Carte Italiane
Parent: Department of Italian
eScholarship stats: History by Item for May through August, 2026
| Item | Title | Total requests | 2026-08 | 2026-07 | 2026-06 | 2026-05 |
|---|---|---|---|---|---|---|
| 77q9m9cg | Love and Marriage: Emotion and Sexuality in the Early Medici Family | 797 | 242 | 137 | 159 | 259 |
| 60q5502b | Casanova, Marinetti and the Art of Seduction | 542 | 135 | 99 | 168 | 140 |
| 32c092nr | Gramsci's Presence in China | 436 | 162 | 66 | 89 | 119 |
| 78r9n53b | Liliana Cavani's La pelle: Debunking the Fake Promises of Postmodern Sexual Emancipation and the Silencing Effect of Cultural Oblivion | 430 | 173 | 64 | 80 | 113 |
| 77v6n3rz | Peripheral (Dis)Unity: The Italian Influences on Corsican Linguistic and Cultural Developments | 427 | 132 | 57 | 124 | 114 |
| 3sp6k4d6 | Bologna and the trauma of March 1977: the 'intellettuali contro' and their ‘resistance’ to the local Communist Party | 410 | 85 | 59 | 123 | 143 |
| 89d1s175 | Staging a Word: Overcoming and Recovering Familial Bonds in Elena Ferrante’s Neapolitan Novels | 380 | 73 | 49 | 109 | 149 |
| 7xr02487 | (No) Queer Futurism: Prostitutes, Pink Poets, and Politics in Italy from 1913-1918 | 360 | 136 | 52 | 107 | 65 |
| 2s25c07m | Passeggiate nella città proibita: prostituzione, erotismo e trasgressione ne <em>L’incendiario</em> di Aldo Palazzeschi | 359 | 23 | 34 | 134 | 168 |
| 6gh929kv | Angela da Foligno: The Path to Spiritual Authority and the Severing of Family Bonds | 349 | 67 | 36 | 82 | 164 |
| 49z814tm | Verismo Through the Genres, or "<em>Cavallerie rusticane</em>"- The Delicate Question of Innovation in the Operatic Adaptations of Giovanni Verga's Story and Drama by Pietro Mascagni (1890) and Domenico Monleone (1907) | 341 | 55 | 81 | 111 | 94 |
| 6vv5w0jz | Working the Margins:The Geopolitical Marking of Italian National Identity | 331 | 92 | 60 | 57 | 122 |
| 5pp0b0tm | Il “fratello secentesco” perduto: Gabriele D’Annunzio e la riscoperta del marinismo | 322 | 22 | 19 | 78 | 203 |
| 15b6s5b8 | The Female Life Secret? Mother, Daughter, and New Family Paradigms in Michela Murgia's Accabadora | 315 | 89 | 57 | 73 | 96 |
| 1fk948x8 | The Anatomy of a Propaganda Event: the Mostra della rivoluzione fascista | 304 | 43 | 34 | 93 | 134 |
| 9212n4xq | Dante’s Cato: <em>Libertà</em> and the Dialectic of Empires in the <em>Purgatorio</em> | 297 | 67 | 56 | 69 | 105 |
| 2bq1j688 | La genealogia della madre: Maria Drago e la "lingua della mamma" | 290 | 42 | 21 | 38 | 189 |
| 5gd565zq | “Singulis Etruriae populis”: The Political Mobilization of the Etruscan Foundation Myth in the Self-Conception of Renaissance Florence | 271 | 61 | 27 | 77 | 106 |
| 9m59s9w5 | Il Realismo Poetico di Pier Paolo Pasolini: <em>Ragazzi di vita</em> | 267 | 43 | 45 | 63 | 116 |
| 5g64j9rg | Stealing Home: Flight from Exile in <em>Il ladro di bambini</em> | 251 | 39 | 63 | 62 | 87 |
| 2kj5f86f | Shepherding the Flock: Pope Julius II’s Renaissance Vision of a Unified Italy | 249 | 50 | 33 | 61 | 105 |
| 8hb3w4d1 | Fausta Cialente's <em>Natalia</em>: Representing Transgressive Female Formation During Fascism | 249 | 37 | 34 | 80 | 98 |
| 9338v5nf | Gender, Science, and the Modern Woman: Futurism’s Strange Concoctions of Femininity | 245 | 94 | 34 | 46 | 71 |
