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Student Capstones
Open access theses and dissertations from Drama alums:
PhD in Drama and Theatre
2025
- Encountering Waste: Performing with Plastics at the End of the World / by Talin Abadian
- Performing Chinese Medicine in the United States: Displacement, Integration, and Embodiment / by Chengyuan Huang
- The Stories We Tell: Affective Expressivity in the Formation of Reality and Identity in Theatre-Based Therapies / by Carly Amber Shaw
2024
- Migrant Wit, Theater Wit: Chinese American Inter-becoming/ Qianru Li
- Untying Pain: Performances of Survival in Postcolonial South Korea / by Minu Park
2023
- Emerging Authorities in Restoration Theatre: Women's Entry into Self-Representation / by Amy E. Shine
2022
- Music to the Eyes: Popular Music, American Sign Language, and Deaf Culture on Stage and Screen / by Stephanie Lim
- Puppetry: A Performative Reenactment of Taiwan / by Chee-Hann Wu
2019
- Colonizing and Decolonizing Latinidad with American Theatre / by Ricardo E. Rocha
- Performing Possibilities: Trans-Healing in Activist Performance / by Anna Renée Winget
2018
- "And all is semblative a woman's part": Phenomenology and Gender in Early Modern English Drama / by Sonia Desai
- Shakespeare: Made in México / by Leticia Concepcion Garcia
- Untimed: Transversal Subjects and Temporality in Shakespeare / by Sam Kolodezh
- Pleading the Fifth Element: Disaesthetics and Hip Hop as Black Study / by Wind Dell Woods
2016
- Survival Anxieties, Traumatic Performance and Stages of Memory: Witnessing Loss in the Final Days of Holocaust Survivors / by Allison Mikel Rotstein
- Damsels in Distress: Theatre, Anxiety, and the Feminine from the American Revolutionary War to the Civil War / by Laura Katherine Brost Turner
2015
- Feminist Views of the Fallen Woman: From Hrotsvit of Gandersheim to Rebecca Prichard / by Lauren Gray McCue
- Passion, Purity and Patriotism: Melodrama and the Evangelical Divide / by Katie Neff Stone
- Notes from a Fugitive City: Situated Theater in Neoliberal Los Angeles / by Guy Zimmerman
MFA in Acting
2023
- An Actor's Creative Process in the Preparation and Performance of the Role of Mercutio in the Play Romeo and Juliet/ by Cade Holbrook
2022
- Exploring the Effects of Identity Markers and Meditation Selection: Affinity Voice / by Arizsia Staton
2021
- How do I Play my Dead Grandpa?/ by Reshma Meister
- Understanding Max / by Malik Misheaux Proctor
MFA in Music Direction
2024
- The Prom: Music Direction in the Modern Age / by Trevor Paul Bourland
MFA in Sound Design
2014
- The Modern Sound Designer in a Theatrical Team / by Matthew Robert Glenn
MFA in Stage Management
2017
- Leadership Versus Management and Needing Both to be a Successful Stage Manager/ by Nathaniel Chase
2016
- Villains, Heroes, Fools and Lovers: Stage Managers in Western Drama / by Gabrielle Koizumi