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Multicultural Iberia: Language, Literature, and Music

1999

Author(s): Dougherty, Dru
Azevedo, Milton M.
et al.

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Acknowledgments
Introduction
The Digital Scriptorium: A New Way to Study Medieval Iberian Manuscripts
Masculine Beauty vs. Feminine Beauty in Medieval Iberia
An Inane Hypothesis: Torroella, Flores, Lucena, and Celestina?
The Spill De La Vida Religiosa (Barcelona 1515) and Its Luso-Hispanic Transmission
Recovering Their Voices: Early Peninsular Women Writers
A Voice of Her Own: Jerónima De Gales, a Sixteenth-Century Woman Printer
Mothers, Daughters, and the Mother Tongue: Martín Gaite’s El Cuarto De Atrás and Roig’s El Temps de les Cireres
Mental Houses in Catalan and Castilian Women Writers of the 1990s
Villena and Mesquida: Materializing the Platonic Body
Theater and Life in Eduardo Mendoza’s Una Comedia Ligera
The Evolution of Word-Internal Clusters in Ibero-Romance: Some Evidence from Catalan
Quilombo ‘Bordello’: A Luso-Africanism in the Spanish and Catalan of Modernist Barcelona
Aspects of the Spread and Boundaries of Catalan Lexicon in Andalusia
Language, Fiction, and Culture in Catalonia and Spain at the End of the Century
Manuel de Falla and the Barcelona Press: Universalismo, Modernismo, and the Path to Neoclassicism
Community Ensemble Music as a Means of Cultural Expression in the Catalan-Speaking Autonomies of Spain
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