| 22r4k8fp | Ph.D. Dissertations in Italian Studies at UCLA, 2007-2020 | 241 | 60 | 34 | 47 | 100 |
| 1k6008kn | Art for the Reader’s Sake: An Historical and Textual Study of Emilio De Marchi’s Il cappello del prete (1888) | 234 | 53 | 25 | 59 | 97 |
| 10k085xh | Ruolo dell’intellettuale e 'guerra di posizione:' da Gramsci a Carlo Giuliani, ragazzo | 227 | 40 | 21 | 58 | 108 |
| 8k93t0p2 | Identity and Humanity in Primo Levi's "Se questo è un uomo": Enlightenment, Vision, and the "animale-uomo" | 227 | 43 | 41 | 55 | 88 |
| 9q79w36k | TRANSLATION: Elsa Morante's <em>The Evening at Colonus - A Parody</em> | 225 | 47 | 28 | 59 | 91 |
| 0n28b3hz | Review of Gianluca Rizzo. Poetry on Stage: The Theatre of the Italian Neo-Avant-Garde. Toronto: University of Toronto Press, 2020. | 224 | 37 | 34 | 49 | 104 |
| 6631w7vf | From Meridionalismo to Orientalism: Three Representations of Sicily in the Contemporary Narrative of the Risorgimento | 224 | 53 | 19 | 64 | 88 |
| 8kj9g30w | Return from Exile: Joyce Lussu's Many Autobiographical Voices | 223 | 24 | 29 | 45 | 125 |
| 1cc8t2fg | Laura Battiferra: An Open Book | 221 | 59 | 31 | 44 | 87 |
| 5t45k80c | “Divenire Animale”: divenire Elisa. La centralità del gatto Alvaro in <em>Menzogna e Sortilegio</em> di Elsa Morante | 221 | 45 | 28 | 52 | 96 |
| 1j34q55d | Death and Rebirth in Photography: <em>Palazzo Ducale, Venice</em> by the Fratelli Alinari | 216 | 34 | 18 | 63 | 101 |
| 0d7254j6 | Modernismo ed elitismo nell'era delle macchine: I confini di una nuova aristocrazia in Marinetti e Mussolini | 211 | 42 | 28 | 74 | 67 |
| 2768w4js | Holy Alliance: Saint Catherine of Siena and the Paradox of Flesh | 210 | 50 | 35 | 53 | 72 |
| 89n780jk | I cappellani militari e la tematica etico-religiosa nelle memorie dell’internamento italiano nei Lager nazisti (1943-1945) | 208 | 61 | 29 | 29 | 89 |
| 2041r1c1 | Elements of the Divine in Futurist Art and Literature | 207 | 48 | 34 | 40 | 85 |
| 5vj6w1n0 | From <em>fotodinamismo</em> to <em>fotomontaggio</em>: The Legacy of Futurism's Photography | 205 | 40 | 27 | 49 | 89 |
| 2gf6525x | Democrazia e sfera pubblica in Italia | 204 | 40 | 13 | 37 | 114 |
| 7tf085fj | Partigiane e scrittrici: “Si sentì più alto” di Ada Gobetti e “La grande occasione” di Renata Viganò | 203 | 27 | 34 | 45 | 97 |
| 53b2z7b2 | Amelia Rosselli: poesia e guerra | 200 | 39 | 36 | 50 | 75 |
| 8tv1n97r | Playing God: Alberto Caeiro’s “Num meio-dia de fim de primavera” and Pier Paolo Pasolini’s <em>La Ricotta</em> | 200 | 48 | 29 | 29 | 94 |
| 5nd9x6ds | The Crowd and Manzoni’s Conception of Cultural Unification | 197 | 48 | 26 | 52 | 71 |
| 6qb4590h | D'Annunzio e la ripresa del mito del poeta vate in <em>Alcyone</em> | 197 | 20 | 19 | 66 | 92 |
| 84m6v39b | "Noi Donne" and "Famiglia Cristiana": Communists, Catholics, and American Female Culture in Cold War Italy | 197 | 22 | 21 | 70 | 84 |
| 5pm2h00w | Introduction and Acknowledgments | 195 | 73 | 23 | 28 | 71 |
| 1sw4g5ft | Futurism's Construction of a Phallic National Identity | 194 | 55 | 25 | 32 | 82 |
| 7h68q6dk | Excess and Antagonism in Giordano Bruno’s Il candelaio | 194 | 48 | 25 | 53 | 68 |
| 3j22m06g | From <em>Il fu mattia Pascal</em> to <em>Liolà</em>: an analysis of Pirandello's humor | 192 | 32 | 23 | 49 | 88 |
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