Department of Italian
Parent: UCLA
eScholarship stats: History by Item for June through September, 2026
| Item | Title | Total requests | 2026-09 | 2026-08 | 2026-07 | 2026-06 |
|---|---|---|---|---|---|---|
| 77q9m9cg | Love and Marriage: Emotion and Sexuality in the Early Medici Family | 704 | 166 | 242 | 137 | 159 |
| 60q5502b | Casanova, Marinetti and the Art of Seduction | 463 | 61 | 135 | 99 | 168 |
| 77v6n3rz | Peripheral (Dis)Unity: The Italian Influences on Corsican Linguistic and Cultural Developments | 409 | 96 | 132 | 57 | 124 |
| 32c092nr | Gramsci's Presence in China | 394 | 77 | 162 | 66 | 89 |
| 78r9n53b | Liliana Cavani's La pelle: Debunking the Fake Promises of Postmodern Sexual Emancipation and the Silencing Effect of Cultural Oblivion | 394 | 77 | 173 | 64 | 80 |
| 3sp6k4d6 | Bologna and the trauma of March 1977: the 'intellettuali contro' and their ‘resistance’ to the local Communist Party | 378 | 111 | 85 | 59 | 123 |
| 7xr02487 | (No) Queer Futurism: Prostitutes, Pink Poets, and Politics in Italy from 1913-1918 | 356 | 61 | 136 | 52 | 107 |
| 15b6s5b8 | The Female Life Secret? Mother, Daughter, and New Family Paradigms in Michela Murgia's Accabadora | 340 | 121 | 89 | 57 | 73 |
| 9338v5nf | Gender, Science, and the Modern Woman: Futurism’s Strange Concoctions of Femininity | 304 | 130 | 94 | 34 | 46 |
| 49z814tm | Verismo Through the Genres, or "<em>Cavallerie rusticane</em>"- The Delicate Question of Innovation in the Operatic Adaptations of Giovanni Verga's Story and Drama by Pietro Mascagni (1890) and Domenico Monleone (1907) | 302 | 55 | 55 | 81 | 111 |
| 6gh929kv | Angela da Foligno: The Path to Spiritual Authority and the Severing of Family Bonds | 286 | 101 | 67 | 36 | 82 |
| 89d1s175 | Staging a Word: Overcoming and Recovering Familial Bonds in Elena Ferrante’s Neapolitan Novels | 286 | 55 | 73 | 49 | 109 |
| 9212n4xq | Dante’s Cato: <em>Libertà</em> and the Dialectic of Empires in the <em>Purgatorio</em> | 271 | 79 | 67 | 56 | 69 |
| 6vv5w0jz | Working the Margins:The Geopolitical Marking of Italian National Identity | 264 | 55 | 92 | 60 | 57 |
| 7mm8v3xj | “Aspects of Simultaneity in the <em>Divine Comedy</em>” by F.T. Marinetti | 248 | 143 | 42 | 30 | 33 |
| 8hb3w4d1 | Fausta Cialente's <em>Natalia</em>: Representing Transgressive Female Formation During Fascism | 246 | 95 | 37 | 34 | 80 |
| 2s25c07m | Passeggiate nella città proibita: prostituzione, erotismo e trasgressione ne <em>L’incendiario</em> di Aldo Palazzeschi | 240 | 49 | 23 | 34 | 134 |
| 8k93t0p2 | Identity and Humanity in Primo Levi's "Se questo è un uomo": Enlightenment, Vision, and the "animale-uomo" | 234 | 95 | 43 | 41 | 55 |
| 5gd565zq | “Singulis Etruriae populis”: The Political Mobilization of the Etruscan Foundation Myth in the Self-Conception of Renaissance Florence | 224 | 59 | 61 | 27 | 77 |
| 5g64j9rg | Stealing Home: Flight from Exile in <em>Il ladro di bambini</em> | 215 | 51 | 39 | 63 | 62 |
| 1fk948x8 | The Anatomy of a Propaganda Event: the Mostra della rivoluzione fascista | 213 | 43 | 43 | 34 | 93 |
| 9m59s9w5 | Il Realismo Poetico di Pier Paolo Pasolini: <em>Ragazzi di vita</em> | 205 | 54 | 43 | 45 | 63 |
| 53b2z7b2 | Amelia Rosselli: poesia e guerra | 197 | 72 | 39 | 36 | 50 |
