Photography's Future Aura: Light, Memory, and Afterlives
Edited by Derek Fenner
A Special Issue of Streetnotes
I once wrote to the poet Diane di Prima:
All I ever wanted to know / about psychokinesis / I found in the latent dust / of Polaroid emulsion lifts / silver halides in self-reflective swoon / Vision is the place / where our transparency / meets our curvature.
It's been a decade since I wrote those lines, and nearly three since I first studied photography at the University of Cincinnati. Now, I've picked up my camera again, along with my pen. How about you? Has Cartier-Bresson's "decisive moment" been lost to our infinite digital scroll? What remains to be said through a lens? What magic persists?
Much has been written about photography's language, its evolving materiality, and its philosophical stakes:
· "Photography is nothing else than a writing of light, a script of light, what Talbot elsewhere called 'the pencil of nature.'" — Eduardo Cadava
· "The boundary between photography and other media… has become increasingly porous." — Geoffrey Batchen
· "The camera is… a mirror… The artist must supply the conscience." — Ralph Eugene Meatyard
· "Analogue photography transfers the traces of light… The analogue photograph is an image of light. The digital medium translates light into data. In this process, the light is lost." — Byung-Chul Han
· "The enemy of photography is the convention… The salvation of photography comes from the experiment." — László Moholy-Nagy
These provocations invite us to ask: Where is photography headed, and what role does it play in an age of algorithmic memory, artificial intelligence, digital saturation, and infinite circulation?
Nearly a century after Walter Benjamin questioned the fate of aura in the age of mechanical reproduction, photography finds itself transformed again by networked images, computational vision, algorithmic archives, and AI-generated media. Yet artists, writers, photographers, poets, and researchers continue to discover new forms of wonder, resistance, memory, and attention through images.
This special issue asks a simple question:
What remains possible for photography now?
We invite critical, creative, and experimental responses that engage photography as image, process, archive, memory, technology, performance, and way of knowing.
Possible Areas of Inquiry
· Photographers, photographs, and photographic histories
· The future of photography as an art form
· Photography's role within contemporary visual culture
· Algorithmic memory and digital archives
· AI-generated and computational images
· The camera roll as personal archive
· Photography, surveillance, and visibility
· Photography and urban experience
· Photography as ethnographic, social, or research practice
· The poetics of light, time, and disappearance
· Post-photography and the dissolution of medium boundaries
· Photography and the construction of selfhood, identity, and memory
Creative and Experimental Submissions
We especially welcome creative and experimental work, including:
· Documentary and artistic photography
· Photo essays
· Visual essays
· Artist books and bookworks
· Photographic sequences and series
· Hybrid image-text works
· Poetry
· Visual poetry and concrete poetry
· Creative nonfiction and lyric essays
· Experimental and conceptual image practices
· Collage, remix, and archival interventions
· A/r/tographic and practice-based research
· Interdisciplinary works that engage photography through writing, visual art, sound, performance, or research
Submissions may engage photography directly, work against it, or explore what emerges after/beyond the photographic image.
Preference will be given to submissions that resonate with the mission of Streetnotes and contribute to its ongoing exploration of urban life, cultural practice, ethnographic inquiry, and aesthetic experimentation.
About Streetnotes
Streetnotes is a peer-reviewed journal for the
interdisciplinary study of the city, its lifeways, and its social relations,
with a special concern for the cultural and aesthetic forms that arise through
its traffic. We publish qualitative sociology, critical essays, documentary
photography, poetry, and visual arts informed by ethnographic exploration. We
seek methodological innovation, critical engagement, and the poetics of
discovery—works that make sense of, and question, the familiar and strange of
urban life.
Deadline: August 25, 2026
Questions: Contact Issue Editor Derek Fenner derekfenner@gmail.com
Submission guidelines here.
Submit your work here.