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The Aesthetics of Copyright Adjudication
Published Web Location
https://doi.org/10.5070/LR8191027151Abstract
The American legal system is unable to continue avoiding the
question of art versus non-art. In particular, questions of copyrightability
often hinge on art-status. Yet art is a constantly evolving,
reflexive field in which artists and philosophers continually challenge
the status quo. Judges would benefit from analyzing claims to artstatus
under the objectivity provided by well-developed aesthetic
theories, aided by expert testimony when needed After reviewing
several major philosophies of art, this Article proposes a framework
for adjudicating art-status based on an aesthetic theory known as the
Historical Definition of Art. Furthermore, to balance copyright law's
purpose of protecting innovation with its need to promote public
availability of copyrighted works, this Article proposes the creation of
a new statutory exception to provide a defense for "utilitarian
adaptations" of copyrighted three-dimensional works. This statutory
defense would serve to encourage innovation and stimulate production
of novel goods.
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