| 1cc8t2fg | Laura Battiferra: An Open Book | 194 | 60 | 59 | 31 | 44 |
| 2kj5f86f | Shepherding the Flock: Pope Julius II’s Renaissance Vision of a Unified Italy | 189 | 45 | 50 | 33 | 61 |
| 42x51439 | Linguistic Encounters Now and Then: Amara Lakhous and Tahar Lamri Engage in the Debate on (Dis)United Italy | 183 | 61 | 77 | 12 | 33 |
| 5t45k80c | “Divenire Animale”: divenire Elisa. La centralità del gatto Alvaro in <em>Menzogna e Sortilegio</em> di Elsa Morante | 183 | 58 | 45 | 28 | 52 |
| 22r4k8fp | Ph.D. Dissertations in Italian Studies at UCLA, 2007-2020 | 181 | 40 | 60 | 34 | 47 |
| 0d7254j6 | Modernismo ed elitismo nell'era delle macchine: I confini di una nuova aristocrazia in Marinetti e Mussolini | 180 | 36 | 42 | 28 | 74 |
| 2768w4js | Holy Alliance: Saint Catherine of Siena and the Paradox of Flesh | 180 | 42 | 50 | 35 | 53 |
| 6631w7vf | From Meridionalismo to Orientalism: Three Representations of Sicily in the Contemporary Narrative of the Risorgimento | 180 | 44 | 53 | 19 | 64 |
| 7h68q6dk | Excess and Antagonism in Giordano Bruno’s Il candelaio | 179 | 53 | 48 | 25 | 53 |
| 6d7731qw | Acknowledgments | 176 | 50 | 98 | 10 | 18 |
| 1k6008kn | Art for the Reader’s Sake: An Historical and Textual Study of Emilio De Marchi’s Il cappello del prete (1888) | 174 | 37 | 53 | 25 | 59 |
| 4vf8r8f5 | Dal giardino dei bei fiori | 172 | 54 | 64 | 26 | 28 |
| 89n780jk | I cappellani militari e la tematica etico-religiosa nelle memorie dell’internamento italiano nei Lager nazisti (1943-1945) | 170 | 51 | 61 | 29 | 29 |
| 9q79w36k | TRANSLATION: Elsa Morante's <em>The Evening at Colonus - A Parody</em> | 170 | 36 | 47 | 28 | 59 |
| 5vj6w1n0 | From <em>fotodinamismo</em> to <em>fotomontaggio</em>: The Legacy of Futurism's Photography | 169 | 53 | 40 | 27 | 49 |
| 2w6561tz | <em>Il Gattopardo</em>: una rivoluzione senza fine <em>perché tutto rimanga com'è</em> | 161 | 50 | 60 | 12 | 39 |
| 5nd9x6ds | The Crowd and Manzoni’s Conception of Cultural Unification | 161 | 35 | 48 | 26 | 52 |
| 5pm2h00w | Introduction and Acknowledgments | 160 | 36 | 73 | 23 | 28 |
| 0n28b3hz | Review of Gianluca Rizzo. Poetry on Stage: The Theatre of the Italian Neo-Avant-Garde. Toronto: University of Toronto Press, 2020. | 157 | 37 | 37 | 34 | 49 |
| 0nr6w4wd | Realtà, Morte e Sogno: Capitolazione di un Baluardo nella <em>Trilogia della vita</em> di Pasolini | 155 | 34 | 38 | 48 | 35 |
| 8tv1n97r | Playing God: Alberto Caeiro’s “Num meio-dia de fim de primavera” and Pier Paolo Pasolini’s <em>La Ricotta</em> | 155 | 49 | 48 | 29 | 29 |
| 5nv6s145 | <em>Lettere di una novizia</em>: la malafede di Piovene tra reinvenzione dei generi e retorica della diplomazia. | 154 | 61 | 41 | 20 | 32 |
| 10k085xh | Ruolo dell’intellettuale e 'guerra di posizione:' da Gramsci a Carlo Giuliani, ragazzo | 153 | 34 | 40 | 21 | 58 |
| 1j34q55d | Death and Rebirth in Photography: <em>Palazzo Ducale, Venice</em> by the Fratelli Alinari | 151 | 36 | 34 | 18 | 63 |
| 2bq1j688 | La genealogia della madre: Maria Drago e la "lingua della mamma" | 151 | 50 | 42 | 21 | 38 |
| 1sw4g5ft | Futurism's Construction of a Phallic National Identity | 149 | 37 | 55 | 25 | 32 |
| 9tr906gn | Pasolini's Cinema of Regression | 148 | 41 | 29 | 34 | 44 |
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