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Dislocation, Modernism, and the Materiality of Exile
Published Web Location
https://doi.org/10.5070/T815264581Abstract
The history of modernism changes when viewed not only as a transformative exchange across various borders including geographic ones but also as the transculturation of methodologies and ways of doing and making. Art historian Robin Schuldenfrei turns to the objects to tell this new history, reflecting on the conditions of exile that created lacunae but also opened up new material possibilities and launched new practices in architecture, art, and design.