “Between Gloom and Laughter”: Female Longing, Unhappiness, and Structures of Absence in the Works of Virginia Woolf | 106 | 51 | 55 | 48.1% |
| 3x15p833 | Queer Desire as Restoration: The Rejection of Phallic Exchange in Christina Rossetti’s “Goblin Market” | 96 | 26 | 70 | 27.1% |
| 7n01v6zc | Posthuman Time Beings | 95 | 13 | 82 | 13.7% |
| 17k1c130 | Mythic Pizza: Semiotic and Archetypal Significance in the Conspiracy Narrative Known as 'Pizzagate' | 87 | 29 | 58 | 33.3% |
| 568012r9 | The <em>Bildungsroman</em> Transformed Magic, Memories, and the Unpredictable Movements of Growth in Young Adult Speculative Fiction | 86 | 23 | 63 | 26.7% |
| 8f64108s | Histories of Dust and Bone: Mythologizing the Chinese American Past in Contemporary Western Fictions | 85 | 47 | 38 | 55.3% |
| 0rq5q0sd | Sontag and Disability Studies: Chronic Illness, Impairment Effect, and Biomedical Metaphor | 82 | 33 | 49 | 40.2% |
| 1q6992g4 | Fascination: Sixteen | 81 | 42 | 39 | 51.9% |
| 43w9q2p3 | Lividity in Pink | 81 | 0 | 81 | 0.0% |
| 3xk9877j | Danielle | 80 | 27 | 53 | 33.8% |
| 2r80j01g | Opening the Doors of Perception in <em>Paradise Lost</em>: Seeing and Hearing as Imperfectly Gendered, or as Tools for Divine Revelation | 77 | 39 | 38 | 50.6% |
| 03p5w4hw | (Re)Creation | 76 | 23 | 53 | 30.3% |
| 420996rx | Nob Hill | 76 | 13 | 63 | 17.1% |
| 3rk2t7xr | Baddies & Bodies: Remembering and Dismembering IMVU | 74 | 36 | 38 | 48.6% |
| 00x7q12v | All Rivers Run East to the Sea | 60 | 28 | 32 | 46.7% |
| 8rz3c36c | "The Great Soup of Being": Autotheory & Intersectionality in Cherríe Moraga's<em> Loving in the War Years</em> and Maggie Nelson's <em>The Argonauts</em> | 60 | 13 | 47 | 21.7% |
| 16z013ts | Neurodivergent Diagnoses Explained in Abstract Metaphors in Lauren Slater’s <em>Lying: A Metaphorical Memoir</em> | 59 | 18 | 41 | 30.5% |
| 4mx6210b | Have You Eaten Yet? Stories | 59 | 15 | 44 | 25.4% |
| 3mn0t65q | Evergreen | 58 | 8 | 50 | 13.8% |
| 9tj754k3 | Sins of the Father: Race and Genealogy in the Medieval Imagination | 58 | 21 | 37 | 36.2% |
| 7bs0q7ft | A Space for those Memories: The Cultural Memoirs of Eavan Boland and Doireann Ní Ghríofa | 57 | 22 | 35 | 38.6% |
| 7n96r5vf | Optics in the Works of Joseph Conrad | 56 | 21 | 35 | 37.5% |
| 3fv717g9 | Summer’s Dawn | 54 | 9 | 45 | 16.7% |
| 0v90v299 | Experimenting on Oriental Women: Tracing Oriental Women's Representations in Western Discussion of Bodily Autonomy and Desire in the Eighteenth and Nineteenth Centuries | 53 | 11 | 42 | 20.8% |
| 5sz6r4nr | Disabling Charlotte Smith: A Marxist, Crip Theory Analysis of Class, Gender, Labor, and Disability in Romantic Poetry | 51 | 8 | 43 | 15.7% |
| 6535x10n | Invisible Labor in the Medieval World | 51 | 17 | 34 | 33.3% |
| 9wb8r379 | Mother, May I Please Have Some More: Melancholy, Maternity, and the State | 47 | 12 | 35 | 25.5% |
| 0xf8k86t | Deep Surfaces: The Production of Culture and the Culture of Production in Twentieth Century Hollywood | 44 | 19 | 25 | 43.2% |
| 6j43s7gx | The Mexican Immigrant Experience in History, Nanotexts, and Nodes | 44 | 25 | 19 | 56.8% |
Disclaimer: due to the evolving nature of the web traffic we receive and the methods we use to collate it, the data presented here should be considered approximate and subject to revision.